The cultures of American film:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Oxford University Press
[2015]
|
| Schlagworte: | |
| Online-Zugang: | http://www.gbv.de/dms/bowker/toc/9780199753420.pdf Inhaltsverzeichnis |
| Beschreibung: | Filmografie und Literaturangaben |
| Beschreibung: | xvi, 368 Seiten Illustrationen 24 cm |
| ISBN: | 0199753423 9780199753420 |
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| adam_text | г / Ч ֊fit ■■! fi·-· : ֊f lii1 ՚ - ՝ ‘. Դ BRIEF CONTENTS PREFACE 11 1939 XV INTRODUCTION 145 1 1 In the Beginning (1893-1903) 7 2 The Studios and the Stars (1907-1928) 21 3 The Hollywood Style and the Production Code (1903-1922) 37 4 The Distressing Legacy of D. W. Griffith (1908-1925) 65 6 Between World War I and the Coming of Sound (1913-1927) 13 Directors of the Forties: John Ford, Orson Welles, and Alfred Hitchcock (1941-1946) 165 14 Film Noir (1944-1950) 179 15 Hollywood after World War II (1946-1960) 155 45 5 Silent Comedy (1903-1936) 12 Hollywood and World War II (1942-1949) 155 16 Ford, Welles, and Hitchcock in the 1950s(1948-1960) 205 83 7 The Coming of Sound (1927-1931) 101 17 Science Fiction in the 1950s (1950-1956) 223 8 American Film and the Great Depression (1931-1935) 109 18 New Methods in Acting and New Directions in Filmmaking (1950-1959) 231 9 The Depression-Era Gangster Film (1931-1939) 119 19 Decline and Renewal (1960-1967) 241 10 Comedy, Capra, and Monsters (1931-1944) 131 20 Women, Men, and Superheroes (1980-2012) 251
iv BRIEF CONTENTS 21 New Technologies (1950-Present) 263 25 The New Hollywood and after: Part Two (1972-2011) 303 22 Rise of the Modern Documentary (1920-2014) 269 26 American Film in the 1990s and 2000s 319 23 Outside Hollywood: Stanley Kubrick (1953-1999) 279 GLOSSARY INDEX 341 345 24 The New Hollywood and after: Part One (1967-2006) 291 · J « , 1 ՜ Հ = ՛և- ľ՜ ■ . i W՛. ՝ ,ЮІ ; :;.
CONTENTS t í/І • JG: i՜ PREFACE XV Ւ 2 The Studios and the Stars; (1907-1928) 21 . 1 Definitions of Culture 1 ՛ Film Form 3 The Form of This Book 4 Methodology 5 A Word about Directors 5 г INTRODUCTION 1 ’ ’Ь . In the Beginning (1893-1903) The Studios 21 ; How the Individual Studios Carne into Being 22 Universal 23 United Artists 23 Paramount 24 Warner Bros. 25 MGM 26 Fox 27. Columbia 27 RKO 27 The Immigrant s Legacy 28 The Producer System 28 7 What They Saw at the Beginning 8 Uncle Josh 8 McKinley 8 The Real Thing 9 Origins in Photography 1Ò l · Edison 11 , . Show and Tell and Show Morę. 12 Early Film Form 13 -։ Manufacturing Film 14 t .,. : ί։. , Stars 29 Star and Celebrity 30 Valentino 31 Flappers and Vamps 32 The Stories We Tell about Stars 33 ֊ Of Time and Space 15 о : i The Great Train Robbery 15. Modernity 16 Selected Filmography 18 Selected Filmography 34 ’ Suggestions for Further Reading 34 Suggestions for Further Reading 18 v
vi CONTENTS Broken Blossoms 64 A Career in Decline 65 3 The Hollywood Style and the Production Code (1903-1922) 37 Selected Filmography 65 Suggestions for Further Reading 65 Filmmaking as an Industry 3 7 The Classical Hollywood Style Зб The Shot Зб Editing 40 Shot-Reverse Shot 41 Narrative Resolution 41 Genres 42 The Code 44 The 13 Points 45 5 Comedy and Modernity 70 The Chase 70 Seven Chances 71 Keaton and Chaplin 72 The Three Ages 72 The Play House 73 Sherlock, Jr. 73 Steamboat Bill, Jr. 74 Suggestions for Further Reading 47 Charlie Chaplin 75 Chaplin and Modernity 76 The Tramp 76 A Dog s Life 77 The Kid 77 United Artists and The Gold Rush 77 fj Ą Woman of Paris and Chaplins Serious Films 79 49 Beginnings 50 The Trust 50 W. K. L. Dickson 50 Griffith at Biograph 50 Pantomime 50 Naturalism 52 Parallel Editing and Screen Space 52 Griffith s Stories and the Critics 53 The Long Film 54 The Birth of a Nation 55 Race in the Early 20th Century* -.55 