Five directors: auteurism from Assayas to Ozon
Auteurism – the idea that a director of a film is its source of meaning and should retain creative control over the finished product – has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andre...
Saved in:
| Other Authors: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Manchester, UK
Manchester University Press
[2008]
©2008 |
| Edition: | First published |
| Series: | French film directors
|
| Subjects: | |
| Online Access: | DE-Po75 DE-188 URL des Erstveröffentlichers |
| Summary: | Auteurism – the idea that a director of a film is its source of meaning and should retain creative control over the finished product – has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of ‘auteur’ has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts |
| Item Description: | Includes bibliographical references, filmographies and index |
| Physical Description: | 1 online resource (viii, 157 pages) |
| ISBN: | 9781526141392 |
| DOI: | 10.7765/9781526141392 |
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| 520 | |a Auteurism – the idea that a director of a film is its source of meaning and should retain creative control over the finished product – has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of ‘auteur’ has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts | ||
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| contents | Series Editors’ Foreword --Acknowledgements --Introduction / Kate Ince --1. Olivier Assayas and The Cinema of Catastrophe / Paul Sutton --2. Jacques Audiar -- Contesting Filiations / Julia Dobson --3. Ethics in The Ruin of Politics: The Dardenne Brothers / Martin O’shaughnessy --4. Close Encounters with Distant Suffering: Michael Haneke’s Disarming Visions / Libby Saxton --5. François Ozon’s Cinema of Desire / Kate Ince --Conclusion / Kate Ince --Filmographies --Index |
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| discipline | Allgemeines Romanistik |
| doi_str_mv | 10.7765/9781526141392 |
| edition | First published |
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| isbn | 9781526141392 |
| language | English |
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| series2 | French film directors |
| spelling | Five directors auteurism from Assayas to Ozon edited by Kate Ince Manchester, UK Manchester University Press [2008] ©2008 1 online resource (viii, 157 pages) txt rdacontent c rdamedia cr rdacarrier French film directors Includes bibliographical references, filmographies and index Series Editors’ Foreword --Acknowledgements --Introduction / Kate Ince --1. Olivier Assayas and The Cinema of Catastrophe / Paul Sutton --2. Jacques Audiar -- Contesting Filiations / Julia Dobson --3. Ethics in The Ruin of Politics: The Dardenne Brothers / Martin O’shaughnessy --4. Close Encounters with Distant Suffering: Michael Haneke’s Disarming Visions / Libby Saxton --5. François Ozon’s Cinema of Desire / Kate Ince --Conclusion / Kate Ince --Filmographies --Index Auteurism – the idea that a director of a film is its source of meaning and should retain creative control over the finished product – has been one of film studies’ most important paradigms ever since the French New Wave of the late 1950s and early 1960s, and the adoption of the term auteur by Andrew Sarris.Through the popular, controversial and critically acclaimed films of Olivier Assayas, Jacques Audiard, the Dardenne borthers, Michael Haneke and Francois Ozon, this book looks into how the meaning of ‘auteur’ has changed over this half-century, and assesses the current state of Francophone auteur cinema. It combines French philosophical and sociological approaches with methodologies from the Anglo-American fields of gender studies, queer theory and postmodernism.This volume will be of interest to researchers and students of film studies, European cinema and French and Francophone studies, as well as to film enthusiasts Motion picture producers and directors / France Motion pictures / France / History Auteur theory (Motion pictures) Film Geschichte Motion picture producers and directors France Motion pictures France History Film (DE-588)4017102-4 gnd rswk-swf Frankreich Frankreich (DE-588)4018145-5 gnd rswk-swf Frankreich (DE-588)4018145-5 g Film (DE-588)4017102-4 s DE-604 Ince, Kate 1963- (DE-588)1128107112 edt Erscheint auch als Druck-Ausgabe, Hardcover 978-0-7190-7431-8 0-7190-7431-2 https://doi.org/10.7765/9781526141392 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Five directors auteurism from Assayas to Ozon Series Editors’ Foreword --Acknowledgements --Introduction / Kate Ince --1. Olivier Assayas and The Cinema of Catastrophe / Paul Sutton --2. Jacques Audiar -- Contesting Filiations / Julia Dobson --3. Ethics in The Ruin of Politics: The Dardenne Brothers / Martin O’shaughnessy --4. Close Encounters with Distant Suffering: Michael Haneke’s Disarming Visions / Libby Saxton --5. François Ozon’s Cinema of Desire / Kate Ince --Conclusion / Kate Ince --Filmographies --Index Motion picture producers and directors / France Motion pictures / France / History Auteur theory (Motion pictures) Film Geschichte Motion picture producers and directors France Motion pictures France History Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4018145-5 |
| title | Five directors auteurism from Assayas to Ozon |
| title_auth | Five directors auteurism from Assayas to Ozon |
| title_exact_search | Five directors auteurism from Assayas to Ozon |
| title_exact_search_txtP | Five directors auteurism from Assayas to Ozon |
| title_full | Five directors auteurism from Assayas to Ozon edited by Kate Ince |
| title_fullStr | Five directors auteurism from Assayas to Ozon edited by Kate Ince |
| title_full_unstemmed | Five directors auteurism from Assayas to Ozon edited by Kate Ince |
| title_short | Five directors |
| title_sort | five directors auteurism from assayas to ozon |
| title_sub | auteurism from Assayas to Ozon |
| topic | Motion picture producers and directors / France Motion pictures / France / History Auteur theory (Motion pictures) Film Geschichte Motion picture producers and directors France Motion pictures France History Film (DE-588)4017102-4 gnd |
| topic_facet | Motion picture producers and directors / France Motion pictures / France / History Auteur theory (Motion pictures) Film Geschichte Motion picture producers and directors France Motion pictures France History Frankreich |
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