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| 020 | |a 9780203128091 |c electronic bk. |9 978-0-203-12809-1 | ||
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| 082 | 0 | |a 302.23/430954 |2 23 | |
| 100 | 1 | |a Kurian, Alka |d 1963- |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Narratives of gendered dissent in South Asian cinemas |c Alka Kurian |
| 264 | 1 | |a New York |b Routledge |c 2012 | |
| 300 | |a xiv, 195 p. |b ill | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 505 | 8 | |a Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion | |
| 650 | 4 | |a Motion pictures |x Social aspects |z South Asia | |
| 650 | 4 | |a Motion pictures |x Political aspects |z South Asia | |
| 650 | 4 | |a Motion pictures |x Religious aspects |z South Asia | |
| 650 | 4 | |a Women in motion pictures | |
| 650 | 4 | |a Feminism and motion pictures | |
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Datensatz im Suchindex
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| author | Kurian, Alka 1963- |
| author_facet | Kurian, Alka 1963- |
| author_role | aut |
| author_sort | Kurian, Alka 1963- |
| author_variant | a k ak |
| building | Verbundindex |
| bvnumber | BV048668153 |
| collection | ZDB-30-PAD |
| contents | Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion |
| ctrlnum | (ZDB-30-PQE)EBC1016060 (ZDB-30-PAD)EBC1016060 (ZDB-89-EBL)EBL1016060 (ZDB-38-EBR)ebr10596220 (OCoLC)810082248 (DE-599)BVBBV048668153 |
| dewey-full | 302.23/430954 |
| dewey-hundreds | 300 - Social sciences |
| dewey-ones | 302 - Social interaction |
| dewey-raw | 302.23/430954 |
| dewey-search | 302.23/430954 |
| dewey-sort | 3302.23 6430954 |
| dewey-tens | 300 - Social sciences |
| discipline | Soziologie |
| discipline_str_mv | Soziologie |
| format | Electronic eBook |
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| id | DE-604.BV048668153 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:22:30Z |
| indexdate | 2024-09-04T00:21:42Z |
| institution | BVB |
| isbn | 9780203128091 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034042743 |
| oclc_num | 810082248 |
| open_access_boolean | |
| owner | DE-255 DE-Y3 |
| owner_facet | DE-255 DE-Y3 |
| physical | xiv, 195 p. ill |
| psigel | ZDB-30-PAD KUBA2-ZDB-30-PAD-2024 KUBA1-ZDB-30-PAD-2023 ZDB-30-PAD BZI ZDB-30-PAD KHI |
| publishDate | 2012 |
| publishDateSearch | 2012 |
| publishDateSort | 2012 |
| publisher | Routledge |
| record_format | marc |
| spelling | Kurian, Alka 1963- Verfasser aut Narratives of gendered dissent in South Asian cinemas Alka Kurian New York Routledge 2012 xiv, 195 p. ill txt rdacontent c rdamedia cr rdacarrier Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion Motion pictures Social aspects South Asia Motion pictures Political aspects South Asia Motion pictures Religious aspects South Asia Women in motion pictures Feminism and motion pictures |
| spellingShingle | Kurian, Alka 1963- Narratives of gendered dissent in South Asian cinemas Introduction -- Class, caste and social exclusion. Subalterneity and resistance in Shyam Benegal's Nishaant and Manthan -- Radical politics and gender in Govind Nihalani's Hazaar chaurasi ki ma, Sudhir Mishra's Hazaaron khwaishein aisi, and Sanjiv Karambelkar's Lal salaam -- Nationalism, religion, and identity. The politics of Hindutva in Nandita Das' Firaaq, Rahul Dholakia's Parzania, and Rakesh Sharma's Final solution -- Gender, home, and displacement in Sabiha Sumar's Khamosh pani, Shoaib Mansoor's Khuda kei liye, Shyam Benegal's Mammo, and Meena Nanji's A view from a grain of sand -- Nationalism and ethnic struggle. Subjectivity, choice, and feminist agency in Santosh Sivan's The terrorist and Beate Arnestad's My daughter the terrorist -- Heteronormativity, "difference", and the construction of a subversive femininity. Gender, identity, and the diaspora in Gurinder Chadha's Bhaji on the beach and Sarah Gavron's Brick lane -- Conclusion Motion pictures Social aspects South Asia Motion pictures Political aspects South Asia Motion pictures Religious aspects South Asia Women in motion pictures Feminism and motion pictures |
| title | Narratives of gendered dissent in South Asian cinemas |
| title_auth | Narratives of gendered dissent in South Asian cinemas |
| title_exact_search | Narratives of gendered dissent in South Asian cinemas |
| title_exact_search_txtP | Narratives of gendered dissent in South Asian cinemas |
| title_full | Narratives of gendered dissent in South Asian cinemas Alka Kurian |
| title_fullStr | Narratives of gendered dissent in South Asian cinemas Alka Kurian |
| title_full_unstemmed | Narratives of gendered dissent in South Asian cinemas Alka Kurian |
| title_short | Narratives of gendered dissent in South Asian cinemas |
| title_sort | narratives of gendered dissent in south asian cinemas |
| topic | Motion pictures Social aspects South Asia Motion pictures Political aspects South Asia Motion pictures Religious aspects South Asia Women in motion pictures Feminism and motion pictures |
| topic_facet | Motion pictures Social aspects South Asia Motion pictures Political aspects South Asia Motion pictures Religious aspects South Asia Women in motion pictures Feminism and motion pictures |
| work_keys_str_mv | AT kurianalka narrativesofgendereddissentinsouthasiancinemas |