The Klan 56 Formal Methods 56 The Captivity Narrative 58 The Birth of a Nation and Woodrow Wilson 60 TheNAACP 60 Oscar Micheaux 61 Within Oar Gates 61 ; Griffith after The Birth of a Nation 63 Intolerance 63 69 Origins 69 Selected Filmography 4 7 4 The Distressing Legacy of D. W. Griffith (1908-1925) Silent Comedy (1903-1936) The Sound Films 79 Modern Times 79 Selected Filmography 81 ( Suggestions for Further Reading б 1 6 Between World War I and the Coming of Sound (1913-1927) 83 Politics, the War, Prohibition, and Radio 84 ľ The Jazz Age 84 Our Dancing Daughters 84 It 85 World War I 86 Wings 8 6 Hearts of the World 8 7
Contents The Big Parade 87 7th Heaven 88 DeMille and Melodrama 90 The Cheat and Manslaughter 90 The Ten Commandment^ 90 ; Love Me Tonight 114 Astaire-Rogers 114 Busby Berkeley 114 Gold Diggers of 1933 114 Selected Filmography 116 The Women 92 Alice Guy Blache and Lois Weber 92 Matrimony s Speed Limit 93 The Blot and Too Wise Wives, , f)3. Erich von Stroheim 94 Naturalism Revisited 94 , Greed 94 The European Influence 96 Expressionism 96 The Cabinet of Dr. Caligari 9 6 Murnau and Sunrise 97 The End of the Silent Era 99 Suggestions for Further Reading 116 Selected Filmography 99 Suggestions for Further Reading 99 9 The Depression-Era Gangster Film (1931-1939) 119 The Gangster 119 The Gangster as Tragic Herd ’ 12 Ò The Gangster and the Code 121 ; The Gangster Films 122 .ц ■»՝ Little Caesar 122 , Scarface 124 ¡ ՛ The Public Enemy 126 The Gangster in Eclipse 127 · The Roaring Liventies 127 Selected Filmography 129 Suggestions for Further Reading 129 7 The Coming of Sound (1927-1931) 101 Early Technologies of Sound 101 The Jazz Singer 102 Jewishness and Blackface 102 Conversion to Sound 104 The Cultures’of Sound 105 Selected Filmography 106 Suggestions for Further Reading 106 8 American Film and the Great Depression (1931-1935). ,109 The Great Depression 109 The Depression in Hollywood 110 Heroes for Sale and Wild Boys of the Road 110 American Madness 113 The 1930s Musical 114 The Forgotten Man Choreographed 114 f 10 Comedy, Capra, and Monsters (1931-1944) 131 Screwbáll Comedy 131 My Man Godfrey 132 Bringing Up Baby 132 ’ The Awful Truth 134 The Philadelphia Story 135 The Marx
Brothers, Preston Sturges, : Ernst Lubitsch 136 Capracorn 137 It Happened One Night 137 Mr. Smith Goes to Washington and Meet John Doe 138 Monsters 140 Frankenstein and Dracula 140 Selected Filmography 143 Suggestions for Further Reading 143 vil
VÎÎÎ CONTENTS 11 1939 Selected Filmography 177 145 Suggestions for Further Reading 177 The Code, Filmmaking, and Politics 145 Stagecoach 146 Dark Victory and Melodrama 14 8 Gone with the Wind 149 The Wizard of Oz 151 = 14 Film Noir (1944-1950) The Questions of Noir 179 ’ Where Did Film Noir Get Its Name? 180 How Did Noir Develop in Hollywood without Anyone Knowing about It? 180 Noir and American Culture 181 What Is Film Noir? 182 Lighting 182 Themes and Content 183 Gender in Film-Noir 183 « Films Noir 183 ՛! í Murder, My Sweèì 183 ՝ The Big Sleep 184 í Double Indemnity ՝ 1 84 ։· The Woman in the Window and Scarlet Street 187 Noir and Melodrama: The Case of Mildred Pierce 18 9 Orson Welles and The Lady from Shanghai 190 Anthony Mann and T-Men 191 Noir and the Production Code 192 Selected Filmography 152 Suggestions for Further Reading І 5J 12 Hollywood and World War II (1942-1949) 155 Part One: The Reemergence of Hollywood Cinema 156 Acting 156 ; Lighting 156 Directorial Voices 156 Part Two: The War Film 158 Air Force 159 Back to Bataan 159 ! і Sands of Iwo Jima 160 . , . Frank Capra: Why We Fight 161 Casablanca 161 Selected Filmography 163 , Հ Suggestions for Further Reading 163 13 179 Directors of the Forties: John Ford, Orson Welles, and Alfred Hitchcock (1941-1946) 165 Selected Filmography 193 Suggestions for Further« Reading 193 The Auteur 166 Hollywood after World War II (1946-1960) 195 John Ford and The Grapes of Wrath 166 Part One: The Best Years of Our Lives 196 Orson Welles and Citizen Kane 167 Welles after Kane·. The Magnificent Ambersons 172 The Stranger 173 ’
