Music after the fall: modern composition and culture since 1989
By the start of the 21st century many of the foundations of postwar culture had disappeared: Europe had been rebuilt and, as the EU, had become one of the world's largest economies; the United States' claim to global dominance was threatened; and the postwar social democratic consensus was...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
2017
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| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Zusammenfassung: | By the start of the 21st century many of the foundations of postwar culture had disappeared: Europe had been rebuilt and, as the EU, had become one of the world's largest economies; the United States' claim to global dominance was threatened; and the postwar social democratic consensus was being replaced by market-led neoliberalism. Most importantly of all, the Cold War was over, and the World Wide Web had been born. 'Music After The Fall' considers contemporary musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing on theories from the other arts, in particular art and architecture, it expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall |
| Beschreibung: | Previously issued in print: 2017 |
| Beschreibung: | 1 Online-Ressource illustrations (black and white) |
| Zielpublikum: | Specialized |
| ISBN: | 9780520959040 |
| DOI: | 10.1525/california/9780520283145.001.0001 |
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| 520 | 3 | |a By the start of the 21st century many of the foundations of postwar culture had disappeared: Europe had been rebuilt and, as the EU, had become one of the world's largest economies; the United States' claim to global dominance was threatened; and the postwar social democratic consensus was being replaced by market-led neoliberalism. Most importantly of all, the Cold War was over, and the World Wide Web had been born. 'Music After The Fall' considers contemporary musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing on theories from the other arts, in particular art and architecture, it expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall | |
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Datensatz im Suchindex
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| author | Rutherford-Johnson, Tim |
| author_facet | Rutherford-Johnson, Tim |
| author_role | aut |
| author_sort | Rutherford-Johnson, Tim |
| author_variant | t r j trj |
| building | Verbundindex |
| bvnumber | BV048683578 |
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| ctrlnum | (ZDB-1-UMC)EDZ0001740196 (OCoLC)1369559920 (DE-599)BVBBV048683578 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1525/california/9780520283145.001.0001 |
| era | Geschichte 1989-2016 gnd |
| era_facet | Geschichte 1989-2016 |
| format | Electronic eBook |
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| id | DE-604.BV048683578 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:25:55Z |
| indexdate | 2024-07-10T09:46:00Z |
| institution | BVB |
| isbn | 9780520959040 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034057904 |
| oclc_num | 1369559920 |
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| physical | 1 Online-Ressource illustrations (black and white) |
| psigel | ZDB-1-UMC |
| publishDate | 2017 |
| publishDateSearch | 2017 |
| publishDateSort | 2017 |
| publisher | University of California Press |
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| spelling | Rutherford-Johnson, Tim Verfasser aut Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson Oakland, California University of California Press 2017 1 Online-Ressource illustrations (black and white) txt rdacontent sti rdacontent c rdamedia cr rdacarrier Previously issued in print: 2017 By the start of the 21st century many of the foundations of postwar culture had disappeared: Europe had been rebuilt and, as the EU, had become one of the world's largest economies; the United States' claim to global dominance was threatened; and the postwar social democratic consensus was being replaced by market-led neoliberalism. Most importantly of all, the Cold War was over, and the World Wide Web had been born. 'Music After The Fall' considers contemporary musical composition against this changed backdrop, placing it in the context of globalization, digitization, and new media. Drawing on theories from the other arts, in particular art and architecture, it expands the definition of Western art music to include forms of composition, experimental music, sound art, and crossover work from across the spectrum, inside and beyond the concert hall Specialized Geschichte 1989-2016 gnd rswk-swf Music 20th century History and criticism Music 21st century History and criticism Composition (Music) History 20th century Composition (Music) History 21st century Music Social aspects History 20th century Music Social aspects History 21st century Popular culture History 20th century Popular culture History 21st century Music and globalization Music and technology Politischer Wandel (DE-588)4175047-0 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Neue Musik (DE-588)4428235-7 gnd rswk-swf Neue Musik (DE-588)4428235-7 s Politischer Wandel (DE-588)4175047-0 s Globalisierung (DE-588)4557997-0 s Geschichte 1989-2016 z DE-604 Erscheint auch als Druck-Ausgabe 9780520283145 https://doi.org/10.1525/california/9780520283145.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rutherford-Johnson, Tim Music after the fall modern composition and culture since 1989 Music 20th century History and criticism Music 21st century History and criticism Composition (Music) History 20th century Composition (Music) History 21st century Music Social aspects History 20th century Music Social aspects History 21st century Popular culture History 20th century Popular culture History 21st century Music and globalization Music and technology Politischer Wandel (DE-588)4175047-0 gnd Globalisierung (DE-588)4557997-0 gnd Neue Musik (DE-588)4428235-7 gnd |
| subject_GND | (DE-588)4175047-0 (DE-588)4557997-0 (DE-588)4428235-7 |
| title | Music after the fall modern composition and culture since 1989 |
| title_auth | Music after the fall modern composition and culture since 1989 |
| title_exact_search | Music after the fall modern composition and culture since 1989 |
| title_exact_search_txtP | Music after the fall modern composition and culture since 1989 |
| title_full | Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson |
| title_fullStr | Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson |
| title_full_unstemmed | Music after the fall modern composition and culture since 1989 Tim Rutherford-Johnson |
| title_short | Music after the fall |
| title_sort | music after the fall modern composition and culture since 1989 |
| title_sub | modern composition and culture since 1989 |
| topic | Music 20th century History and criticism Music 21st century History and criticism Composition (Music) History 20th century Composition (Music) History 21st century Music Social aspects History 20th century Music Social aspects History 21st century Popular culture History 20th century Popular culture History 21st century Music and globalization Music and technology Politischer Wandel (DE-588)4175047-0 gnd Globalisierung (DE-588)4557997-0 gnd Neue Musik (DE-588)4428235-7 gnd |
| topic_facet | Music 20th century History and criticism Music 21st century History and criticism Composition (Music) History 20th century Composition (Music) History 21st century Music Social aspects History 20th century Music Social aspects History 21st century Popular culture History 20th century Popular culture History 21st century Music and globalization Music and technology Politischer Wandel Globalisierung Neue Musik |
| url | https://doi.org/10.1525/california/9780520283145.001.0001 |
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