Special Effects on the Screen: Faking the View from Méliès to Motion Capture
Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, a...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2022]
|
| Schriftenreihe: | Cinema and Technology
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, and the development of computerized visual effects, film theorists and historians have been reconsidering the traditional accounts of cinematic representation, recognising the important role of special effects. Understood as a constituent part of the cinema, special effects are a major technical but also aesthetic component of filmmaking and an important part of the experience for the audience. In this volume, new directions are charted for the exploration of this indispensable aspect of the cinematic experience. Each of the essays in this collection offers new insight into the theoretical and historical study of special effects. The contributors address the many aspects of special effects, from a variety of perspectives, considering them as a conceptual problem, recounting the history of specific special effects techniques, and analysing notable effects films |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) |
| Beschreibung: | 1 Online-Ressource (518 Seiten) |
| ISBN: | 9789048530205 |
| DOI: | 10.1515/9789048530205 |
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| spelling | Special Effects on the Screen Faking the View from Méliès to Motion Capture ed. by Marc Furstenau, Martin Lefebvre Amsterdam Amsterdam University Press [2022] © 2022 1 Online-Ressource (518 Seiten) txt rdacontent c rdamedia cr rdacarrier Cinema and Technology Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Since the very first days of cinema, audiences have marveled at the special effects imagery presented on movie screens. While long relegated to the margins of film studies, special effects have recently become the object of a burgeoning field of scholarship. With the emergence of a digital cinema, and the development of computerized visual effects, film theorists and historians have been reconsidering the traditional accounts of cinematic representation, recognising the important role of special effects. Understood as a constituent part of the cinema, special effects are a major technical but also aesthetic component of filmmaking and an important part of the experience for the audience. In this volume, new directions are charted for the exploration of this indispensable aspect of the cinematic experience. Each of the essays in this collection offers new insight into the theoretical and historical study of special effects. The contributors address the many aspects of special effects, from a variety of perspectives, considering them as a conceptual problem, recounting the history of specific special effects techniques, and analysing notable effects films In English Film Studies Film history, theory or criticism Film, Media, and Communication Filmmaking and production: technical and background skills Media Studies Media studies: TV and society ART / Digital bisacsh Cinematography Special effects History Albera, François Sonstige oth Andrew, Dudley Sonstige oth Belton, John Sonstige oth Bergstrom, Janet Sonstige oth Crafton, Donald Sonstige oth Cubitt, Sean Sonstige oth Furstenau, Marc Sonstige oth Jost, François Sonstige oth Kessler, Frank Sonstige oth Lefebvre, Martin Sonstige oth Lenk, Sabine Sonstige oth Liandrat-Guigues, Suzanne Sonstige oth Loew, Katharina Sonstige oth Marion, Philippe Sonstige oth Odin, Roger Sonstige oth Turquety, Benoît Sonstige oth Whissel, Kristen Sonstige oth https://doi.org/10.1515/9789048530205?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Special Effects on the Screen Faking the View from Méliès to Motion Capture Film Studies Film history, theory or criticism Film, Media, and Communication Filmmaking and production: technical and background skills Media Studies Media studies: TV and society ART / Digital bisacsh Cinematography Special effects History |
| title | Special Effects on the Screen Faking the View from Méliès to Motion Capture |
| title_auth | Special Effects on the Screen Faking the View from Méliès to Motion Capture |
| title_exact_search | Special Effects on the Screen Faking the View from Méliès to Motion Capture |
| title_exact_search_txtP | Special Effects on the Screen Faking the View from Méliès to Motion Capture |
| title_full | Special Effects on the Screen Faking the View from Méliès to Motion Capture ed. by Marc Furstenau, Martin Lefebvre |
| title_fullStr | Special Effects on the Screen Faking the View from Méliès to Motion Capture ed. by Marc Furstenau, Martin Lefebvre |
| title_full_unstemmed | Special Effects on the Screen Faking the View from Méliès to Motion Capture ed. by Marc Furstenau, Martin Lefebvre |
| title_short | Special Effects on the Screen |
| title_sort | special effects on the screen faking the view from melies to motion capture |
| title_sub | Faking the View from Méliès to Motion Capture |
| topic | Film Studies Film history, theory or criticism Film, Media, and Communication Filmmaking and production: technical and background skills Media Studies Media studies: TV and society ART / Digital bisacsh Cinematography Special effects History |
| topic_facet | Film Studies Film history, theory or criticism Film, Media, and Communication Filmmaking and production: technical and background skills Media Studies Media studies: TV and society ART / Digital Cinematography Special effects History |
| url | https://doi.org/10.1515/9789048530205?locatt=mode:legacy |
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