Parada:
Dusan Makavejev's short films, synonimous of the legendary Belgrade Cinema Club, should be watched in sequence, because some of the obsession the young Makavejev instrumentalizes in them only become really clear through repetition, which has the effects that the films detach themselves radicall...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Video Software Buchkapitel |
| Sprache: | No linguistic content |
| Veröffentlicht: |
Beograd
Zmex
[2010]
|
| Schlagworte: | |
| Zusammenfassung: | Dusan Makavejev's short films, synonimous of the legendary Belgrade Cinema Club, should be watched in sequence, because some of the obsession the young Makavejev instrumentalizes in them only become really clear through repetition, which has the effects that the films detach themselves radically from the very reality they seem to represent. Succesfully, and above all humorously, Makavejev in his early years insisted on converting and transposing film reality to reveal certain defects and flaws. For example, in Parade (Parade, 1962), Makavejev shows the preparations of a First of May Parade in Belgrade. The film was immediately banned as "offensive and ironic" probably because it ends before the actual parade begins. After some cosmetic cuts the ban is lifted. [www.fipresci.org] |
| Beschreibung: | 1 DVD-Video (10 Min.) schwarz-weiß |
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| 520 | 8 | |a Dusan Makavejev's short films, synonimous of the legendary Belgrade Cinema Club, should be watched in sequence, because some of the obsession the young Makavejev instrumentalizes in them only become really clear through repetition, which has the effects that the films detach themselves radically from the very reality they seem to represent. Succesfully, and above all humorously, Makavejev in his early years insisted on converting and transposing film reality to reveal certain defects and flaws. For example, in Parade (Parade, 1962), Makavejev shows the preparations of a First of May Parade in Belgrade. The film was immediately banned as "offensive and ironic" probably because it ends before the actual parade begins. After some cosmetic cuts the ban is lifted. [www.fipresci.org] | |
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Datensatz im Suchindex
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| index_date | 2024-07-03T22:57:01Z |
| indexdate | 2024-07-10T10:04:14Z |
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| language | No linguistic content |
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| publishDate | 2010 |
| publishDateSearch | 2010 |
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| publisher | Zmex |
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| spelling | Parada Parada Regie: Dusan Makavejev. Kamera: Aleksandar Petkovic ; Branko Perak Beograd Zmex [2010] 1 DVD-Video (10 Min.) schwarz-weiß tdi rdacontent v rdamedia vd rdacarrier Dusan Makavejev's short films, synonimous of the legendary Belgrade Cinema Club, should be watched in sequence, because some of the obsession the young Makavejev instrumentalizes in them only become really clear through repetition, which has the effects that the films detach themselves radically from the very reality they seem to represent. Succesfully, and above all humorously, Makavejev in his early years insisted on converting and transposing film reality to reveal certain defects and flaws. For example, in Parade (Parade, 1962), Makavejev shows the preparations of a First of May Parade in Belgrade. The film was immediately banned as "offensive and ironic" probably because it ends before the actual parade begins. After some cosmetic cuts the ban is lifted. [www.fipresci.org] ohne Dialog DVD-Video gnd-carrier Makavejev, Dusan drt Petkovic, Aleksandar cng Perak, Branko cng Tito [Bonus von VD 20.136] [2010] (DE-604)BV048723231 dolby digital 2.0 |
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| title_alt | Parada |
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| title_full | Parada Regie: Dusan Makavejev. Kamera: Aleksandar Petkovic ; Branko Perak |
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