‘ Part Two: Hollywood under Siege 198 The Divestiture 198 , « Size Matters 199 Alfred Hitchcock 174 Shadow of a Doubt 174 Notorious 175 15 Are You Now or Have You Ever Been a Member of the Communist Party? 201 HUAC 201 The Hollywood Ten 201
Contents The Blacklist 202 vb , / b The End of the Blacklist 203· Selected Filmography 229 n ■· Suggestions for Furthér Reading 230 Socially Conscious Cinema 204 Anti-Semitism: Crossfire and՛ Gentleman s Agreement 204 Postwar Film and Race: Pinky and No Way Out 205, ; ļ Anti-McCarthy, Anti-HUAC Films: Storm Center and Salt of the Earth 206 18 New Methods in Acting and New Directions in Filmmaking (1950-1959) 231 Film Acting 231 s ч The Actor s Studio 232 Marlon Brando and James Dean 232 Nicholas Ray: In a Lonely Place, Rebel without a Cause, Bigger Than Life 233 The Wild One 235 Marlon Brando and Marilyn , Monroe 236 Selected Filmography 207. ,։.n ; Suggestions for Further Reading; 208 16 Ix Ford, Welles, and Hitchcock in the 1950s (1948-1960) 209 John Ford and the Western 210 Fort Apache 210‘ ■ · ·։* The Searchers· 21b1 · : ¡ ¡հ Epilogue to thę 1950s 237 Sam Fuller 237 The Naked Kiss 237 Pickup on South Street 238 A New Wave 239 Other Westerns 2 1 2 , J ’ll; High Noon 212 Johnny Guitar and Silver Lode., „ 212, ; The Westerns of Anthony Mann: The Man from Laramie 213 . ì Selected Filmography 239 Suggestions for Further Reading 2зЬ Orson Welles and Touch of Evil 214 , 19 Alfred Hitchcock 215 North by Northwest and The Wrong Man 216 Vertigo 217 ,հ Psycho 218 . Selected Filmography 220., Epic Decline 241 1 Paramount 242 Universal 243 Warner Bros. 244 20th Century Fox. 244 Columbia 244 Explosion 244 ; Suggestions for Further Reading 221 17 Science Fiction in the 1950s (1950-1956) 223 » і Postwar Fears from Outer Spáče -223 The Thing from Another World 224 The Day the Earth
Stood Still 225 Forbidden Planet 226 Invasion of the Body Snatchers 228 Λ Decline and Renewal (1960-1967) 241 * The New Wave 245 The Auteur Revisited 246 ¡ и ՛՛ і , . 1 The End of the Code and the Beginning of the Ratings System 24 7 . s Selected Filmography 249 . Suggestions for Further Reading 250 ■
X CONTENTS 20 Women, Men, and Superheroes (1980-2012) 251 The Maysles Brothers 271 Cinéma Vérité and Salesman 271 Gimme Shelter and Grey Gardens 271 Visual Pleasure 252 Norma Rae and Silkwood 252 Michael Moore and the Political Documentary 272 Fahrenheit 9/11 272 By and for Women 253 · -f Desperately Seeking Sušah 253 The Contemporary War Documentary 2 73 Restrepo 273 Redacted 274 The Male as Object of the Gaze 255 , Top Gun 255 The Monstrous Gaze 256. Fatal Attraction 256 Errol Morris 275 ՛ The Fog of War, Standard Operating Procedure, and The Unknown Known 2 75 Strong Men in the Age of Reagan 257 Raiders of the Lost Ark 257 Rambo 258 Die Hard 259 Selected Filmography 277 Suggestions for Further Reading 2 77 The Superhero and the Digital5 ?* Domain 259 Batman 260 The Dark Knight and The Dark Knight Rises 260 . , Super 261 21 23 The Last of the Independents 2 79 Kubrick, Welles, and Hitchcock 280 Selected Filmography 261 The War Films: Fear and Desire, Paths of Glory, Full Metal Jacket 281 Suggestions for Further Reading 262 Dr. Strangelove and the Cold War 282 New Technologies , (1950-Present) 263 Humans and Machines: 2001: A Space Odyssey 284 Blade Runner 285 AI: Artificial Intelligence 286 Videotape, DVD, and Screen Size 263 A Joke on the Viewer: A Clockwork Orange 286 Sound 265 Ghost Story 287 CGI 265 The Reality Effect 267 Selected Filmography 268 Dream Story 288 ľ Selected Filmography 289 1 Suggestions for Further Reading 290 Suggestions for Further Reading 268 22 Outside Hollywood: Stanley Kubrick (1953-1999) 279 Rise of the Modern Documentary (1920-2014) 24 The
