The Italian opera singers in Mozart's Vienna:
"Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-d...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Urbana ; Chicago ; Springfield
University of Illinois Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today"-- |
| Beschreibung: | viii, 470 Seiten Illustrationen, Notenbeispiele, Porträts 24 cm |
| ISBN: | 9780252044649 |
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| 505 | 8 | |a The Establishment and Management of the Italian Opera Company at the Vienna Court Theater -- Classification of Operatic Roles, Voice Types, and Singing Styles -- Casting Information in Scores and Librettos of the Operas Produced in the Italian Company, 1783-91 -- Nancy Storace : The Italian Company, 1783-84 -- Nancy Storace : The Company Stabilizes, 1784-85 -- Nancy Storace's Annus Horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's Exuberant Year, 1786-87 -- Anna Morichelli Comes and Goes, 1787-88 -- Luisa Laschi : The Year of the Three Prima Donne, 1788-89 -- Adriana Ferrarese : Opera on a Shoestring, 1789-90 -- Adriana Ferrarese : Portents of Change, 1790-91 -- A Neapolitan Prima Donna and the End of Josephine Opera, 1791-92 | |
| 520 | 3 | |a "Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today"-- | |
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Datensatz im Suchindex
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| adam_text |
Contents Acknowledgments. vii A Note on the Currency Used in Mozart’s Vienna. ix 1 The Establishment and Management of the Italian Opera Company at the Vienna Court Theater. 1 2 Classification of Operatic Roles, Voice Types, and Singing Styles. 19 3 Casting Information in Scores and Librettos of the Operas Produced in the Italian Company, 1783-91 . 40 4 Nancy Storace: The Italian Company, 1783-84 . 68 5 Nancy Storace: The Company Stabilizes, 1784-85. 100 6 Nancy Storace’s Annus Horribilis and Celeste Coltellini, 1785-86 . 120 7 Nancy Storace’s Exuberant Year, 1786-87 . 148 8 Anna Morichelli Comes and Goes, 1787-88. 177 9 Luisa Laschi: The Year of the Three Prime Donne, 1788-89 .215 10 Adriana Ferrarese: Opera on a Shoestring, 1789-90. 268 11 Adriana Ferrarese: Portents of Change, 1790-91 . 295 12 A Neapolitan Prima Donna and the End of Josephine Opera, 1791-92.314
Appendix A.Roiesof Ten Major Singers. 323 Appendix B. ATale of Four Scores. 369 Notes. 373 Bibliography. 439 Index.455 |
| adam_txt |
Contents Acknowledgments. vii A Note on the Currency Used in Mozart’s Vienna. ix 1 The Establishment and Management of the Italian Opera Company at the Vienna Court Theater. 1 2 Classification of Operatic Roles, Voice Types, and Singing Styles. 19 3 Casting Information in Scores and Librettos of the Operas Produced in the Italian Company, 1783-91 . 40 4 Nancy Storace: The Italian Company, 1783-84 . 68 5 Nancy Storace: The Company Stabilizes, 1784-85. 100 6 Nancy Storace’s Annus Horribilis and Celeste Coltellini, 1785-86 . 120 7 Nancy Storace’s Exuberant Year, 1786-87 . 148 8 Anna Morichelli Comes and Goes, 1787-88. 177 9 Luisa Laschi: The Year of the Three Prime Donne, 1788-89 .215 10 Adriana Ferrarese: Opera on a Shoestring, 1789-90. 268 11 Adriana Ferrarese: Portents of Change, 1790-91 . 295 12 A Neapolitan Prima Donna and the End of Josephine Opera, 1791-92.314
Appendix A.Roiesof Ten Major Singers. 323 Appendix B. ATale of Four Scores. 369 Notes. 373 Bibliography. 439 Index.455 |
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| author | Link, Dorothea 1950- |
| author_GND | (DE-588)131573012 |
| author_facet | Link, Dorothea 1950- |
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| author_sort | Link, Dorothea 1950- |
| author_variant | d l dl |
| building | Verbundindex |
| bvnumber | BV048672475 |
| classification_rvk | LR 56004 |
| contents | The Establishment and Management of the Italian Opera Company at the Vienna Court Theater -- Classification of Operatic Roles, Voice Types, and Singing Styles -- Casting Information in Scores and Librettos of the Operas Produced in the Italian Company, 1783-91 -- Nancy Storace : The Italian Company, 1783-84 -- Nancy Storace : The Company Stabilizes, 1784-85 -- Nancy Storace's Annus Horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's Exuberant Year, 1786-87 -- Anna Morichelli Comes and Goes, 1787-88 -- Luisa Laschi : The Year of the Three Prima Donne, 1788-89 -- Adriana Ferrarese : Opera on a Shoestring, 1789-90 -- Adriana Ferrarese : Portents of Change, 1790-91 -- A Neapolitan Prima Donna and the End of Josephine Opera, 1791-92 |
| ctrlnum | (OCoLC)1313642193 (DE-599)BVBBV048672475 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1783-1791 gnd |
| era_facet | Geschichte 1783-1791 |
| format | Book |
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| index_date | 2024-07-03T21:23:14Z |
| indexdate | 2025-01-02T21:12:44Z |
| institution | BVB |
| isbn | 9780252044649 |
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| publisher | University of Illinois Press |
| record_format | marc |
