Francisco de Goya and the art of critique:
Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Zone Books
2022
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
Zusammenfassung: | Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself |
Beschreibung: | 367 Seiten Illustrationen 23 cm |
ISBN: | 9781942130697 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048591024 | ||
003 | DE-604 | ||
005 | 20241127 | ||
007 | t| | ||
008 | 221202s2022 xx a||| |||| 00||| eng d | ||
020 | |a 9781942130697 |9 978-1-942130-69-7 | ||
035 | |a (OCoLC)1371717394 | ||
035 | |a (DE-599)BVBBV048591024 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-Y2 |a DE-255 |a DE-Y3 |a DE-11 | ||
084 | |a LI 34751 |0 (DE-625)96136:13279 |2 rvk | ||
084 | |a LH 61060 |0 (DE-625)94206: |2 rvk | ||
084 | |a 3 |2 KUBA2 | ||
100 | 1 | |a Cascardi, Anthony J. |d 1953- |e Verfasser |0 (DE-588)122476891 |4 aut | |
245 | 1 | 0 | |a Francisco de Goya and the art of critique |c Anthony J. Cascardi |
264 | 1 | |a New York |b Zone Books |c 2022 | |
300 | |a 367 Seiten |b Illustrationen |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
520 | 3 | |a Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself | |
600 | 1 | 7 | |a Goya y Lucientes, Francisco José de |d 1746-1828 |0 (DE-588)118541064 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunstkritik |0 (DE-588)4033659-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
653 | 1 | |a Goya, Francisco / 1746-1828 / Aesthetics | |
653 | 0 | |a Painting, Spanish / 18th century / 19th century / Aesthetics | |
653 | 0 | |a Art, Spanish / 18th century / 19th century / Aesthetics | |
653 | 1 | |a Goya, Francisco / 1746-1828 | |
653 | 0 | |a Aesthetics | |
689 | 0 | 0 | |a Goya y Lucientes, Francisco José de |d 1746-1828 |0 (DE-588)118541064 |D p |
689 | 0 | 1 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 0 | 2 | |a Kunstkritik |0 (DE-588)4033659-1 |D s |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-942130-70-3 |
856 | 4 | 2 | |u http://www.gbv.de/dms/bowker/toc/9781942130697.pdf |v 2023-01-30 |x Aggregator |3 Inhaltsverzeichnis |
856 | 4 | 2 | |m B:DE-16 |m V:DE-576 |u https://swbplus.bsz-bw.de/bsz1784597767inh.htm |v 20230322193227 |3 Inhaltsverzeichnis |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033966732 |
Datensatz im Suchindex
_version_ | 1816888274093867008 |
---|---|
adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Cascardi, Anthony J. 1953- |
author_GND | (DE-588)122476891 |
author_facet | Cascardi, Anthony J. 1953- |
author_role | aut |
author_sort | Cascardi, Anthony J. 1953- |
author_variant | a j c aj ajc |
building | Verbundindex |
bvnumber | BV048591024 |
classification_rvk | LI 34751 LH 61060 |
ctrlnum | (OCoLC)1371717394 (DE-599)BVBBV048591024 |
discipline | Kunstgeschichte |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048591024</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20241127</controlfield><controlfield tag="007">t|</controlfield><controlfield tag="008">221202s2022 xx a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781942130697</subfield><subfield code="9">978-1-942130-69-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1371717394</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048591024</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y2</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-11</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 34751</subfield><subfield code="0">(DE-625)96136:13279</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LH 61060</subfield><subfield code="0">(DE-625)94206:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">3</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cascardi, Anthony J.</subfield><subfield code="d">1953-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)122476891</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Francisco de Goya and the art of critique</subfield><subfield code="c">Anthony J. Cascardi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Zone Books</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">367 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Goya y Lucientes, Francisco José de</subfield><subfield code="d">1746-1828</subfield><subfield code="0">(DE-588)118541064</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Goya, Francisco / 1746-1828 / Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Painting, Spanish / 18th century / 19th century / Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art, Spanish / 18th century / 19th century / Aesthetics</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Goya, Francisco / 1746-1828</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Aesthetics</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Goya y Lucientes, Francisco José de</subfield><subfield code="d">1746-1828</subfield><subfield code="0">(DE-588)118541064</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kunstkritik</subfield><subfield code="0">(DE-588)4033659-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-942130-70-3</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">http://www.gbv.de/dms/bowker/toc/9781942130697.pdf</subfield><subfield code="v">2023-01-30</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">B:DE-16</subfield><subfield code="m">V:DE-576</subfield><subfield code="u">https://swbplus.bsz-bw.de/bsz1784597767inh.htm</subfield><subfield code="v">20230322193227</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033966732</subfield></datafield></record></collection> |