New Hollywood and after: Part One (1967-2006) 291 269 The Early Documentary 269 The Man with the Movie Camera, Nanook of the North, The Plow That Broke the Plains 270 The Collapse of the Code and the Studio System and the Rise of the Counterculture 292 Arthur Penn and the Counterculture 292 Bonnie and Clyde 292
Contents Alice’s Restaurant and Little Big Man Four Friends 294 Night Moves 294 294 Michael Cimino, the End of United Artists, the End of the Auteur 315 The Deer Hunter and Heaven s Gate 316 Selected Filmography 316 The Graduate, American International Pictures, and Easy Rider 295 The Graduate Suggestions for Further Reading 26 American Film in the 1990s and 2000s 319 296 Robert Altman MASH 296 Multiple Screens Altman after MASH 297 Independent Cinema McCabe and Mrs. Miller, The Wild Bunch, 320 320 Postmodern Filmmaking: Quentin 298 and More about Film Violence Tarantino and Oliver Stone Nashville and Secret Honor 299 Magnolia 317 295 AIP and Easy Rider 295 Pulp Fiction 299 Shortcuts xi 322 Natural Born Killers 300 322 323 JFK 324 301 Selected Filmography Judd Apatow 325 Suggestions for Further Reading 301 Talladega Nights: The Ballad of Ricky Bobby 325 25 The New Hollywood and after: Part Two (1972-2011) 303 3 04 Francis Ford Coppola David Fincher 326 Fight Club 327 A Study in Contrasts 32 8 The Godfather 304 Dinner for Schmucks The Conversation The Notebook 330 306 Coppola and the Vietnam War Film Apocalypse Now 306 Jaws Syriana Blaxploitation Close Encounters of the Third Kind E.T. and War of the Worlds 308 Spike Lee 310 Martin Scorsese 311 Tyler Perry s I Can Do Bad All by Myself 336 Taxi Driver 312 Goodfellas Tyler Perry 335 311 Scorsese and the Urge for Success Selected Filmography 33 7 313 Suggestions for Further Reading 339 313 314 The Documentaries 315 334 She s Gotta Have It and Do the Right Thing 334 311 Who s That Knocking at My Door? Mean Streets 333 Shaft and
Sweet Sweetback s Baadasssss Song 333 309 Schindler s List 309 Raging Bull 331 In Praise of Diversity 333 307 Munich The Bourne Identity 330 306 Steven Spielberg 307 328 341 345 GLOSSARY INDEX
|
| adam_txt |
г / Ч '֊fit ■■! fi·-· : ֊f lii1 ՚ - ՝ ‘. Դ BRIEF CONTENTS PREFACE 11 1939 XV INTRODUCTION 145 1 1 In the Beginning (1893-1903) 7 2 The Studios and the Stars (1907-1928) 21 3 The Hollywood Style and the Production Code (1903-1922) 37 4 The Distressing Legacy of D. W. Griffith (1908-1925) 65 6 Between World War I and the Coming of Sound (1913-1927) 13 Directors of the Forties: John Ford, Orson Welles, and Alfred Hitchcock (1941-1946) 165 14 Film Noir (1944-1950) 179 15 Hollywood after World War II (1946-1960) 155 45 5 Silent Comedy (1903-1936) 12 Hollywood and World War II (1942-1949) 155 16 Ford, Welles, and Hitchcock in the 1950s(1948-1960) 205 83 7 The Coming of Sound (1927-1931) 101 17 Science Fiction in the 1950s (1950-1956) 223 8 American Film and the Great Depression (1931-1935) 109 18 New Methods in Acting and New Directions in Filmmaking (1950-1959) 231 9 The Depression-Era Gangster Film (1931-1939) 119 19 Decline and Renewal (1960-1967) 241 10 Comedy, Capra, and Monsters (1931-1944) 131 20 Women, Men, and Superheroes (1980-2012) 251
iv BRIEF CONTENTS 21 New Technologies (1950-Present) 263 25 The New Hollywood and after: Part Two (1972-2011) 303 22 Rise of the Modern Documentary (1920-2014) 269 26 American Film in the 1990s and 2000s 319 23 Outside Hollywood: Stanley Kubrick (1953-1999) 279 GLOSSARY INDEX 341 345 24 The New Hollywood and after: Part One (1967-2006) 291 · J « , 1 ՜ Հ = ' ՛և-' ľ՜ ■ . i W՛. ՝ ,ЮІ ; :;.
