Gaumont Treasures: Emile Cohl:
On August 17, 1908, history was made at the Théâtre du Gymnase in Paris, when the first pen-and-ink animated film by Emile Cohl had its premiere: "Fantasmagoria". It was not the invention of animation. Others, including Emile Reynaud and Stuart Blackton, had experimented with certain techn...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | |
| Format: | Video Software |
| Sprache: | Undetermined |
| Veröffentlicht: |
New York
Kino International
2011
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| Schriftenreihe: | Gaumont Treasures - Vol. 2
1 |
| Schlagworte: | |
| Zusammenfassung: | On August 17, 1908, history was made at the Théâtre du Gymnase in Paris, when the first pen-and-ink animated film by Emile Cohl had its premiere: "Fantasmagoria". It was not the invention of animation. Others, including Emile Reynaud and Stuart Blackton, had experimented with certain techniques, but it was Cohl who dedicated himself to it and expanded the possibilities of the fledgling art form. He explored the effects of various forms of two-dimensional animation, pixillation, puppetry, and double-exposure, occasionally blending live action with animation, paving the way for other innovators – such as Winsor McCay and Walt Disney - who followed in his wake. But Cohl was more than a great technician. His films are infused with his unique personality. His tableaux vivants films, including "Crowns" and "The Living Fan", reveal an affinity for Symbolist art. He was also a member of the 19th-century art rebels known as the Incoherents. As such, Cohl delighted in skewering all varieties of pomp and pretension, with a wit and irreverence that was a significant influence upon the Surrealist movement of the 1920s. [Cover] |
| Beschreibung: | [DVD] (190 Min.) s/w dolby digital 2.0 ; Stummfilm |
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| 520 | 8 | |a On August 17, 1908, history was made at the Théâtre du Gymnase in Paris, when the first pen-and-ink animated film by Emile Cohl had its premiere: "Fantasmagoria". It was not the invention of animation. Others, including Emile Reynaud and Stuart Blackton, had experimented with certain techniques, but it was Cohl who dedicated himself to it and expanded the possibilities of the fledgling art form. He explored the effects of various forms of two-dimensional animation, pixillation, puppetry, and double-exposure, occasionally blending live action with animation, paving the way for other innovators – such as Winsor McCay and Walt Disney - who followed in his wake. But Cohl was more than a great technician. His films are infused with his unique personality. His tableaux vivants films, including "Crowns" and "The Living Fan", reveal an affinity for Symbolist art. He was also a member of the 19th-century art rebels known as the Incoherents. As such, Cohl delighted in skewering all varieties of pomp and pretension, with a wit and irreverence that was a significant influence upon the Surrealist movement of the 1920s. [Cover] | |
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| 700 | 1 | |a Lubat, Bernard |4 cmp | |
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| indexdate | 2024-07-10T10:03:52Z |
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| series2 | Gaumont Treasures - Vol. 2 |
| spelling | Gaumont Treasures: Emile Cohl Gaumont Treasures: Emile Cohl Director: Emile Cohl. Music: Bernard Lubat Fantasmagoria (1908) / The Puppet’s Nightmare (1908) / Drama at the Puppets’ House (1908) / The Magic Hoop (1908) / The Little Soldier Who Became a God (1908) / The Boutdebois Brothers (1908) / Transfigurations (1909) / Let’s Be Sporty (1909) / Japanese Fantasy (1909) / The Happy Microbes (1909) / Modern Education (1909) / The Living Fan (1909) / Spanish Clair de Lune (1909) / The Next Door Neighbors (1909) / Crowns (1909) / Delicate Porcelains (1909) / Monsieur Clown Among the Lilliputians (1909) / Comic Mutations (1909) / Matrimonial Shoes (1909) / The Enchanted Spectacles (1909) / Affairs of the Heart (1909) / Floral Frameworks (1910) / The Smile-o-Scope (1910) / Childish Dreams (1910) / En Route (1910) / The Mind of the Café Waiter (1910) / Master of a Fashionable Game (1910) / Petit Chantecler (1910) / The Twelve Labors of Hercules (1910) / Petit Faust (1910) / The Neo-Impressionist Painter (1910) / The Four Little Tailors (1910) / Art’s Infancy (1910) / The Mysterious Fine Arts (1910) / The Persistent Salesman (1910) / A History of Hats (1910) / Nothing is Impossible for Man (1910) / Mr. Crack (1910) / Bébé’s Masterpiece (1910) / Music-Mania (1910) New York Kino International 2011 [DVD] (190 Min.) s/w dolby digital 2.0 ; Stummfilm tdi rdacontent v rdamedia vd rdacarrier Gaumont Treasures - Vol. 2 1 On August 17, 1908, history was made at the Théâtre du Gymnase in Paris, when the first pen-and-ink animated film by Emile Cohl had its premiere: "Fantasmagoria". It was not the invention of animation. Others, including Emile Reynaud and Stuart Blackton, had experimented with certain techniques, but it was Cohl who dedicated himself to it and expanded the possibilities of the fledgling art form. He explored the effects of various forms of two-dimensional animation, pixillation, puppetry, and double-exposure, occasionally blending live action with animation, paving the way for other innovators – such as Winsor McCay and Walt Disney - who followed in his wake. But Cohl was more than a great technician. His films are infused with his unique personality. His tableaux vivants films, including "Crowns" and "The Living Fan", reveal an affinity for Symbolist art. He was also a member of the 19th-century art rebels known as the Incoherents. As such, Cohl delighted in skewering all varieties of pomp and pretension, with a wit and irreverence that was a significant influence upon the Surrealist movement of the 1920s. [Cover] Stummfilm mit engl. Zwischentiteln DVD-Video gnd-carrier Cohl, Emile drt Lubat, Bernard cmp |
| spellingShingle | Lubat, Bernard Gaumont Treasures: Emile Cohl |
| title | Gaumont Treasures: Emile Cohl |
| title_alt | Gaumont Treasures: Emile Cohl Fantasmagoria (1908) / The Puppet’s Nightmare (1908) / Drama at the Puppets’ House (1908) / The Magic Hoop (1908) / The Little Soldier Who Became a God (1908) / The Boutdebois Brothers (1908) / Transfigurations (1909) / Let’s Be Sporty (1909) / Japanese Fantasy (1909) / The Happy Microbes (1909) / Modern Education (1909) / The Living Fan (1909) / Spanish Clair de Lune (1909) / The Next Door Neighbors (1909) / Crowns (1909) / Delicate Porcelains (1909) / Monsieur Clown Among the Lilliputians (1909) / Comic Mutations (1909) / Matrimonial Shoes (1909) / The Enchanted Spectacles (1909) / Affairs of the Heart (1909) / Floral Frameworks (1910) / The Smile-o-Scope (1910) / Childish Dreams (1910) / En Route (1910) / The Mind of the Café Waiter (1910) / Master of a Fashionable Game (1910) / Petit Chantecler (1910) / The Twelve Labors of Hercules (1910) / Petit Faust (1910) / The Neo-Impressionist Painter (1910) / The Four Little Tailors (1910) / Art’s Infancy (1910) / The Mysterious Fine Arts (1910) / The Persistent Salesman (1910) / A History of Hats (1910) / Nothing is Impossible for Man (1910) / Mr. Crack (1910) / Bébé’s Masterpiece (1910) / Music-Mania (1910) |
| title_auth | Gaumont Treasures: Emile Cohl |
| title_exact_search | Gaumont Treasures: Emile Cohl |
| title_exact_search_txtP | Gaumont Treasures: Emile Cohl |
| title_full | Gaumont Treasures: Emile Cohl Director: Emile Cohl. Music: Bernard Lubat |
| title_fullStr | Gaumont Treasures: Emile Cohl Director: Emile Cohl. Music: Bernard Lubat |
| title_full_unstemmed | Gaumont Treasures: Emile Cohl Director: Emile Cohl. Music: Bernard Lubat |
| title_short | Gaumont Treasures: Emile Cohl |
| title_sort | gaumont treasures emile cohl |
| topic_facet | DVD-Video |
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