Art & Cinema - The Belgian Art Documentary:
The 1940s and 1950s can be considered the heyday of the experimental art film. In that era, leading filmmakers such as Alain Resnais, Henri Alekan and Henri-Georges Clouzot presented the art documentary as a truly experimental genre that enabled them to combine cinematic experiments with artistic pr...
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| Other Authors: | , , , , , |
|---|---|
| Format: | Video Software |
| Language: | Undetermined |
| Published: |
Bruxelles
Cinematek
2013
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| Subjects: | |
| Summary: | The 1940s and 1950s can be considered the heyday of the experimental art film. In that era, leading filmmakers such as Alain Resnais, Henri Alekan and Henri-Georges Clouzot presented the art documentary as a truly experimental genre that enabled them to combine cinematic experiments with artistic profundity. Also Belgian filmmakers such as Charles Dekeukeleire, André Cauvin, Henri Storck, Paul Haesaerts, and Luc de Heusch among others made important contributions to the development of the art film. Their films were clearly more than mere camera registrations of artworks but attempted at translating the perception of the original artworks into a truly cinematic experience. While some of their films demonstrated that cinema could become a useful tool for art analysis, others focused on the representation of artists such as Picasso, Magritte, Delvaux, Alechinsky, and Dotremont at work. Closely connected to or inspired by avant-garde currents such as Surrealism or CoBrA, these filmmakers were convinced that films on art should also be "art films" in themselves, which are characterized by a self-conscious modernist or avant-garde aesthetic. [www.cinematek.be] |
| Physical Description: | [3 DVD] (425 Min.) s/w Farbe ; dolby digital 2.0 |
Staff View
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| 520 | 8 | |a The 1940s and 1950s can be considered the heyday of the experimental art film. In that era, leading filmmakers such as Alain Resnais, Henri Alekan and Henri-Georges Clouzot presented the art documentary as a truly experimental genre that enabled them to combine cinematic experiments with artistic profundity. Also Belgian filmmakers such as Charles Dekeukeleire, André Cauvin, Henri Storck, Paul Haesaerts, and Luc de Heusch among others made important contributions to the development of the art film. Their films were clearly more than mere camera registrations of artworks but attempted at translating the perception of the original artworks into a truly cinematic experience. While some of their films demonstrated that cinema could become a useful tool for art analysis, others focused on the representation of artists such as Picasso, Magritte, Delvaux, Alechinsky, and Dotremont at work. Closely connected to or inspired by avant-garde currents such as Surrealism or CoBrA, these filmmakers were convinced that films on art should also be "art films" in themselves, which are characterized by a self-conscious modernist or avant-garde aesthetic. [www.cinematek.be] | |
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| indexdate | 2024-07-10T10:03:54Z |
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| spelling | Art & Cinema - De belgische kunstdocumentaire Art & Cinema - The Belgian Art Documentary Director: Charles Dekeukeleire ; André Cauvin ; Paul Haesaerts ; Pierre Alechinsky ; Henri Storck ; Luc de Heusch Disc 1: Themes of Inspiration [Thèmes d'inspiration] (1938) - Director: Charles Dekeukeleire / The Mystic Lamb [L'Agneau mystique] (1939) <engl.> - Director: André Cauvin / Return of the Mystic Lamb [Le retour de l'Agneau mystique] (1946) <ohne Dialog> - Director: André Cauvin / Hans Memling, Painter of the Madonna [Hans Memling, peintre de la Vierge] (1939) <engl.> - Director: André Cauvin / Visit to Picasso [Visite à Picasso] (1950) - Director: Paul Haesaerts / From Renoir to Picasso [De Renoir à Picasso] (1950) - Director: Paul Haesaerts / Four Belgian Painters at Work [Quatre peintres belges au travail] (1952) <engl.> - Director: Paul Haesaerts / Japanese Calligraphy [Calligraphie japonaise] (1956) - Director: Pierre Alechinsky Disc 2: The World of Paul Delvaux [Le monde de Paul Delvaux] (1944-1946) - Director: Henri Storck / An Artists Gathering [Réunion d'artistes] (1945) <ohne Dialog> - Director: Henri Storck / Rubens (1948) <engl.> - Director: Henri Storck & Paul Haesaerts / The Open Window [La fenêtre ouverte] (1952) <engl.> - Director: Henri Storck / Paul Delvaux or the Forbidden Women [Paul Delvaux ou les femmes défendues] (1969-1970) - Director: Henri Storck / Herman Teirlinck (1953-1954) <niederländ. mit engl. UT> - Director: Henri Storck Disc 3: Magritte or the Object Lesson [Magritte ou la leçon des choses] (1960) - Director: Luc de Heusch / Alechinsky from Life [Alechinsky d'après nature] (1970) <engl.