CONTENTS t í/І • JG: i՜ PREFACE XV Ւ 2 The Studios and the Stars; (1907-1928) 21 . 1 Definitions of Culture 1 ՛ Film Form 3 The Form of This Book 4 Methodology 5 A Word about Directors 5 ' г INTRODUCTION 1 ' ’ ’Ь . In the Beginning (1893-1903) The Studios 21 ; How the Individual Studios Carne into Being 22 Universal 23 United Artists 23 Paramount 24 Warner Bros. 25 MGM 26 Fox 27. Columbia 27 RKO 27 The Immigrant's Legacy 28 The Producer System 28 7 What They Saw at the Beginning 8 Uncle Josh 8 McKinley 8 The Real Thing 9 Origins in Photography' 1Ò l · Edison 11 , . Show and Tell and Show Morę. 12 Early Film Form 13 -։ Manufacturing Film 14 t .,. : ί։. , Stars 29 Star and Celebrity 30 Valentino 31 Flappers and Vamps 32 The Stories We Tell about Stars 33 ֊ Of Time and Space 15 ' о : i The Great Train Robbery 15. Modernity 16 Selected Filmography 18 Selected Filmography 34 ’ Suggestions for Further Reading 34 Suggestions for Further Reading 18 v
vi CONTENTS Broken Blossoms 64 A Career in Decline 65 3 The Hollywood Style and the Production Code (1903-1922) 37 Selected Filmography 65 Suggestions for Further Reading 65 Filmmaking as an Industry 3 7 The Classical Hollywood Style Зб The Shot Зб Editing 40 Shot-Reverse Shot 41 Narrative Resolution 41 Genres 42 The Code 44 The 13 Points 45 5 Comedy and Modernity 70 The Chase 70 Seven Chances 71 Keaton and Chaplin 72 The Three Ages 72 The Play House 73 Sherlock, Jr. 73 Steamboat Bill, Jr. 74 Suggestions for Further Reading 47 Charlie Chaplin 75 Chaplin and Modernity 76 The Tramp 76 A Dog's Life 77 The Kid 77 United Artists and The Gold Rush 77 ' fj Ą Woman of Paris and Chaplins Serious Films 79 49 Beginnings 50 The Trust 50 W. K. L. Dickson 50 Griffith at Biograph 50 Pantomime 50 Naturalism 52 Parallel Editing and Screen Space 52 Griffith's Stories and the Critics 53 The Long Film 54 The Birth of a Nation 55 Race in the Early 20th Century* -.55 The Klan 56 Formal Methods 56 The Captivity Narrative 58 The Birth of a Nation and Woodrow Wilson 60 TheNAACP 60 Oscar Micheaux 61 Within Oar Gates 61 ; Griffith after The Birth of a Nation 63 Intolerance 63 69 Origins 69 Selected Filmography 4 7 4 The Distressing Legacy of D. W. Griffith (1908-1925) Silent Comedy (1903-1936) The Sound Films 79 Modern Times 79 Selected Filmography 81 ( Suggestions for Further Reading б 1 6 Between World War I and the Coming of Sound (1913-1927) 83 Politics, the War, Prohibition, and Radio 84 ľ The Jazz Age 84 Our Dancing Daughters 84 It 85 World War I 86 Wings 8 6 Hearts of the World 8 7
Contents The Big Parade 87 7th Heaven 88 DeMille and Melodrama 90 The Cheat and Manslaughter 90 The Ten Commandment^ 90 ; Love Me Tonight 114 Astaire-Rogers 114 Busby Berkeley 114 Gold Diggers of 1933 114 Selected Filmography 116 The Women 92 Alice Guy Blache and Lois Weber 92 Matrimony's Speed Limit 93 The Blot and Too Wise Wives, , f)3. Erich von Stroheim 94 Naturalism Revisited 94 , Greed 94 The European Influence 96 Expressionism 96 The Cabinet of Dr. Caligari 9 6 Murnau and Sunrise 97 The End of the Silent Era 99 Suggestions for Further Reading 116 Selected Filmography 99 Suggestions for Further Reading 99 9 The Depression-Era Gangster Film (1931-1939) 119 The Gangster 119 "The Gangster as Tragic Herd" ’ 12 Ò The Gangster and the Code 121 ; The Gangster Films 122 .