id | DE-604.BV048591024 |
illustrated | Illustrated |
index_date | 2024-07-03T21:07:24Z |
indexdate | 2024-11-27T15:01:22Z |
institution | BVB |
isbn | 9781942130697 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033966732 |
oclc_num | 1371717394 |
open_access_boolean | |
owner | DE-Y2 DE-255 DE-Y3 DE-11 |
owner_facet | DE-Y2 DE-255 DE-Y3 DE-11 |
physical | 367 Seiten Illustrationen 23 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Zone Books |
record_format | marc |
spelling | Cascardi, Anthony J. 1953- Verfasser (DE-588)122476891 aut Francisco de Goya and the art of critique Anthony J. Cascardi New York Zone Books 2022 367 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Francisco de Goya and the Art of Critique probes the relationship between the enormous, extraordinary, and sometimes baffling body of Goya’s work and the interconnected issues of modernity, Enlightenment, and critique. Taking exception to conventional views that rely mainly on Goya’s darkest images to establish his relevance for modernity, Cascardi argues that the entirety of Goya’s work is engaged in a thoroughgoing critique of the modern social and historical worlds, of which it nonetheless remains an integral part. The book reckons with the apparent gulf assumed to divide the Disasters of War and the so-called Black Paintings from Goya’s scenes of bourgeois life or from the well-mannered portraits of aristocrats, military men, and intellectuals. It shows how these apparent contradictions offer us a gateway into Goya’s critical practice vis-à-vis a European modernity typically associated with the Enlightenment values dominant in France, England, and Germany. In demonstrating Goya’s commitment to the project of critique, Cascardi provides an alternative to established readings of Goya’s work, which generally acknowledge the explicit social criticism evident in works such as the Caprichos but which have little to say about those works that do not openly take up social or political themes. In Francisco de Goya and the Art of Critique, Cascardi shows how Goya was consistently engaged in a critical response to—and not just a representation of—the many different factors that are often invoked to explain his work, including history, politics, popular culture, religion, and the history of art itself Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 gnd rswk-swf Kunstkritik (DE-588)4033659-1 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Goya, Francisco / 1746-1828 / Aesthetics Painting, Spanish / 18th century / 19th century / Aesthetics Art, Spanish / 18th century / 19th century / Aesthetics Goya, Francisco / 1746-1828 Aesthetics Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 p Ästhetik (DE-588)4000626-8 s Kunstkritik (DE-588)4033659-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-942130-70-3 http://www.gbv.de/dms/bowker/toc/9781942130697.pdf 2023-01-30 Aggregator Inhaltsverzeichnis B:DE-16 V:DE-576 https://swbplus.bsz-bw.de/bsz1784597767inh.htm 20230322193227 Inhaltsverzeichnis |
spellingShingle | Cascardi, Anthony J. 1953- Francisco de Goya and the art of critique Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 gnd Kunstkritik (DE-588)4033659-1 gnd Ästhetik (DE-588)4000626-8 gnd |
subject_GND | (DE-588)118541064 (DE-588)4033659-1 (DE-588)4000626-8 |
title | Francisco de Goya and the art of critique |
title_auth | Francisco de Goya and the art of critique |
title_exact_search | Francisco de Goya and the art of critique |
title_exact_search_txtP | Francisco de Goya and the art of critique |
title_full | Francisco de Goya and the art of critique Anthony J. Cascardi |
title_fullStr | Francisco de Goya and the art of critique Anthony J. Cascardi |
title_full_unstemmed | Francisco de Goya and the art of critique Anthony J. Cascardi |
title_short | Francisco de Goya and the art of critique |
title_sort | francisco de goya and the art of critique |
topic | Goya y Lucientes, Francisco José de 1746-1828 (DE-588)118541064 gnd Kunstkritik (DE-588)4033659-1 gnd Ästhetik (DE-588)4000626-8 gnd |
topic_facet | Goya y Lucientes, Francisco José de 1746-1828 Kunstkritik Ästhetik |
url | http://www.gbv.de/dms/bowker/toc/9781942130697.pdf https://swbplus.bsz-bw.de/bsz1784597767inh.htm |
work_keys_str_mv | AT cascardianthonyj franciscodegoyaandtheartofcritique |