Anthony Asquith:
This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films.Asquith's silent films were compared favourably to t...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2013
©2005 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films.Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958) |
| Beschreibung: | Includes bibliographical references, filmography and index |
| Beschreibung: | 1 online resource (200 pages) digital, PDF file(s) |
| ISBN: | 9781847794345 |
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| 500 | |a Includes bibliographical references, filmography and index | ||
| 505 | 0 | |a Series editor's foreword --Acknowledgements --1. Introduction --2. The formative years --3. The 1930s --4. Wartime British cinema --5. Post-war films 1 - genre and British cinema --6. Post-war films 2 - adaptation and the theatre --7. The ‘International’ film --8. Asquith and the British cinema --Filmography --Select bibliography --Index | |
| 520 | |a This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films.Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958) | ||
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
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Datensatz im Suchindex
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| author | Ryall, Tom |
| author_facet | Ryall, Tom |
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| author_sort | Ryall, Tom |
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| bvnumber | BV048724686 |
| contents | Series editor's foreword --Acknowledgements --1. Introduction --2. The formative years --3. The 1930s --4. Wartime British cinema --5. Post-war films 1 - genre and British cinema --6. Post-war films 2 - adaptation and the theatre --7. The ‘International’ film --8. Asquith and the British cinema --Filmography --Select bibliography --Index |
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| id | DE-604.BV048724686 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:19Z |
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| isbn | 9781847794345 |
| language | English |
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| publishDate | 2013 2005 |
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| publisher | Manchester University Press |
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| spelling | Ryall, Tom Verfasser aut Anthony Asquith Tom Ryall Manchester, UK Manchester University Press 2013 ©2005 1 online resource (200 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references, filmography and index Series editor's foreword --Acknowledgements --1. Introduction --2. The formative years --3. The 1930s --4. Wartime British cinema --5. Post-war films 1 - genre and British cinema --6. Post-war films 2 - adaptation and the theatre --7. The ‘International’ film --8. Asquith and the British cinema --Filmography --Select bibliography --Index This is the first comprehensive critical study of Anthony Asquith. Ryall sets the director's work in the context of British cinema from the silent period to the 1960s, examining the artistic and cultural influences which shaped his films.Asquith's silent films were compared favourably to those of his eminent contemporary Alfred Hitchcock, but his career faltered during the 1930s. However, the success of Pygmalion (1938) and French Without Tears (1939), based on plays by George Bernard Shaw and Terence Rattigan, together with his significant contributions to wartime British cinema, re-established him as a leading British film maker. Asquith's post-war career includes several pictures in collaboration with Terence Rattigan, and the definitive adaptation of Oscar Wilde's The Importance of Being Earnest (1951), but his versatility is demonstrated in a number of modest genre films including The Woman in Question (1950), The Young Lovers (1954) and Orders to Kill (1958) Manchester University Press Sonstige oth |
| spellingShingle | Ryall, Tom Anthony Asquith Series editor's foreword --Acknowledgements --1. Introduction --2. The formative years --3. The 1930s --4. Wartime British cinema --5. Post-war films 1 - genre and British cinema --6. Post-war films 2 - adaptation and the theatre --7. The ‘International’ film --8. Asquith and the British cinema --Filmography --Select bibliography --Index |
| title | Anthony Asquith |
| title_auth | Anthony Asquith |
| title_exact_search | Anthony Asquith |
| title_exact_search_txtP | Anthony Asquith |
| title_full | Anthony Asquith Tom Ryall |
| title_fullStr | Anthony Asquith Tom Ryall |
| title_full_unstemmed | Anthony Asquith Tom Ryall |
| title_short | Anthony Asquith |
| title_sort | anthony asquith |
| work_keys_str_mv | AT ryalltom anthonyasquith AT manchesteruniversitypress anthonyasquith |