Renegotiating the body: feminist art in 1970s London
What makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
I.B. Tauris
2013
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| Schlagworte: | |
| Online-Zugang: | DE-255 DE-Y3 |
| Zusammenfassung: | What makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re- ) engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasizing the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Hannah O'Shea and Kate Walker, and examining works such as Mary Kelly's "Post-Partum Document", Judy Clark's 1973 exhibition Issues and Cosey Fanni Tutti's "Prostitution", shown in 1976, Kathy Battista investigates some of the most controversial and provocative art from the era |
| Beschreibung: | Description based on print version record |
| Beschreibung: | 1 online resource (213 pages) illustrations |
| ISBN: | 9780857735911 |
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| 500 | |a Description based on print version record | ||
| 505 | 8 | |a Feminism and conceptual practice -- The body and performance art -- Alternative spaces for feminist art -- Feminist themes in contemporary practice | |
| 520 | |a What makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re- ) engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasizing the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Hannah O'Shea and Kate Walker, and examining works such as Mary Kelly's "Post-Partum Document", Judy Clark's 1973 exhibition Issues and Cosey Fanni Tutti's "Prostitution", shown in 1976, Kathy Battista investigates some of the most controversial and provocative art from the era | ||
| 650 | 4 | |a Feminism and art |z England |z London |x History |y 20th century | |
| 650 | 4 | |a Feminism in art | |
| 650 | 4 | |a Women artists |z England |z London |x History |y 20th century | |
| 650 | 4 | |a Art, British |y 20th century |x Themes, motives | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |a Battista, Kathy |t Renegotiating the body : feminist art in 1970s London |d London : I.B. Tauris, 2013 |h xiii, 207 pages ; 24 cm |z 9781845115128 |
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Datensatz im Suchindex
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| contents | Feminism and conceptual practice -- The body and performance art -- Alternative spaces for feminist art -- Feminist themes in contemporary practice |
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| dewey-full | 704.0420942109047 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.0420942109047 |
| dewey-search | 704.0420942109047 |
| dewey-sort | 3704.0420942109047 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Electronic eBook |
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| id | DE-604.BV048668455 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:22:31Z |
| indexdate | 2024-09-04T00:21:43Z |
| institution | BVB |
| isbn | 9780857735911 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034043045 |
| oclc_num | 890071849 |
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| owner_facet | DE-255 DE-Y3 |
| physical | 1 online resource (213 pages) illustrations |
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| publisher | I.B. Tauris |
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| spelling | Battista, Kathy Verfasser aut Renegotiating the body feminist art in 1970s London Kathy Battista London ; New York I.B. Tauris 2013 1 online resource (213 pages) illustrations txt rdacontent c rdamedia cr rdacarrier Description based on print version record Feminism and conceptual practice -- The body and performance art -- Alternative spaces for feminist art -- Feminist themes in contemporary practice What makes art 'feminist art'? There can be no essential feminist aesthetic, argues Kathy Battista in this exciting new art history, although feminist artists do have a unique aesthetic. Domesticity, the body, its traces, and sexuality have become prominent strands in contemporary feminist practice but where did these preoccupations begin and how did they come to signify a particular type of art? Kathy Battista's (re- ) engagement with the founding generation of female practitioners centres on 1970s London as the cultural hub from which a new art practice arose. Emphasizing the importance of artists including Bobby Baker, Anne Bean, Catherine Elwes, Rose English, Alexis Hunter, Hannah O'Shea and Kate Walker, and examining works such as Mary Kelly's "Post-Partum Document", Judy Clark's 1973 exhibition Issues and Cosey Fanni Tutti's "Prostitution", shown in 1976, Kathy Battista investigates some of the most controversial and provocative art from the era Feminism and art England London History 20th century Feminism in art Women artists England London History 20th century Art, British 20th century Themes, motives Erscheint auch als Druck-Ausgabe Battista, Kathy Renegotiating the body : feminist art in 1970s London London : I.B. Tauris, 2013 xiii, 207 pages ; 24 cm 9781845115128 |
| spellingShingle | Battista, Kathy Renegotiating the body feminist art in 1970s London Feminism and conceptual practice -- The body and performance art -- Alternative spaces for feminist art -- Feminist themes in contemporary practice Feminism and art England London History 20th century Feminism in art Women artists England London History 20th century Art, British 20th century Themes, motives |
| title | Renegotiating the body feminist art in 1970s London |
| title_auth | Renegotiating the body feminist art in 1970s London |
| title_exact_search | Renegotiating the body feminist art in 1970s London |
| title_exact_search_txtP | Renegotiating the body feminist art in 1970s London |
| title_full | Renegotiating the body feminist art in 1970s London Kathy Battista |
| title_fullStr | Renegotiating the body feminist art in 1970s London Kathy Battista |
| title_full_unstemmed | Renegotiating the body feminist art in 1970s London Kathy Battista |
| title_short | Renegotiating the body |
| title_sort | renegotiating the body feminist art in 1970s london |
| title_sub | feminist art in 1970s London |
| topic | Feminism and art England London History 20th century Feminism in art Women artists England London History 20th century Art, British 20th century Themes, motives |
| topic_facet | Feminism and art England London History 20th century Feminism in art Women artists England London History 20th century Art, British 20th century Themes, motives |
| work_keys_str_mv | AT battistakathy renegotiatingthebodyfeministartin1970slondon |