Netherlandish and Italian female portraiture in the fifteenth century: gender, identity, and the tradition of power
This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial a...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Amsterdam
Amsterdam University Press
2022
|
Schriftenreihe: | Visual and material culture, 1300-1700
|
Schlagworte: | |
Online-Zugang: | BSB01 UBG01 Volltext |
Zusammenfassung: | This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. <br><br>Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology |
Beschreibung: | Title from publisher's bibliographic system (viewed on 24 Nov 2022) |
Beschreibung: | 1 Online-Ressource (316 Seiten) |
ISBN: | 9789048544899 |
DOI: | 10.1017/9789048544899 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV048680703 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 230130s2022 |||| o||u| ||||||eng d | ||
020 | |a 9789048544899 |c Online |9 978-90-485-4489-9 | ||
024 | 7 | |a 10.1017/9789048544899 |2 doi | |
035 | |a (ZDB-20-CBO)CR9789048544899 | ||
035 | |a (OCoLC)1369559029 | ||
035 | |a (DE-599)BVBBV048680703 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-473 | ||
082 | 0 | |a 757/.4/0949207442133 | |
084 | |a LH 85090 |0 (DE-625)95360: |2 rvk | ||
100 | 1 | |a Toreno, Elisabetta |d ca. 20./21. Jh. |0 (DE-588)1275769322 |4 aut | |
245 | 1 | 0 | |a Netherlandish and Italian female portraiture in the fifteenth century |b gender, identity, and the tradition of power |c Elisabetta Toreno |
264 | 1 | |a Amsterdam |b Amsterdam University Press |c 2022 | |
300 | |a 1 Online-Ressource (316 Seiten) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
490 | 0 | |a Visual and material culture, 1300-1700 | |
500 | |a Title from publisher's bibliographic system (viewed on 24 Nov 2022) | ||
520 | |a This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. <br><br>Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology | ||
648 | 7 | |a Geschichte 1400-1500 |2 gnd |9 rswk-swf | |
650 | 4 | |a Portrait painting, Dutch / 15th century | |
650 | 4 | |a Portrait painting, Italian / 15th century | |
650 | 4 | |a Women / Netherlands / Portraits | |
650 | 4 | |a Women / Italy / Portraits | |
650 | 4 | |a Portraits, Dutch / 15th century | |
650 | 4 | |a Portraits, Italian / 15th century | |
650 | 4 | |a Painting, Dutch / 15th century | |
650 | 4 | |a Painting, Italian / 15th century | |
650 | 4 | |a Women in art | |
650 | 0 | 7 | |a Bildnis |0 (DE-588)4006627-7 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Bildnismalerei |0 (DE-588)4145426-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Frau |g Motiv |0 (DE-588)4113617-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Geschlechterrolle |0 (DE-588)4071776-8 |2 gnd |9 rswk-swf |
651 | 7 | |a Italien |0 (DE-588)4027833-5 |2 gnd |9 rswk-swf | |
651 | 7 | |a Niederlande |0 (DE-588)4042203-3 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a Niederlande |0 (DE-588)4042203-3 |D g |
689 | 0 | 1 | |a Italien |0 (DE-588)4027833-5 |D g |
689 | 0 | 2 | |a Bildnis |0 (DE-588)4006627-7 |D s |
689 | 0 | 3 | |a Frau |g Motiv |0 (DE-588)4113617-2 |D s |
689 | 0 | 4 | |a Geschichte 1400-1500 |A z |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Bildnismalerei |0 (DE-588)4145426-1 |D s |
689 | 1 | 1 | |a Geschlechterrolle |0 (DE-588)4071776-8 |D s |
689 | 1 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-94-637-2861-4 |
856 | 4 | 0 | |u https://doi.org/10.1017/9789048544899 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-20-CBO | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-034055069 | ||
966 | e | |u https://doi.org/10.1017/9789048544899 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1017/9789048544899 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804184852677787648 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Toreno, Elisabetta ca. 20./21. Jh |
author_GND | (DE-588)1275769322 |
author_facet | Toreno, Elisabetta ca. 20./21. Jh |
author_role | aut |
author_sort | Toreno, Elisabetta ca. 20./21. Jh |
author_variant | e t et |
building | Verbundindex |
bvnumber | BV048680703 |
classification_rvk | LH 85090 |
collection | ZDB-20-CBO |
ctrlnum | (ZDB-20-CBO)CR9789048544899 (OCoLC)1369559029 (DE-599)BVBBV048680703 |
dewey-full | 757/.4/0949207442133 |
dewey-hundreds | 700 - The arts |
dewey-ones | 757 - Human figures |
dewey-raw | 757/.4/0949207442133 |
dewey-search | 757/.4/0949207442133 |
dewey-sort | 3757 14 12949207442133 |
dewey-tens | 750 - Painting and paintings |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
doi_str_mv | 10.1017/9789048544899 |
era | Geschichte 1400-1500 gnd |
era_facet | Geschichte 1400-1500 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04303nmm a2200697zc 4500</leader><controlfield tag="001">BV048680703</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">230130s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048544899</subfield><subfield code="c">Online</subfield><subfield code="9">978-90-485-4489-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9789048544899</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9789048544899</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1369559029</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048680703</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">757/.4/0949207442133</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 85090</subfield><subfield code="0">(DE-625)95360:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Toreno, Elisabetta</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1275769322</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Netherlandish and Italian female portraiture in the fifteenth century</subfield><subfield code="b">gender, identity, and the tradition of power</subfield><subfield code="c">Elisabetta Toreno</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (316 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Visual and material culture, 1300-1700</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 24 Nov 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. <br><br>Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1400-1500</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Portrait painting, Dutch / 15th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Portrait painting, Italian / 15th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women / Netherlands / Portraits</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women / Italy / Portraits</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Portraits, Dutch / 15th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Portraits, Italian / 15th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, Dutch / 15th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Painting, Italian / 15th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Women in art</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Bildnismalerei</subfield><subfield code="0">(DE-588)4145426-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Niederlande</subfield><subfield code="0">(DE-588)4042203-3</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Italien</subfield><subfield code="0">(DE-588)4027833-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Bildnis</subfield><subfield code="0">(DE-588)4006627-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Frau</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4113617-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="4"><subfield code="a">Geschichte 1400-1500</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Bildnismalerei</subfield><subfield code="0">(DE-588)4145426-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Geschlechterrolle</subfield><subfield code="0">(DE-588)4071776-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-94-637-2861-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9789048544899</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-034055069</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048544899</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048544899</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
geographic | Italien (DE-588)4027833-5 gnd Niederlande (DE-588)4042203-3 gnd |
geographic_facet | Italien Niederlande |
id | DE-604.BV048680703 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:25:18Z |
indexdate | 2024-07-10T09:45:55Z |
institution | BVB |
isbn | 9789048544899 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034055069 |
oclc_num | 1369559029 |
open_access_boolean | |
owner | DE-12 DE-473 DE-BY-UBG |
owner_facet | DE-12 DE-473 DE-BY-UBG |
physical | 1 Online-Ressource (316 Seiten) |
psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Amsterdam University Press |
record_format | marc |
series2 | Visual and material culture, 1300-1700 |
spelling | Toreno, Elisabetta ca. 20./21. Jh. (DE-588)1275769322 aut Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power Elisabetta Toreno Amsterdam Amsterdam University Press 2022 1 Online-Ressource (316 Seiten) txt rdacontent c rdamedia cr rdacarrier Visual and material culture, 1300-1700 Title from publisher's bibliographic system (viewed on 24 Nov 2022) This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. <br><br>Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology Geschichte 1400-1500 gnd rswk-swf Portrait painting, Dutch / 15th century Portrait painting, Italian / 15th century Women / Netherlands / Portraits Women / Italy / Portraits Portraits, Dutch / 15th century Portraits, Italian / 15th century Painting, Dutch / 15th century Painting, Italian / 15th century Women in art Bildnis (DE-588)4006627-7 gnd rswk-swf Bildnismalerei (DE-588)4145426-1 gnd rswk-swf Frau Motiv (DE-588)4113617-2 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Niederlande (DE-588)4042203-3 gnd rswk-swf Niederlande (DE-588)4042203-3 g Italien (DE-588)4027833-5 g Bildnis (DE-588)4006627-7 s Frau Motiv (DE-588)4113617-2 s Geschichte 1400-1500 z DE-604 Bildnismalerei (DE-588)4145426-1 s Geschlechterrolle (DE-588)4071776-8 s Erscheint auch als Druck-Ausgabe 978-94-637-2861-4 https://doi.org/10.1017/9789048544899 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Toreno, Elisabetta ca. 20./21. Jh Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power Portrait painting, Dutch / 15th century Portrait painting, Italian / 15th century Women / Netherlands / Portraits Women / Italy / Portraits Portraits, Dutch / 15th century Portraits, Italian / 15th century Painting, Dutch / 15th century Painting, Italian / 15th century Women in art Bildnis (DE-588)4006627-7 gnd Bildnismalerei (DE-588)4145426-1 gnd Frau Motiv (DE-588)4113617-2 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
subject_GND | (DE-588)4006627-7 (DE-588)4145426-1 (DE-588)4113617-2 (DE-588)4071776-8 (DE-588)4027833-5 (DE-588)4042203-3 |
title | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power |
title_auth | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power |
title_exact_search | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power |
title_exact_search_txtP | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power |
title_full | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power Elisabetta Toreno |
title_fullStr | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power Elisabetta Toreno |
title_full_unstemmed | Netherlandish and Italian female portraiture in the fifteenth century gender, identity, and the tradition of power Elisabetta Toreno |
title_short | Netherlandish and Italian female portraiture in the fifteenth century |
title_sort | netherlandish and italian female portraiture in the fifteenth century gender identity and the tradition of power |
title_sub | gender, identity, and the tradition of power |
topic | Portrait painting, Dutch / 15th century Portrait painting, Italian / 15th century Women / Netherlands / Portraits Women / Italy / Portraits Portraits, Dutch / 15th century Portraits, Italian / 15th century Painting, Dutch / 15th century Painting, Italian / 15th century Women in art Bildnis (DE-588)4006627-7 gnd Bildnismalerei (DE-588)4145426-1 gnd Frau Motiv (DE-588)4113617-2 gnd Geschlechterrolle (DE-588)4071776-8 gnd |
topic_facet | Portrait painting, Dutch / 15th century Portrait painting, Italian / 15th century Women / Netherlands / Portraits Women / Italy / Portraits Portraits, Dutch / 15th century Portraits, Italian / 15th century Painting, Dutch / 15th century Painting, Italian / 15th century Women in art Bildnis Bildnismalerei Frau Motiv Geschlechterrolle Italien Niederlande |
url | https://doi.org/10.1017/9789048544899 |
work_keys_str_mv | AT torenoelisabetta netherlandishanditalianfemaleportraitureinthefifteenthcenturygenderidentityandthetraditionofpower |