Hollywood romantic comedy: states of union, 1934–1965
'This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Manchester, UK
Manchester University Press
Date of production or publication
©2006 |
Online-Zugang: | FKWA1 |
Zusammenfassung: | 'This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending.The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy' --Back cover |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 online resource (vii, 199 pages) portraits; digital, PDF file(s) |
ISBN: | 9781847791702 |
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245 | 1 | 0 | |a Hollywood romantic comedy |b states of union, 1934–1965 |c Kathrina Glitre |
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500 | |a Includes bibliographical references and index | ||
505 | 0 | |a Introduction --Part -- Hollywood romantic comedy --1. Genre, cycles and critical traditions --Part II: Marriage --2. The same, but different: Marriage, remarriage and screwball comedy --3. Making marriage fun: Myrna Loy and William Powell --Part III: Equality --4. A little difference: Equality and the career woman comedy --5. Economy and excess: Spencer Tracy and Katharine Hepburn --Part IV: Desire --6. Possess me: Consuming desires in the sex comedy --7. There must be a boy! Doris Day and Rock Hudson --Conclusion: The extraordinary couple --Appendix: The cycles | |
520 | |a 'This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending.The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy' --Back cover | ||
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author | Glitre, Kathrina |
author_facet | Glitre, Kathrina |
author_role | aut |
author_sort | Glitre, Kathrina |
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building | Verbundindex |
bvnumber | BV048724675 |
contents | Introduction --Part -- Hollywood romantic comedy --1. Genre, cycles and critical traditions --Part II: Marriage --2. The same, but different: Marriage, remarriage and screwball comedy --3. Making marriage fun: Myrna Loy and William Powell --Part III: Equality --4. A little difference: Equality and the career woman comedy --5. Economy and excess: Spencer Tracy and Katharine Hepburn --Part IV: Desire --6. Possess me: Consuming desires in the sex comedy --7. There must be a boy! Doris Day and Rock Hudson --Conclusion: The extraordinary couple --Appendix: The cycles |
ctrlnum | (DE-599)BVBBV048724675 |
format | Electronic eBook |
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id | DE-604.BV048724675 |
illustrated | Not Illustrated |
index_date | 2024-07-03T22:57:05Z |
indexdate | 2024-07-10T10:04:19Z |
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isbn | 9781847791702 |
language | English |
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physical | 1 online resource (vii, 199 pages) portraits; digital, PDF file(s) |
publishDate | 2006 |
publishDateSearch | 2016 |
publishDateSort | 2016 |
publisher | Manchester University Press |
record_format | marc |
spelling | Glitre, Kathrina Verfasser aut Hollywood romantic comedy states of union, 1934–1965 Kathrina Glitre Manchester, UK Manchester University Press Date of production or publication ©2006 1 online resource (vii, 199 pages) portraits; digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Introduction --Part -- Hollywood romantic comedy --1. Genre, cycles and critical traditions --Part II: Marriage --2. The same, but different: Marriage, remarriage and screwball comedy --3. Making marriage fun: Myrna Loy and William Powell --Part III: Equality --4. A little difference: Equality and the career woman comedy --5. Economy and excess: Spencer Tracy and Katharine Hepburn --Part IV: Desire --6. Possess me: Consuming desires in the sex comedy --7. There must be a boy! Doris Day and Rock Hudson --Conclusion: The extraordinary couple --Appendix: The cycles 'This book explores the changing representation of the couple, focusing on themes of marriage, equality and desire. Kathrina Glitre moves beyond the usual screwball territory to consider cycles of production from 1934-65. The central concern with the representation of the couple is distinctive and includes discussion of three star couples: Myrna Loy and William Powell, Katharine Hepburn and Spencer Tracy, and Doris Day and Rock Hudson. Glitre offers explanations of genre, as well as detailed analysis of screwball comedy, career woman comedy and sex comedy. Each cycle is placed into context to analyse cultural discourses around heterosexuality, gender, romance and love. This structure also enables a more sophisticated understanding of such conventions as masquerade, gender inversion and the happy ending.The book will appeal to university students and academics working on genre, gender, culture and representation, and anyone with a keen interest in Hollywood romantic comedy' --Back cover Manchester University Press Sonstige oth |
spellingShingle | Glitre, Kathrina Hollywood romantic comedy states of union, 1934–1965 Introduction --Part -- Hollywood romantic comedy --1. Genre, cycles and critical traditions --Part II: Marriage --2. The same, but different: Marriage, remarriage and screwball comedy --3. Making marriage fun: Myrna Loy and William Powell --Part III: Equality --4. A little difference: Equality and the career woman comedy --5. Economy and excess: Spencer Tracy and Katharine Hepburn --Part IV: Desire --6. Possess me: Consuming desires in the sex comedy --7. There must be a boy! Doris Day and Rock Hudson --Conclusion: The extraordinary couple --Appendix: The cycles |
title | Hollywood romantic comedy states of union, 1934–1965 |
title_auth | Hollywood romantic comedy states of union, 1934–1965 |
title_exact_search | Hollywood romantic comedy states of union, 1934–1965 |
title_exact_search_txtP | Hollywood romantic comedy states of union, 1934–1965 |
title_full | Hollywood romantic comedy states of union, 1934–1965 Kathrina Glitre |
title_fullStr | Hollywood romantic comedy states of union, 1934–1965 Kathrina Glitre |
title_full_unstemmed | Hollywood romantic comedy states of union, 1934–1965 Kathrina Glitre |
title_short | Hollywood romantic comedy |
title_sort | hollywood romantic comedy states of union 1934 1965 |
title_sub | states of union, 1934–1965 |
work_keys_str_mv | AT glitrekathrina hollywoodromanticcomedystatesofunion19341965 AT manchesteruniversitypress hollywoodromanticcomedystatesofunion19341965 |