Contemporary Spanish cinema and genre:
'This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Manchester, UK
Manchester University Press
2019
©2008 |
| Online-Zugang: | FKWA1 |
| Zusammenfassung: | 'This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years.The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today' --Back cover |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 online resource ( xviii, 310 pages) digital, PDF file(s) |
| ISBN: | 9781526141316 |
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| 245 | 1 | 0 | |a Contemporary Spanish cinema and genre |c edited by Jay Beck and Vicente Rodríguez Ortega |
| 264 | 1 | |a Manchester, UK |b Manchester University Press |c 2019 | |
| 264 | 1 | |c ©2008 | |
| 300 | |a 1 online resource ( xviii, 310 pages) |b digital, PDF file(s) | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 0 | |a Acknowledgments --Contributors --Foreword / Robert Sklar --Introduction / Jay Beck and Vicente Rodríguez Ortega --Section I. Industry, marketing and film culture --1. The fantastic factor -- the horror genre and contemporary Spanish cinema / Andrew Willis --2. Trailing the Spanish auteur: Amenábar, Almodóvar & de la Iglesia’s generic routes in the US market / Vicente Rodríguez Ortega --3. ‘Now playing everywhere’: Spanish horror film in the marketplace / Antonio Lázaro-Reboll --Section II. Generic hybridity: negotiating the regional, the national and the transnational --4. From Sevilla to the world: the transnational and transgeneric initiative of La Zanfoña Producciones / Josetxo Cerdán and Miguel Fernández Labanyen --5. *Justino, un asesino de la tercera edad*: Spanishness, dark comedy and horror / Juan F. Egea --6. Tracing the past, dealing with the present: notes on the political thriller in contemporary Spanish cinema / Vicente J. Benet --7. Selling out Spain: sc | |
| 520 | |a 'This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years.The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today' --Back cover | ||
| 700 | 1 | |a Beck, Jay |4 edt | |
| 700 | 1 | |a Rodríguez Ortega, Vicente |4 edt | |
| 710 | 2 | |a Manchester University Press |e Sonstige |4 oth | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-034668797 | ||
| 966 | e | |u https://dx.doi.org/10.7765/9781526141316 |3 Volltext |l FKWA1 | |
Datensatz im Suchindex
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| author2 | Beck, Jay Rodríguez Ortega, Vicente |
| author2_role | edt edt |
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| author_facet | Beck, Jay Rodríguez Ortega, Vicente |
| building | Verbundindex |
| bvnumber | BV048724616 |
| contents | Acknowledgments --Contributors --Foreword / Robert Sklar --Introduction / Jay Beck and Vicente Rodríguez Ortega --Section I. Industry, marketing and film culture --1. The fantastic factor -- the horror genre and contemporary Spanish cinema / Andrew Willis --2. Trailing the Spanish auteur: Amenábar, Almodóvar & de la Iglesia’s generic routes in the US market / Vicente Rodríguez Ortega --3. ‘Now playing everywhere’: Spanish horror film in the marketplace / Antonio Lázaro-Reboll --Section II. Generic hybridity: negotiating the regional, the national and the transnational --4. From Sevilla to the world: the transnational and transgeneric initiative of La Zanfoña Producciones / Josetxo Cerdán and Miguel Fernández Labanyen --5. *Justino, un asesino de la tercera edad*: Spanishness, dark comedy and horror / Juan F. Egea --6. Tracing the past, dealing with the present: notes on the political thriller in contemporary Spanish cinema / Vicente J. Benet --7. Selling out Spain: sc |
| ctrlnum | (DE-599)BVBBV048724616 |
| format | Electronic eBook |
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| id | DE-604.BV048724616 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T22:57:05Z |
| indexdate | 2024-07-10T10:04:18Z |
| institution | BVB |
| isbn | 9781526141316 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034668797 |
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| physical | 1 online resource ( xviii, 310 pages) digital, PDF file(s) |
| publishDate | 2019 2008 |
| publishDateSearch | 2019 |
| publishDateSort | 2019 |
| publisher | Manchester University Press |
| record_format | marc |
