Finnish Film Studios:
Provides the first scholarly examination of Finnish studio systemProvides an approach that is both sensitive to the specific characteristics of Finnish studio system and applicable to small nation cinema industries in generalConsiders practically the whole output of Finnish film companies over the s...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schriftenreihe: | Global Film Studios : GFS
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-473 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | Provides the first scholarly examination of Finnish studio systemProvides an approach that is both sensitive to the specific characteristics of Finnish studio system and applicable to small nation cinema industries in generalConsiders practically the whole output of Finnish film companies over the studio era; this is a benefit of analysing a small nation cinema with c. 600 feature films made between the 1930s and early 1960sExplores films such as Stolen Death (1938), The Way You Wanted Me (1944), The White Reindeer (1952), The Glass Heart (1959)Finnish Film Studios provides a thorough examination of Finnish film industry through the core decades of the studio era, from the early 1920s to the early 1960s. Laine analyses the contributions of fully integrated major companies, Suomi-Filmi, Suomen Filmiteollisuus and Fennada-Filmi, in addition to minor companies and independent producers that were responsible for some of the canonized work of the studio era, including the films of Teuvo Tulio and Nyrki Tapiovaara.This study approaches Finnish studio cinema as both typical and particular: it is a typical European small nation cinema with its industrial structures, reliance on hierarchical organisation of labour and love-hate relationship with Hollywood; yet, it is particular, not only in its genres, cycles and hugely popular domestic stars, but also because films were made in the constant presence of geopolitical realities, at times under the influence of Germany and the Soviet Union |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) |
| Beschreibung: | 1 Online-Ressource (208 Seiten) Illustrationen |
| ISBN: | 9781474446822 |
| DOI: | 10.1515/9781474446822 |
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| 520 | |a Provides the first scholarly examination of Finnish studio systemProvides an approach that is both sensitive to the specific characteristics of Finnish studio system and applicable to small nation cinema industries in generalConsiders practically the whole output of Finnish film companies over the studio era; this is a benefit of analysing a small nation cinema with c. 600 feature films made between the 1930s and early 1960sExplores films such as Stolen Death (1938), The Way You Wanted Me (1944), The White Reindeer (1952), The Glass Heart (1959)Finnish Film Studios provides a thorough examination of Finnish film industry through the core decades of the studio era, from the early 1920s to the early 1960s. Laine analyses the contributions of fully integrated major companies, Suomi-Filmi, Suomen Filmiteollisuus and Fennada-Filmi, in addition to minor companies and independent producers that were responsible for some of the canonized work of the studio era, including the films of Teuvo Tulio and Nyrki Tapiovaara.This study approaches Finnish studio cinema as both typical and particular: it is a typical European small nation cinema with its industrial structures, reliance on hierarchical organisation of labour and love-hate relationship with Hollywood; yet, it is particular, not only in its genres, cycles and hugely popular domestic stars, but also because films were made in the constant presence of geopolitical realities, at times under the influence of Germany and the Soviet Union | ||
| 546 | |a In English | ||
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| author | Laine, Kimmo |
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| dewey-full | 384.80948980904 |
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| dewey-ones | 384 - Communications |
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| dewey-search | 384.80948980904 |
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| dewey-tens | 380 - Commerce, communications, transportation |
| discipline | Wirtschaftswissenschaften |
| discipline_str_mv | Wirtschaftswissenschaften |
| doi_str_mv | 10.1515/9781474446822 |
| format | Electronic eBook |
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| id | DE-604.BV048646633 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:18:31Z |
| indexdate | 2025-02-19T17:36:31Z |
| institution | BVB |
| isbn | 9781474446822 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-034021504 |
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| spelling | Laine, Kimmo Verfasser aut Finnish Film Studios Kimmo Laine Edinburgh Edinburgh University Press [2022] © 2023 1 Online-Ressource (208 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Global Film Studios : GFS Description based on online resource; title from PDF title page (publisher's Web site, viewed 03. Jan 2023) Provides the first scholarly examination of Finnish studio systemProvides an approach that is both sensitive to the specific characteristics of Finnish studio system and applicable to small nation cinema industries in generalConsiders practically the whole output of Finnish film companies over the studio era; this is a benefit of analysing a small nation cinema with c. 600 feature films made between the 1930s and early 1960sExplores films such as Stolen Death (1938), The Way You Wanted Me (1944), The White Reindeer (1952), The Glass Heart (1959)Finnish Film Studios provides a thorough examination of Finnish film industry through the core decades of the studio era, from the early 1920s to the early 1960s. Laine analyses the contributions of fully integrated major companies, Suomi-Filmi, Suomen Filmiteollisuus and Fennada-Filmi, in addition to minor companies and independent producers that were responsible for some of the canonized work of the studio era, including the films of Teuvo Tulio and Nyrki Tapiovaara.This study approaches Finnish studio cinema as both typical and particular: it is a typical European small nation cinema with its industrial structures, reliance on hierarchical organisation of labour and love-hate relationship with Hollywood; yet, it is particular, not only in its genres, cycles and hugely popular domestic stars, but also because films were made in the constant presence of geopolitical realities, at times under the influence of Germany and the Soviet Union In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion picture industry Finland History 20th century Motion pictures Finland History 20th century https://doi.org/10.1515/9781474446822 Verlag URL des Erstveröffentlichers Volltext https://www.cambridge.org/core/product/identifier/9781474446822/type/BOOK Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Laine, Kimmo Finnish Film Studios Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion picture industry Finland History 20th century Motion pictures Finland History 20th century |
| title | Finnish Film Studios |
| title_auth | Finnish Film Studios |
| title_exact_search | Finnish Film Studios |
| title_exact_search_txtP | Finnish Film Studios |
| title_full | Finnish Film Studios Kimmo Laine |
| title_fullStr | Finnish Film Studios Kimmo Laine |
| title_full_unstemmed | Finnish Film Studios Kimmo Laine |
| title_short | Finnish Film Studios |
| title_sort | finnish film studios |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General bisacsh Motion picture industry Finland History 20th century Motion pictures Finland History 20th century |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / General Motion picture industry Finland History 20th century Motion pictures Finland History 20th century |
| url | https://doi.org/10.1515/9781474446822 https://www.cambridge.org/core/product/identifier/9781474446822/type/BOOK |
| work_keys_str_mv | AT lainekimmo finnishfilmstudios |