Appropriating antiquity for modern Chinese painting:
"The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford ; New Dehli ; Sydney
Bloomsbury Visual Arts
2023
|
| Schlagworte: | |
| Online-Zugang: | BSB01 FUBA1 UEI01 Volltext |
| Zusammenfassung: | "The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the ethnic identity for modern Chinese art? Did the antiquarian movements ultimately serve as a tool for re-writing art historiography in modern China on purpose? In searching for the public meaning of inventively reinforced private collecting activity, this book draws on modes of artistic creation to speak of an apposite use of antiquities through their imaginative links between ancient civilization and modern lives. It also addresses artistic exchanges between China, Japan and the West and how modernity was translated and appropriated at the turn of the twentieth century." |
| Beschreibung: | 1 Online-Ressource (xx, 308 Seiten, 32 ungezählte Seiten Tafeln) Illustrationen |
| ISBN: | 9781501358340 9781501358357 9781501358364 |
| DOI: | 10.5040/9781501358340 |
Internformat
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Datensatz im Suchindex
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| era | Geschichte 1800-1945 gnd |
| era_facet | Geschichte 1800-1945 |
| format | Electronic eBook |
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| geographic | China (DE-588)4009937-4 gnd |
| geographic_facet | China |
| id | DE-604.BV048679008 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:24:52Z |
| indexdate | 2024-07-10T09:45:53Z |
| institution | BVB |
| isbn | 9781501358340 9781501358357 9781501358364 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034053402 |
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| open_access_boolean | |
| owner | DE-824 DE-12 DE-188 |
| owner_facet | DE-824 DE-12 DE-188 |
| physical | 1 Online-Ressource (xx, 308 Seiten, 32 ungezählte Seiten Tafeln) Illustrationen |
| psigel | ZDB-30-PQE ZDB-162-AVC ZDB-162-AVC23 ZDB-162-AVC ZDB-162-AVC23 |
| publishDate | 2023 |
| publishDateSearch | 2023 |
| publishDateSort | 2023 |
| publisher | Bloomsbury Visual Arts |
| record_format | marc |
| spelling | Yang, Chia-Ling Verfasser (DE-588)1081649216 aut Appropriating antiquity for modern Chinese painting Chia-Ling Yang New York ; London ; Oxford ; New Dehli ; Sydney Bloomsbury Visual Arts 2023 1 Online-Ressource (xx, 308 Seiten, 32 ungezählte Seiten Tafeln) Illustrationen txt rdacontent c rdamedia cr rdacarrier "The pursuit of antiquity was important for scholarly artists in constructing their knowledge of history and cultural identity in late imperial China. By examining versatile trends within paintings in modern China, this book asks to what extent historical relics have been used to represent the ethnic identity for modern Chinese art? Did the antiquarian movements ultimately serve as a tool for re-writing art historiography in modern China on purpose? In searching for the public meaning of inventively reinforced private collecting activity, this book draws on modes of artistic creation to speak of an apposite use of antiquities through their imaginative links between ancient civilization and modern lives. It also addresses artistic exchanges between China, Japan and the West and how modernity was translated and appropriated at the turn of the twentieth century." Geschichte 1800-1945 gnd rswk-swf Traditionalismus (DE-588)4192500-2 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Kalligrafie (DE-588)4073168-6 gnd rswk-swf China (DE-588)4009937-4 gnd rswk-swf China (DE-588)4009937-4 g Malerei (DE-588)4037220-0 s Kalligrafie (DE-588)4073168-6 s Traditionalismus (DE-588)4192500-2 s Geschichte 1800-1945 z DE-604 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-5013-5837-1 (DE-604)BV049009222 https://doi.org/10.5040/9781501358340 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Yang, Chia-Ling Appropriating antiquity for modern Chinese painting Traditionalismus (DE-588)4192500-2 gnd Malerei (DE-588)4037220-0 gnd Kalligrafie (DE-588)4073168-6 gnd |
| subject_GND | (DE-588)4192500-2 (DE-588)4037220-0 (DE-588)4073168-6 (DE-588)4009937-4 |
| title | Appropriating antiquity for modern Chinese painting |
| title_auth | Appropriating antiquity for modern Chinese painting |
| title_exact_search | Appropriating antiquity for modern Chinese painting |
| title_exact_search_txtP | Appropriating antiquity for modern Chinese painting |
| title_full | Appropriating antiquity for modern Chinese painting Chia-Ling Yang |
| title_fullStr | Appropriating antiquity for modern Chinese painting Chia-Ling Yang |
| title_full_unstemmed | Appropriating antiquity for modern Chinese painting Chia-Ling Yang |
| title_short | Appropriating antiquity for modern Chinese painting |
| title_sort | appropriating antiquity for modern chinese painting |
| topic | Traditionalismus (DE-588)4192500-2 gnd Malerei (DE-588)4037220-0 gnd Kalligrafie (DE-588)4073168-6 gnd |
| topic_facet | Traditionalismus Malerei Kalligrafie China |
| url | https://doi.org/10.5040/9781501358340 |
| work_keys_str_mv | AT yangchialing appropriatingantiquityformodernchinesepainting |