| spelling | Contemporary Spanish cinema and genre edited by Jay Beck and Vicente Rodríguez Ortega Manchester, UK Manchester University Press 2019 ©2008 1 online resource ( xviii, 310 pages) digital, PDF file(s) txt rdacontent c rdamedia cr rdacarrier Includes bibliographical references and index Acknowledgments --Contributors --Foreword / Robert Sklar --Introduction / Jay Beck and Vicente Rodríguez Ortega --Section I. Industry, marketing and film culture --1. The fantastic factor -- the horror genre and contemporary Spanish cinema / Andrew Willis --2. Trailing the Spanish auteur: Amenábar, Almodóvar & de la Iglesia’s generic routes in the US market / Vicente Rodríguez Ortega --3. ‘Now playing everywhere’: Spanish horror film in the marketplace / Antonio Lázaro-Reboll --Section II. Generic hybridity: negotiating the regional, the national and the transnational --4. From Sevilla to the world: the transnational and transgeneric initiative of La Zanfoña Producciones / Josetxo Cerdán and Miguel Fernández Labanyen --5. *Justino, un asesino de la tercera edad*: Spanishness, dark comedy and horror / Juan F. Egea --6. Tracing the past, dealing with the present: notes on the political thriller in contemporary Spanish cinema / Vicente J. Benet --7. Selling out Spain: sc 'This volume is the first English-language collection exclusively dedicated to the study of genre in relation to Spanish cinema. Providing a variety of critical perspectives, the collection gives the reader a thorough account of the relationship between Spanish cinema and genre, drawing on case studies of several of the most remarkable Spanish films in recent years.The book analyses the significant changes in the aesthetics, production and reception of Spanish film from 1990 onwards. It brings together European and North American scholars to establish a critical dialogue on the topics under discussion, while providing multiple perspectives on the concepts of national cinemas and genre theory. In recent years film scholarship has attempted to negotiate the tension between the nationally specific and the internationally ubiquitous, discussing how globalisation has influenced film making and surrounding cultural practice. These broader social concerns have prompted scholars to emphasise a redefinition of national cinemas beyond strict national boundaries and to pay attention to the transnational character of any national site of film production and reception. This collection provides a thorough investigation of contemporary Spanish cinema within a transnational framework, by positing cinematic genres as the meeting spaces between a variety of diverse forces that necessarily operate within but also across territorial spaces. Paying close attention to the specifics of the Spanish cinematic and social panorama, the essays investigate the transnational economic, cultural and aesthetic forces at play in shaping Spanish film genres today' --Back cover Beck, Jay edt Rodríguez Ortega, Vicente edt Manchester University Press Sonstige oth |
| spellingShingle | Contemporary Spanish cinema and genre Acknowledgments --Contributors --Foreword / Robert Sklar --Introduction / Jay Beck and Vicente Rodríguez Ortega --Section I. Industry, marketing and film culture --1. The fantastic factor -- the horror genre and contemporary Spanish cinema / Andrew Willis --2. Trailing the Spanish auteur: Amenábar, Almodóvar & de la Iglesia’s generic routes in the US market / Vicente Rodríguez Ortega --3. ‘Now playing everywhere’: Spanish horror film in the marketplace / Antonio Lázaro-Reboll --Section II. Generic hybridity: negotiating the regional, the national and the transnational --4. From Sevilla to the world: the transnational and transgeneric initiative of La Zanfoña Producciones / Josetxo Cerdán and Miguel Fernández Labanyen --5. *Justino, un asesino de la tercera edad*: Spanishness, dark comedy and horror / Juan F. Egea --6. Tracing the past, dealing with the present: notes on the political thriller in contemporary Spanish cinema / Vicente J. Benet --7. Selling out Spain: sc |
| title | Contemporary Spanish cinema and genre |
| title_auth | Contemporary Spanish cinema and genre |
| title_exact_search | Contemporary Spanish cinema and genre |
| title_exact_search_txtP | Contemporary Spanish cinema and genre |
| title_full | Contemporary Spanish cinema and genre edited by Jay Beck and Vicente Rodríguez Ortega |
| title_fullStr | Contemporary Spanish cinema and genre edited by Jay Beck and Vicente Rodríguez Ortega |
| title_full_unstemmed | Contemporary Spanish cinema and genre edited by Jay Beck and Vicente Rodríguez Ortega |
| title_short | Contemporary Spanish cinema and genre |
| title_sort | contemporary spanish cinema and genre |
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