> - Director: Luc de Heusch / Dotremont-les-logogrammes (1972) - Director: Luc de Heusch / I'm Crazy, I'm Foolish, I'm Nasty [Je suis fou, je suis sot, je suis méchant] (1990) <engl.> - Director: Luc de Heusch / Michel De Ghelderode (1957) - Director: Luc de Heusch Bruxelles Cinematek 2013 [3 DVD] (425 Min.) s/w Farbe ; dolby digital 2.0 tdi rdacontent v rdamedia vd rdacarrier The 1940s and 1950s can be considered the heyday of the experimental art film. In that era, leading filmmakers such as Alain Resnais, Henri Alekan and Henri-Georges Clouzot presented the art documentary as a truly experimental genre that enabled them to combine cinematic experiments with artistic profundity. Also Belgian filmmakers such as Charles Dekeukeleire, André Cauvin, Henri Storck, Paul Haesaerts, and Luc de Heusch among others made important contributions to the development of the art film. Their films were clearly more than mere camera registrations of artworks but attempted at translating the perception of the original artworks into a truly cinematic experience. While some of their films demonstrated that cinema could become a useful tool for art analysis, others focused on the representation of artists such as Picasso, Magritte, Delvaux, Alechinsky, and Dotremont at work. Closely connected to or inspired by avant-garde currents such as Surrealism or CoBrA, these filmmakers were convinced that films on art should also be "art films" in themselves, which are characterized by a self-conscious modernist or avant-garde aesthetic. [www.cinematek.be] franz. mit engl. UT DVD-Video gnd-carrier Dekeukeleire, Charles drt Cauvin, André drt Haesaerts, Paul drt Alechinsky, Pierre drt Storck, Henri drt Heusch, Luc de drt |
| spellingShingle | Art & Cinema - The Belgian Art Documentary |
| title | Art & Cinema - The Belgian Art Documentary |
| title_alt | Art & Cinema - De belgische kunstdocumentaire Disc 1: Themes of Inspiration [Thèmes d'inspiration] (1938) - Director: Charles Dekeukeleire / The Mystic Lamb [L'Agneau mystique] (1939) <engl.> - Director: André Cauvin / Return of the Mystic Lamb [Le retour de l'Agneau mystique] (1946) <ohne Dialog> - Director: André Cauvin / Hans Memling, Painter of the Madonna [Hans Memling, peintre de la Vierge] (1939) <engl.> - Director: André Cauvin / Visit to Picasso [Visite à Picasso] (1950) - Director: Paul Haesaerts / From Renoir to Picasso [De Renoir à Picasso] (1950) - Director: Paul Haesaerts / Four Belgian Painters at Work [Quatre peintres belges au travail] (1952) <engl.> - Director: Paul Haesaerts / Japanese Calligraphy [Calligraphie japonaise] (1956) - Director: Pierre Alechinsky Disc 2: The World of Paul Delvaux [Le monde de Paul Delvaux] (1944-1946) - Director: Henri Storck / An Artists Gathering [Réunion d'artistes] (1945) <ohne Dialog> - Director: Henri Storck / Rubens (1948) <engl.> - Director: Henri Storck & Paul Haesaerts / The Open Window [La fenêtre ouverte] (1952) <engl.> - Director: Henri Storck / Paul Delvaux or the Forbidden Women [Paul Delvaux ou les femmes défendues] (1969-1970) - Director: Henri Storck / Herman Teirlinck (1953-1954) <niederländ. mit engl. UT> - Director: Henri Storck Disc 3: Magritte or the Object Lesson [Magritte ou la leçon des choses] (1960) - Director: Luc de Heusch / Alechinsky from Life [Alechinsky d'après nature] (1970) <engl.> - Director: Luc de Heusch / Dotremont-les-logogrammes (1972) - Director: Luc de Heusch / I'm Crazy, I'm Foolish, I'm Nasty [Je suis fou, je suis sot, je suis méchant] (1990) <engl.> - Director: Luc de Heusch / Michel De Ghelderode (1957) - Director: Luc de Heusch |
| title_auth | Art & Cinema - The Belgian Art Documentary |
| title_exact_search | Art & Cinema - The Belgian Art Documentary |
| title_exact_search_txtP | Art & Cinema - The Belgian Art Documentary |
| title_full | Art & Cinema - The Belgian Art Documentary Director: Charles Dekeukeleire ; André Cauvin ; Paul Haesaerts ; Pierre Alechinsky ; Henri Storck ; Luc de Heusch |
| title_fullStr | Art & Cinema - The Belgian Art Documentary Director: Charles Dekeukeleire ; André Cauvin ; Paul Haesaerts ; Pierre Alechinsky ; Henri Storck ; Luc de Heusch |
| title_full_unstemmed | Art & Cinema - The Belgian Art Documentary Director: Charles Dekeukeleire ; André Cauvin ; Paul Haesaerts ; Pierre Alechinsky ; Henri Storck ; Luc de Heusch |
| title_short | Art & Cinema - The Belgian Art Documentary |
| title_sort | art cinema the belgian art documentary |
| topic_facet | DVD-Video |
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