ц ■»՝ Little Caesar 122 , Scarface 124 ¡ ՛ The Public Enemy 126 The Gangster in Eclipse 127 · The Roaring Liventies 127 Selected Filmography 129 Suggestions for Further Reading 129 7 The Coming of Sound (1927-1931) 101 Early Technologies of Sound 101 The Jazz Singer 102 Jewishness and Blackface 102 Conversion to Sound 104 The Cultures’of Sound 105 Selected Filmography 106 Suggestions for Further Reading 106 8 American Film and the Great Depression (1931-1935). ,109 The Great Depression 109 The Depression in Hollywood 110 Heroes for Sale and Wild Boys of the Road 110 American Madness 113 The 1930s Musical 114 The Forgotten Man Choreographed 114 f 10 Comedy, Capra, and Monsters (1931-1944) 131 Screwbáll Comedy 131 My Man Godfrey 132 Bringing Up Baby 132 ’' The Awful Truth 134 The Philadelphia Story 135 The Marx
Brothers, Preston Sturges, : Ernst Lubitsch 136 Capracorn 137 It Happened One Night 137 Mr. Smith Goes to Washington and Meet John Doe 138 Monsters 140 Frankenstein and Dracula 140 Selected Filmography 143 Suggestions for Further Reading 143 vil
VÎÎÎ CONTENTS 11 1939 Selected Filmography 177 145 Suggestions for Further Reading 177 The Code, Filmmaking, and Politics 145 Stagecoach 146 Dark Victory and Melodrama 14 8 Gone with the Wind 149 The Wizard of Oz 151 = 14 Film Noir (1944-1950) The Questions of Noir 179 ’ Where Did Film Noir Get Its Name? 180 How Did Noir Develop in Hollywood without Anyone Knowing about It? 180 Noir and American Culture 181 What Is Film Noir? 182 Lighting 182 Themes and Content 183 Gender in Film-Noir 183 ' « Films Noir 183 ՛! í Murder,'My Sweèì 183 ՝ The Big Sleep 184 í Double Indemnity ՝ 1'84 ։· The Woman in the Window and Scarlet Street 187 Noir and Melodrama: The Case of Mildred Pierce 18 9 Orson Welles and The Lady from Shanghai 190 Anthony Mann and T-Men 191 Noir and the Production Code 192 Selected Filmography 152 Suggestions for Further Reading І 5J 12 Hollywood and World War II (1942-1949) 155 Part One: The Reemergence of Hollywood Cinema 156 Acting 156 ; Lighting 156 Directorial Voices 156 Part Two: The War Film 158 Air Force 159 Back to Bataan 159 ! і Sands of Iwo Jima 160 . , . Frank Capra: Why We Fight 161 Casablanca 161 Selected Filmography 163 , Հ Suggestions for Further Reading 163 13 179 Directors of the Forties: John Ford, Orson Welles, and Alfred Hitchcock (1941-1946) 165 Selected Filmography 193 Suggestions for Further« Reading 193 The Auteur 166 Hollywood after World War II (1946-1960) 195 John Ford and The Grapes of Wrath 166 Part One: The Best Years of Our Lives 196 Orson Welles and Citizen Kane 167 Welles after Kane·. The Magnificent Ambersons 172 The Stranger 173 ’
‘ Part Two: Hollywood under Siege 198 The Divestiture 198 , « Size Matters 199 Alfred Hitchcock 174 Shadow of a Doubt 174 Notorious 175 15 Are You Now or Have You Ever Been a Member of the Communist Party? 201 HUAC 201 The Hollywood Ten 201
Contents The Blacklist 202 vb , / b The End of the Blacklist 203· Selected Filmography 229 n ■· Suggestions for Furthér Reading 230 Socially Conscious Cinema 204 Anti-Semitism: Crossfire and՛ Gentleman's Agreement 204 Postwar Film and Race: Pinky and No Way Out 205, ; ļ Anti-McCarthy, Anti-HUAC Films: Storm Center and Salt of the Earth 206 18 New Methods in Acting and New Directions in Filmmaking (1950-1959) 231 Film Acting 231 s ч The Actor's Studio 232 Marlon Brando and James Dean 232 Nicholas Ray: In a Lonely Place, Rebel without a Cause, Bigger Than Life 233 The Wild One 235 Marlon Brando and Marilyn , Monroe 236 Selected Filmography 207. ,։.n'; Suggestions for Further Reading; 208 16 Ix Ford, Welles, and Hitchcock in the 1950s (1948-1960) 209 John Ford and the Western 210 Fort Apache 210‘ ■ ·'·։* The Searchers· 21b1' · : ¡ ¡հ Epilogue to thę 1950s 237 Sam Fuller 237 The Naked Kiss 237 Pickup on South