Faces on Screen: New Approaches
Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at th...
Gespeichert in:
Format: | Elektronisch E-Book |
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Sprache: | English |
Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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Schlagworte: | |
Online-Zugang: | URL des Erstveröffentlichers |
Zusammenfassung: | Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at the roots of our current, ever-multiplying entanglements with the face on screenIncludes work on mainstream cinema as well as on documentary, avant-garde cinema, video art, gaming, software, photography, and other visual technologiesBrings together authors working across genres and traditions, joining scholars and topics that do not normally appear in the same venuesUses case studies including The Big Swallow, Minamata: The Victims and Their World, The Neon Demon, Fruitvale Station and AvatarWhether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) |
Beschreibung: | 1 Online-Ressource (352 Seiten) 51 B/W illustrations |
ISBN: | 9781474493802 |
DOI: | 10.1515/9781474493802 |
Internformat
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500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | ||
520 | |a Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at the roots of our current, ever-multiplying entanglements with the face on screenIncludes work on mainstream cinema as well as on documentary, avant-garde cinema, video art, gaming, software, photography, and other visual technologiesBrings together authors working across genres and traditions, joining scholars and topics that do not normally appear in the same venuesUses case studies including The Big Swallow, Minamata: The Victims and Their World, The Neon Demon, Fruitvale Station and AvatarWhether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions. | ||
546 | |a In English | ||
650 | 4 | |a Film, Media & Cultural Studies | |
650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
650 | 4 | |a Face in mass media | |
650 | 4 | |a Face in motion pictures | |
650 | 4 | |a Face on television | |
700 | 1 | |a Allison, Tanine |e Sonstige |4 oth | |
700 | 1 | |a Banerjee, Koel |e Sonstige |4 oth | |
700 | 1 | |a Bode, Lisa |e Sonstige |4 oth | |
700 | 1 | |a Cortez, Iggy |e Sonstige |4 oth | |
700 | 1 | |a Dinnen, Zara |e Sonstige |4 oth | |
700 | 1 | |a Fenner, Angelica |e Sonstige |4 oth | |
700 | 1 | |a Gunn, Jenny |e Sonstige |4 oth | |
700 | 1 | |a Gyenge, Andrea |e Sonstige |4 oth | |
700 | 1 | |a Hristova, Stefka |e Sonstige |4 oth | |
700 | 1 | |a Konzett, Delia Malia |e Sonstige |4 oth | |
700 | 1 | |a Maurice, Alice |e Sonstige |4 oth | |
700 | 1 | |a Maurice, Alice |e Sonstige |4 oth | |
700 | 1 | |a McBean, Sam |e Sonstige |4 oth | |
700 | 1 | |a McLean, Adrienne L. |e Sonstige |4 oth | |
700 | 1 | |a Parlett, Hannah |e Sonstige |4 oth | |
700 | 1 | |a Quigley, Paula |e Sonstige |4 oth | |
700 | 1 | |a Saljoughi, Sara |e Sonstige |4 oth | |
700 | 1 | |a Singer, Elyse |e Sonstige |4 oth | |
700 | 1 | |a Tucker, Aaron |e Sonstige |4 oth | |
700 | 1 | |a Weber, Brenda R. |e Sonstige |4 oth | |
700 | 1 | |a Yue, Genevieve |e Sonstige |4 oth | |
856 | 4 | 0 | |u https://doi.org/10.1515/9781474493802 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033983219 |
Datensatz im Suchindex
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adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
building | Verbundindex |
bvnumber | BV048607796 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9781474493802 (OCoLC)1355302508 (DE-599)BVBBV048607796 |
dewey-full | 791.4302 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302 |
dewey-search | 791.4302 |
dewey-sort | 3791.4302 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
doi_str_mv | 10.1515/9781474493802 |
format | Electronic eBook |
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id | DE-604.BV048607796 |
illustrated | Illustrated |
index_date | 2024-07-03T21:11:19Z |
indexdate | 2025-02-19T17:36:15Z |
institution | BVB |
isbn | 9781474493802 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033983219 |
oclc_num | 1355302508 |
open_access_boolean | |
owner | DE-Aug4 |
owner_facet | DE-Aug4 |
physical | 1 Online-Ressource (352 Seiten) 51 B/W illustrations |
psigel | ZDB-23-DGG |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Edinburgh University Press |
record_format | marc |
spelling | Faces on Screen New Approaches ed. by Alice Maurice Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (352 Seiten) 51 B/W illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) Examines the face on screen from a variety of critical and historical perspectivesRe-thinks the face on screen by highlighting new work that forges connections between early, classic, and contemporary face issuesAddresses topical and contemporary issues while also offering an historicised look at the roots of our current, ever-multiplying entanglements with the face on screenIncludes work on mainstream cinema as well as on documentary, avant-garde cinema, video art, gaming, software, photography, and other visual technologiesBrings together authors working across genres and traditions, joining scholars and topics that do not normally appear in the same venuesUses case studies including The Big Swallow, Minamata: The Victims and Their World, The Neon Demon, Fruitvale Station and AvatarWhether we consider the digitally created and manipulated faces of Hollywood cinema or the social media filters, face apps, and surveillance software of everyday life, reading face language has become the seemingly endless task of humans and machines alike. Recent facial controversies - from politicians in blackface to deep fakes," casting debates, and facial data collection-- have made clear the need for a broader understanding of the face on screen and its varied techniques and effects. This book will consider the screen face from a variety of perspectives, across time periods and media, bringing together essays on topics ranging from early cinema to contemporary digital media - from photogénie to facial recognition, celebrity culture to digital creatures. It explores how screen culture builds on and complicates our urge to search the face for answers to our most intractable questions. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Face in mass media Face in motion pictures Face on television Allison, Tanine Sonstige oth Banerjee, Koel Sonstige oth Bode, Lisa Sonstige oth Cortez, Iggy Sonstige oth Dinnen, Zara Sonstige oth Fenner, Angelica Sonstige oth Gunn, Jenny Sonstige oth Gyenge, Andrea Sonstige oth Hristova, Stefka Sonstige oth Konzett, Delia Malia Sonstige oth Maurice, Alice Sonstige oth McBean, Sam Sonstige oth McLean, Adrienne L. Sonstige oth Parlett, Hannah Sonstige oth Quigley, Paula Sonstige oth Saljoughi, Sara Sonstige oth Singer, Elyse Sonstige oth Tucker, Aaron Sonstige oth Weber, Brenda R. Sonstige oth Yue, Genevieve Sonstige oth https://doi.org/10.1515/9781474493802 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Faces on Screen New Approaches Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Face in mass media Face in motion pictures Face on television |
title | Faces on Screen New Approaches |
title_auth | Faces on Screen New Approaches |
title_exact_search | Faces on Screen New Approaches |
title_exact_search_txtP | Faces on Screen New Approaches |
title_full | Faces on Screen New Approaches ed. by Alice Maurice |
title_fullStr | Faces on Screen New Approaches ed. by Alice Maurice |
title_full_unstemmed | Faces on Screen New Approaches ed. by Alice Maurice |
title_short | Faces on Screen |
title_sort | faces on screen new approaches |
title_sub | New Approaches |
topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Face in mass media Face in motion pictures Face on television |
topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Face in mass media Face in motion pictures Face on television |
url | https://doi.org/10.1515/9781474493802 |
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