Intimacy and the anxieties of cinematic flesh: between phenomenology and psychoanalysis
"In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is deve...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York
Bloomsbury Academic
2023
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| Series: | Bloomsbury collections
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| Subjects: | |
| Online Access: | BSB01 UBR01 UBT01 Volltext |
| Summary: | "In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema’s enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields. Along with Husserl and Freud, other key thinkers discussed include Edith Stein, Roman Ingarden, Maurice Merleau-Ponty, Mikel Dufrenne in phenomenology; Melanie Klein, Ernest Jones, Julia Kristeva, and Rosine Lefort in psychoanalysis. Framing these issues and critical approaches is the question: how might Husserlian phenomenology and Freudian/Lacanian psychoanalysis, so often seen as contradistinctive, be explored through their potential commonalities rather than differences? In addressing such a question, this book postulates a new approach to film through this phenomenological/psychoanalytic reconceptualization. A wide range of films are examined not simply as exemplars, but to test the idea that cinema itself can be a version of critical thinking. " |
| Physical Description: | 1 Online-Ressource (264 Seiten) Illustrationen |
| ISBN: | 9781501376313 9781501376344 9781501376337 |
| DOI: | 10.5040/9781501376313 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:26:53Z |
| indexdate | 2024-07-10T09:46:11Z |
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| isbn | 9781501376313 9781501376344 9781501376337 |
| language | English |
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| spelling | Fuery, Patrick 1957- Verfasser (DE-588)132658208 aut Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis Patrick Fuery New York Bloomsbury Academic 2023 1 Online-Ressource (264 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Bloomsbury collections "In a "return" to Edmund Husserl and Sigmund Freud, Intimacy and the Anxieties of Cinematic Flesh explores how we can engage these foundational thinkers of phenomenology and psychoanalysis in an original approach to film. The idea of the intimate spectator caught up in anxiety is developed to investigate a range of topics central to these critical approaches and cinema, including: flesh as a disruptive state formed in the relationships of intimacy and anxiety; time and the formation of cinema’s enduring objects; space and things; the sensual, the "real" and the unconscious; wildness, disruption, and resistance; and the nightmare, reading "phantasy" across the critical fields. Along with Husserl and Freud, other key thinkers discussed include Edith Stein, Roman Ingarden, Maurice Merleau-Ponty, Mikel Dufrenne in phenomenology; Melanie Klein, Ernest Jones, Julia Kristeva, and Rosine Lefort in psychoanalysis. Framing these issues and critical approaches is the question: how might Husserlian phenomenology and Freudian/Lacanian psychoanalysis, so often seen as contradistinctive, be explored through their potential commonalities rather than differences? In addressing such a question, this book postulates a new approach to film through this phenomenological/psychoanalytic reconceptualization. A wide range of films are examined not simply as exemplars, but to test the idea that cinema itself can be a version of critical thinking. " Psychoanalysis and motion pictures Motion pictures / Philosophy Motion pictures / Psychological aspects Erscheint auch als Druck-Ausgabe, Festeinband 978-1-5013-7635-1 Erscheint auch als Druck-Ausgabe, Broschur 9781501376320 https://doi.org/10.5040/9781501376313?locatt=label:secondary_bloomsburyCollections Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fuery, Patrick 1957- Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis |
| title | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis |
| title_auth | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis |
| title_exact_search | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis |
| title_exact_search_txtP | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis |
| title_full | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis Patrick Fuery |
| title_fullStr | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis Patrick Fuery |
| title_full_unstemmed | Intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis Patrick Fuery |
| title_short | Intimacy and the anxieties of cinematic flesh |
| title_sort | intimacy and the anxieties of cinematic flesh between phenomenology and psychoanalysis |
| title_sub | between phenomenology and psychoanalysis |
| url | https://doi.org/10.5040/9781501376313?locatt=label:secondary_bloomsburyCollections |
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