Theory of prominence: temporal structure of music based on linguistic stress
"Many twentieth- and twenty-first-century composers have written music with rhythmic structures that must be understood through a framework distinct from even periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system...
Saved in:
| Main Author: | |
|---|---|
| Format: | Musical Score Book |
| Language: | English |
| Published: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2022
|
| Series: | Cambridge elements. Elements in music since 1945
|
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Many twentieth- and twenty-first-century composers have written music with rhythmic structures that must be understood through a framework distinct from even periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics. The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical relationship of gestures. After developing a set of rules, the author provides analyses that outline temporal structure according to perceptual prominence"-- |
| Physical Description: | 72 Seiten Illustrationen, Notenbeispiele 23 cm |
| ISBN: | 9781108813334 |
Staff View
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| 520 | 3 | |a "Many twentieth- and twenty-first-century composers have written music with rhythmic structures that must be understood through a framework distinct from even periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics. The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical relationship of gestures. After developing a set of rules, the author provides analyses that outline temporal structure according to perceptual prominence"-- | |
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Record in the Search Index
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| adam_text | Contents 1 Tales of a Cellist 1 2 On Prominence: Language and Music 5 3 Rules for Analysis 8 4 Analyses 31 5 Conclusion 68 References 70
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Contents 1 Tales of a Cellist 1 2 On Prominence: Language and Music 5 3 Rules for Analysis 8 4 Analyses 31 5 Conclusion 68 References 70 |
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| author | Hayslett, Bryan ca. 20./21. Jh |
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| contents | 1. Tales of a Cellist -- 2. On Prominence: Language and Music -- 3. Rules for Analysis -- 4. Analyses -- 5. Conclusion -- References |
| ctrlnum | (OCoLC)1371315519 (DE-599)BVBBV048670588 |
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| isbn | 9781108813334 |
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| spelling | Hayslett, Bryan ca. 20./21. Jh. (DE-588)1269457543 cmp Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore Cambridge University Press 2022 72 Seiten Illustrationen, Notenbeispiele 23 cm txt rdacontent ntm rdacontent n rdamedia nc rdacarrier Cambridge elements. Elements in music since 1945 1. Tales of a Cellist -- 2. On Prominence: Language and Music -- 3. Rules for Analysis -- 4. Analyses -- 5. Conclusion -- References "Many twentieth- and twenty-first-century composers have written music with rhythmic structures that must be understood through a framework distinct from even periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics. The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical relationship of gestures. After developing a set of rules, the author provides analyses that outline temporal structure according to perceptual prominence"-- Geschichte 1945-2020 gnd rswk-swf Metrum (DE-588)4169752-2 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Musical meter and rhythm Musical analysis Musical perception Hyla, Lee / 1952-2014 / Dream of Innocent III. León, Tania / Pieces / cello Green, Anthony R. / 1984- / Scintillation II. Takemitsu, Tōru / Orion MUSIC / General Music / Interpretation (Phrasing, dynamics, etc.) Metrum (DE-588)4169752-2 s Rhythmus (DE-588)4132330-0 s Geschichte 1945-2020 z DE-604 Erscheint auch als Online-Ausgabe 9781108884402 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034045170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hayslett, Bryan ca. 20./21. Jh Theory of prominence temporal structure of music based on linguistic stress 1. Tales of a Cellist -- 2. On Prominence: Language and Music -- 3. Rules for Analysis -- 4. Analyses -- 5. Conclusion -- References Metrum (DE-588)4169752-2 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)4169752-2 (DE-588)4132330-0 |
| title | Theory of prominence temporal structure of music based on linguistic stress |
| title_auth | Theory of prominence temporal structure of music based on linguistic stress |
| title_exact_search | Theory of prominence temporal structure of music based on linguistic stress |
| title_exact_search_txtP | Theory of prominence temporal structure of music based on linguistic stress |
| title_full | Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett |
| title_fullStr | Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett |
| title_full_unstemmed | Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett |
| title_short | Theory of prominence |
| title_sort | theory of prominence temporal structure of music based on linguistic stress |
| title_sub | temporal structure of music based on linguistic stress |
| topic | Metrum (DE-588)4169752-2 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Metrum Rhythmus |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034045170&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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