| spelling | Link, Dorothea 1950- Verfasser (DE-588)131573012 aut The Italian opera singers in Mozart's Vienna Dorothea Link Urbana ; Chicago ; Springfield University of Illinois Press [2022] © 2022 viii, 470 Seiten Illustrationen, Notenbeispiele, Porträts 24 cm txt rdacontent n rdamedia nc rdacarrier The Establishment and Management of the Italian Opera Company at the Vienna Court Theater -- Classification of Operatic Roles, Voice Types, and Singing Styles -- Casting Information in Scores and Librettos of the Operas Produced in the Italian Company, 1783-91 -- Nancy Storace : The Italian Company, 1783-84 -- Nancy Storace : The Company Stabilizes, 1784-85 -- Nancy Storace's Annus Horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's Exuberant Year, 1786-87 -- Anna Morichelli Comes and Goes, 1787-88 -- Luisa Laschi : The Year of the Three Prima Donne, 1788-89 -- Adriana Ferrarese : Opera on a Shoestring, 1789-90 -- Adriana Ferrarese : Portents of Change, 1790-91 -- A Neapolitan Prima Donna and the End of Josephine Opera, 1791-92 "Dorothea Link examines singers' voices and casting practices in late eighteenth-century Italian opera as exemplified in Vienna's court opera from 1783 to 1791. The investigation into the singers' voices proceeds on two levels: understanding the performers in terms of the vocal-dramatic categories employed in opera at the time; and creating vocal profiles for the principal singers from the music composed expressly for them. In addition, Link contextualizes the singers within the company in order to expose the court opera's casting practices. Authoritative and insightful, The Italian Opera Singers in Mozart's Vienna offers a singular look at a musical milieu and a key to addressing the performance-practice problem of how to cast the Mozart roles today"-- Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd rswk-swf Geschichte 1783-1791 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Opernsängerin (DE-588)4172628-5 gnd rswk-swf Gesang (DE-588)4020470-4 gnd rswk-swf Oper (DE-588)4043582-9 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Wien (DE-588)4066009-6 gnd rswk-swf Opera / Austria / Vienna / 18th century Singers / Austria / Vienna Singers / Italy Voice types (Singing) / History / 18th century Chanteurs / Autriche / Vienne Chanteurs / Italie Opera Singers Voice types (Singing) Austria / Vienna Italy 1700-1799 History Wien (DE-588)4066009-6 g Italien (DE-588)4027833-5 g Opernsängerin (DE-588)4172628-5 s Oper (DE-588)4043582-9 s Gesang (DE-588)4020470-4 s Musikleben (DE-588)4075128-4 s Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 p Geschichte 1783-1791 z DE-604 Erscheint auch als Online-Ausgabe 978-0-252-05365-8 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034047009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Link, Dorothea 1950- The Italian opera singers in Mozart's Vienna The Establishment and Management of the Italian Opera Company at the Vienna Court Theater -- Classification of Operatic Roles, Voice Types, and Singing Styles -- Casting Information in Scores and Librettos of the Operas Produced in the Italian Company, 1783-91 -- Nancy Storace : The Italian Company, 1783-84 -- Nancy Storace : The Company Stabilizes, 1784-85 -- Nancy Storace's Annus Horribilis and Celeste Coltellini, 1785-86 -- Nancy Storace's Exuberant Year, 1786-87 -- Anna Morichelli Comes and Goes, 1787-88 -- Luisa Laschi : The Year of the Three Prima Donne, 1788-89 -- Adriana Ferrarese : Opera on a Shoestring, 1789-90 -- Adriana Ferrarese : Portents of Change, 1790-91 -- A Neapolitan Prima Donna and the End of Josephine Opera, 1791-92 Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Musikleben (DE-588)4075128-4 gnd Opernsängerin (DE-588)4172628-5 gnd Gesang (DE-588)4020470-4 gnd Oper (DE-588)4043582-9 gnd |
| subject_GND | (DE-588)118584596 (DE-588)4075128-4 (DE-588)4172628-5 (DE-588)4020470-4 (DE-588)4043582-9 (DE-588)4027833-5 (DE-588)4066009-6 |
| title | The Italian opera singers in Mozart's Vienna |
| title_auth | The Italian opera singers in Mozart's Vienna |
| title_exact_search | The Italian opera singers in Mozart's Vienna |
| title_exact_search_txtP | The Italian opera singers in Mozart's Vienna |
| title_full | The Italian opera singers in Mozart's Vienna Dorothea Link |
| title_fullStr | The Italian opera singers in Mozart's Vienna Dorothea Link |
| title_full_unstemmed | The Italian opera singers in Mozart's Vienna Dorothea Link |
| title_short | The Italian opera singers in Mozart's Vienna |
| title_sort | the italian opera singers in mozart s vienna |
| topic | Mozart, Wolfgang Amadeus 1756-1791 (DE-588)118584596 gnd Musikleben (DE-588)4075128-4 gnd Opernsängerin (DE-588)4172628-5 gnd Gesang (DE-588)4020470-4 gnd Oper (DE-588)4043582-9 gnd |
| topic_facet | Mozart, Wolfgang Amadeus 1756-1791 Musikleben Opernsängerin Gesang Oper Italien Wien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034047009&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT linkdorothea theitalianoperasingersinmozartsvienna |