Street 238 A New Wave 239 Other Westerns 2 1 2 , J ’ll; High Noon 212 Johnny Guitar and Silver Lode., „ 212, ; The Westerns of Anthony Mann: The Man from Laramie 213 . ì Selected Filmography 239 Suggestions for Further Reading 2зЬ Orson Welles and Touch of Evil 214 , 19 Alfred Hitchcock 215 North by Northwest and The Wrong Man 216 Vertigo 217 ,հ Psycho 218 . Selected Filmography 220., Epic Decline 241 ' 1 Paramount 242 Universal 243 Warner Bros. 244 20th Century Fox. 244 Columbia 244 Explosion 244 ; Suggestions for Further Reading 221 17 Science Fiction in the 1950s (1950-1956) 223 » і Postwar Fears from Outer Spáče -223 The Thing from Another World 224 The Day the Earth
Stood Still 225 Forbidden Planet 226 Invasion of the Body Snatchers 228 Λ Decline and Renewal (1960-1967) 241 * The New Wave 245 The Auteur Revisited 246 ¡ и '՛՛ і , . 1 The End of the Code and the Beginning of the Ratings System 24 7 . s Selected Filmography 249 . Suggestions for Further Reading 250 ■
X CONTENTS 20 Women, Men, and Superheroes (1980-2012) 251 The Maysles Brothers 271 Cinéma Vérité and Salesman 271 Gimme Shelter and Grey Gardens 271 Visual Pleasure 252 Norma Rae and Silkwood 252 Michael Moore and the Political Documentary 272 Fahrenheit 9/11 272 By and for Women 253 · -f Desperately Seeking Sušah 253 The Contemporary War Documentary 2 73 Restrepo 273 Redacted 274 The Male as Object of the Gaze 255 , Top Gun 255 The Monstrous Gaze 256. Fatal Attraction 256 Errol Morris 275 '՛ The Fog of War, Standard Operating Procedure, and The Unknown Known 2 75 Strong Men in the Age of Reagan 257 Raiders of the Lost Ark 257 Rambo 258 Die Hard 259 ' Selected Filmography 277 Suggestions for Further Reading 2 77 The Superhero and the Digital5 ?* Domain 259 Batman 260 The Dark Knight and The Dark Knight Rises 260 . , Super 261 21 23 The Last of the Independents 2 79 Kubrick, Welles, and Hitchcock 280 Selected Filmography 261 The War Films: Fear and Desire, Paths of Glory, Full Metal Jacket 281 Suggestions for Further Reading 262 Dr. Strangelove and the Cold War 282 New Technologies , (1950-Present) 263 Humans and Machines: 2001: A Space Odyssey 284 Blade Runner 285 AI: Artificial Intelligence 286 Videotape, DVD, and Screen Size 263 A Joke on the Viewer: A Clockwork Orange 286 Sound 265 Ghost Story 287 CGI 265 The "Reality Effect" 267 Selected Filmography 268 Dream Story 288 ľ Selected Filmography 289 1 Suggestions for Further Reading 290 Suggestions for Further Reading 268 22 Outside Hollywood: Stanley Kubrick (1953-1999) 279 Rise of the Modern Documentary (1920-2014) 24 The
New Hollywood and after: Part One (1967-2006) 291 269 The Early Documentary 269 The Man with the Movie Camera, Nanook of the North, The Plow That Broke the Plains 270 The Collapse of the Code and the Studio System and the Rise of the Counterculture 292 Arthur Penn and the Counterculture 292 Bonnie and Clyde 292
Contents Alice’s Restaurant and Little Big Man Four Friends 294 Night Moves 294 294 Michael Cimino, the End of United Artists, the End of the Auteur 315 The Deer Hunter and Heaven's Gate 316 Selected Filmography 316 The Graduate, American International Pictures, and Easy Rider 295 The Graduate Suggestions for Further Reading 26 American Film in the 1990s and 2000s 319 296 Robert Altman MASH 296 Multiple Screens Altman after MASH 297 Independent Cinema McCabe and Mrs. Miller, The Wild Bunch, 320 320 Postmodern Filmmaking: Quentin 298 and More about Film Violence Tarantino and Oliver Stone Nashville and Secret Honor 299 Magnolia 317 295 AIP and Easy Rider 295 Pulp