Maurice Pialat:
'One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2013
©2006 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations' --Back cover |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (ix, 192 pages) illustrations; digital, PDF file(s) |
| ISBN: | 9781847794376 |
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| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a 1. Introductio -- Maurice Pialat, the outsider --2. Pialat and La Nouvelle Vague --3. A family of works --4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Passe ton bac d’abord --5. Family portraits II: Loulou, A nos amours and Police --6. The saint and the artist: men apart --7. Conclusion: paternity and Le Garçu --Filmography --Select bibliography | |
| 520 | |a 'One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations' --Back cover | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
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| author | Warehime, Marja |
| author_facet | Warehime, Marja |
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| author_sort | Warehime, Marja |
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| building | Verbundindex |
| bvnumber | BV048724687 |
| contents | 1. Introductio -- Maurice Pialat, the outsider --2. Pialat and La Nouvelle Vague --3. A family of works --4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Passe ton bac d’abord --5. Family portraits II: Loulou, A nos amours and Police --6. The saint and the artist: men apart --7. Conclusion: paternity and Le Garçu --Filmography --Select bibliography |
| ctrlnum | (DE-599)BVBBV048724687 |
| format | Electronic eBook |
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| institution | BVB |
| isbn | 9781847794376 |
| language | English |
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| physical | 1 online resource (ix, 192 pages) illustrations; digital, PDF file(s) |
| publishDate | 2013 2006 |
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| publisher | Manchester University Press |
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| spelling | Warehime, Marja Verfasser aut Maurice Pialat Marja Warehime Manchester, UK Manchester University Press 2013 ©2006 1 online resource (ix, 192 pages) illustrations; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index 1. Introductio -- Maurice Pialat, the outsider --2. Pialat and La Nouvelle Vague --3. A family of works --4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Passe ton bac d’abord --5. Family portraits II: Loulou, A nos amours and Police --6. The saint and the artist: men apart --7. Conclusion: paternity and Le Garçu --Filmography --Select bibliography 'One of the most gifted directors of the post New Wave, Maurice Pialat is frequently compared to such legendary filmmakers as Jean Renoir and Robert Bresson. A quintessentially realist filmmaker, who, like Bresson, was also trained as a painter, Pialat’s particular form of realism influenced an entire generation of young filmmakers in the 1990s. This volume is the first book-length study of Pialat’s cinema in English. It provides an introduction to a complex and difficult director, who saw himself as a marginal and marginalised filmmaker, but whose films are deeply rooted in French society and culture. Pialat was long considered the only major filmmaker to portray ‘la France profonde’, the heart of France - the people who, as he put it, ‘take the subway’. Taken as a whole, Pialat’s work can be seen both as an oblique autobiography and the portrait of a fundamental institution - the family - over several generations' --Back cover Manchester University Press Sonstige oth |
| spellingShingle | Warehime, Marja Maurice Pialat 1. Introductio -- Maurice Pialat, the outsider --2. Pialat and La Nouvelle Vague --3. A family of works --4. Family portraits I: Nous ne vieillirons pas ensemble, La Gueule ouverte and Passe ton bac d’abord --5. Family portraits II: Loulou, A nos amours and Police --6. The saint and the artist: men apart --7. Conclusion: paternity and Le Garçu --Filmography --Select bibliography |
| title | Maurice Pialat |
| title_auth | Maurice Pialat |
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| title_full | Maurice Pialat Marja Warehime |
| title_fullStr | Maurice Pialat Marja Warehime |
| title_full_unstemmed | Maurice Pialat Marja Warehime |
| title_short | Maurice Pialat |
| title_sort | maurice pialat |
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