Moving forward, looking back: the European avant-garde and the invention of film culture, 1919-1939
"Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
[Amsterdam]
Amsterdam University Press
2010
|
| Schriftenreihe: | Film culture in transition
|
| Schlagworte: | |
| Online-Zugang: | http://www.jstor.org/stable/10.2307/j.ctt46mw4m http://www.jstor.org/stable/10.2307/j.ctt46msnh Kostenfrei |
| Zusammenfassung: | "Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--Jacket Introduction: avant-garde culture and technological transformations -- Reframing the historical avant-garde -- media, historiography and method -- The dialectics of self-conception -- film avant-garde and industry around 1930 -- Strategic convergence and functional differentiation -- the film societies and ciné-clubs of the 1920s and 30s -- Mapping a totality of networks, nodes and flows -- discourses as practice -- Vanishing point Soviet Union -- Soviet cinema and the West between innovation and repression -- Melodies across the oceans -- the intersection of documentary and avant-garde -- Conclusion -- bridging the gaps, connecting the dots |
| Beschreibung: | 1 Online-Ressource (369 pages) |
| ISBN: | 9789053569610 9789053569603 9789048501663 9789048501670 |
| Zugangseinschränkungen: | Open Access |
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| 520 | |a "Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--Jacket | ||
| 520 | |a Introduction: avant-garde culture and technological transformations -- Reframing the historical avant-garde -- media, historiography and method -- The dialectics of self-conception -- film avant-garde and industry around 1930 -- Strategic convergence and functional differentiation -- the film societies and ciné-clubs of the 1920s and 30s -- Mapping a totality of networks, nodes and flows -- discourses as practice -- Vanishing point Soviet Union -- Soviet cinema and the West between innovation and repression -- Melodies across the oceans -- the intersection of documentary and avant-garde -- Conclusion -- bridging the gaps, connecting the dots | ||
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| spelling | Hagener, Malte Verfasser aut Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 Malte Hagener [Amsterdam] Amsterdam University Press 2010 1 Online-Ressource (369 pages) txt rdacontent c rdamedia cr rdacarrier Film culture in transition Open Access "Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--Jacket Introduction: avant-garde culture and technological transformations -- Reframing the historical avant-garde -- media, historiography and method -- The dialectics of self-conception -- film avant-garde and industry around 1930 -- Strategic convergence and functional differentiation -- the film societies and ciné-clubs of the 1920s and 30s -- Mapping a totality of networks, nodes and flows -- discourses as practice -- Vanishing point Soviet Union -- Soviet cinema and the West between innovation and repression -- Melodies across the oceans -- the intersection of documentary and avant-garde -- Conclusion -- bridging the gaps, connecting the dots Geschichte 1919-1939 gnd rswk-swf Motion pictures / Europe / History Experimental films / Europe / History and criticism PERFORMING ARTS ; Film & Video ; Reference PERFORMING ARTS ; Film & Video ; General Society and social sciences Society and culture: general The arts Film, TV and radio Experimental films Motion pictures Avant-garde Cultfilms Experimentalfilm Europa (geografie) Europe Europa Criticism, interpretation, etc History Film (DE-588)4017102-4 gnd rswk-swf Europa (DE-588)4015701-5 gnd rswk-swf Europa (DE-588)4015701-5 g Film (DE-588)4017102-4 s Geschichte 1919-1939 z DE-604 http://www.jstor.org/stable/10.2307/j.ctt46mw4m Verlag http://www.jstor.org/stable/10.2307/j.ctt46msnh Verlag https://www.jstor.org/stable/10.2307/j.ctt46msnh Verlag Kostenfrei |
| spellingShingle | Hagener, Malte Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 Motion pictures / Europe / History Experimental films / Europe / History and criticism PERFORMING ARTS ; Film & Video ; Reference PERFORMING ARTS ; Film & Video ; General Society and social sciences Society and culture: general The arts Film, TV and radio Experimental films Motion pictures Avant-garde Cultfilms Experimentalfilm Europa (geografie) Europe Europa Criticism, interpretation, etc History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4015701-5 |
| title | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 |
| title_auth | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 |
| title_exact_search | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 |
| title_exact_search_txtP | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 |
| title_full | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 Malte Hagener |
| title_fullStr | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 Malte Hagener |
| title_full_unstemmed | Moving forward, looking back the European avant-garde and the invention of film culture, 1919-1939 Malte Hagener |
| title_short | Moving forward, looking back |
| title_sort | moving forward looking back the european avant garde and the invention of film culture 1919 1939 |
| title_sub | the European avant-garde and the invention of film culture, 1919-1939 |
| topic | Motion pictures / Europe / History Experimental films / Europe / History and criticism PERFORMING ARTS ; Film & Video ; Reference PERFORMING ARTS ; Film & Video ; General Society and social sciences Society and culture: general The arts Film, TV and radio Experimental films Motion pictures Avant-garde Cultfilms Experimentalfilm Europa (geografie) Europe Europa Criticism, interpretation, etc History Film (DE-588)4017102-4 gnd |
| topic_facet | Motion pictures / Europe / History Experimental films / Europe / History and criticism PERFORMING ARTS ; Film & Video ; Reference PERFORMING ARTS ; Film & Video ; General Society and social sciences Society and culture: general The arts Film, TV and radio Experimental films Motion pictures Avant-garde Cultfilms Experimentalfilm Europa (geografie) Europe Europa Criticism, interpretation, etc History Film |
| url | http://www.jstor.org/stable/10.2307/j.ctt46mw4m http://www.jstor.org/stable/10.2307/j.ctt46msnh https://www.jstor.org/stable/10.2307/j.ctt46msnh |
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