Fiction 299 Shortcuts xi 322 Natural Born Killers 300 322 323 JFK 324 301 Selected Filmography Judd Apatow 325 Suggestions for Further Reading 301 Talladega Nights: The Ballad of Ricky Bobby 325 25 The New Hollywood and after: Part Two (1972-2011) 303 3 04 Francis Ford Coppola David Fincher 326 Fight Club 327 A Study in Contrasts 32 8 The Godfather 304 Dinner for Schmucks The Conversation The Notebook 330 306 Coppola and the Vietnam War Film Apocalypse Now 306 Jaws Syriana Blaxploitation Close Encounters of the Third Kind E.T. and War of the Worlds 308 Spike Lee 310 Martin Scorsese 311 Tyler Perry's I Can Do Bad All by Myself 336 Taxi Driver 312 Goodfellas Tyler Perry 335 311 Scorsese and the Urge for Success Selected Filmography 33 7 313 Suggestions for Further Reading 339 313 314 The Documentaries 315 334 She's Gotta Have It and Do the Right Thing 334 311 Who's That Knocking at My Door? Mean Streets 333 Shaft and
Sweet Sweetback's Baadasssss Song 333 309 Schindler's List 309 Raging Bull 331 In Praise of Diversity 333 307 Munich The Bourne Identity 330 306 Steven Spielberg 307 328 341 345 GLOSSARY INDEX |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kolker, Robert Phillip 1940- |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
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| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV048648230 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:18:54Z |
| indexdate | 2024-07-10T09:44:58Z |
| institution | BVB |
| isbn | 0199753423 9780199753420 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034023069 |
| oclc_num | 933723083 |
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| owner | DE-739 |
| owner_facet | DE-739 |
| physical | xvi, 368 Seiten Illustrationen 24 cm |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | Oxford University Press |
| record_format | marc |
| spelling | Kolker, Robert Phillip 1940- Verfasser (DE-588)131927329 aut The cultures of American film Robert P. Kolker, University of Maryland New York ; Oxford Oxford University Press [2015] xvi, 368 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Filmografie und Literaturangaben Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Geschichte z Film (DE-588)4017102-4 s Kultur (DE-588)4125698-0 s USA (DE-588)4078704-7 g DE-604 http://www.gbv.de/dms/bowker/toc/9780199753420.pdf Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034023069&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kolker, Robert Phillip 1940- The cultures of American film Film (DE-588)4017102-4 gnd Kultur (DE-588)4125698-0 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4125698-0 (DE-588)4078704-7 |
| title | The cultures of American film |
| title_auth | The cultures of American film |
| title_exact_search | The cultures of American film |
| title_exact_search_txtP | The cultures of American film |
| title_full | The cultures of American film Robert P. Kolker, University of Maryland |
| title_fullStr | The cultures of American film Robert P. Kolker, University of Maryland |
| title_full_unstemmed | The cultures of American film Robert P. Kolker, University of Maryland |
| title_short | The cultures of American film |
| title_sort | the cultures of american film |
| topic | Film (DE-588)4017102-4 gnd Kultur (DE-588)4125698-0 gnd |
| topic_facet | Film Kultur USA |
| url | http://www.gbv.de/dms/bowker/toc/9780199753420.pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=034023069&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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