Orientation in European romanticism: the art of falling upwards
Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities we...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge
Cambridge University Press
2023
|
| Series: | Cambridge studies in Romanticism
|
| Subjects: | |
| Online Access: | BSB01 KUBA1 KUBA4 UBG01 Volltext |
| Summary: | Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature |
| Physical Description: | 1 Online-Ressource (vi, 306 Seiten) |
| ISBN: | 9781009268226 |
| DOI: | 10.1017/9781009268226 |
Staff View
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| 520 | |a Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature | ||
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| contents | Introduction: Sublimity and abjection -- Kleist and the Kant-crisis -- Hölderlin and the philosophers -- The feminist humanism of Felicia Hemans : the poetics of Records of woman (1828) -- Thomas Moore and the national lyric -- Ugo Foscolo's literary hypocrisy -- Balzac's comic pessimism -- George Sand's optimism -- Retrospect : Rilke translates Leopardi |
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| dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
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| doi_str_mv | 10.1017/9781009268226 |
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| illustrated | Not Illustrated |
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| isbn | 9781009268226 |
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| spelling | Hamilton, Paul 1950- Verfasser (DE-588)17212378X aut Orientation in European romanticism the art of falling upwards Paul Hamilton Cambridge Cambridge University Press 2023 1 Online-Ressource (vi, 306 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge studies in Romanticism Introduction: Sublimity and abjection -- Kleist and the Kant-crisis -- Hölderlin and the philosophers -- The feminist humanism of Felicia Hemans : the poetics of Records of woman (1828) -- Thomas Moore and the national lyric -- Ugo Foscolo's literary hypocrisy -- Balzac's comic pessimism -- George Sand's optimism -- Retrospect : Rilke translates Leopardi Exploring the experiments in individual and national self-consciousness conducted during the Romantic period, this essential comparative study of European literature, philosophy and politics makes original and often surprising connections and contrasts to reveal how personal and social identities were re-orientated and disorientated from the French Revolution onwards. Reviving a contested moment in the history of aesthetic theory, this study shows how the growing awareness of irresolution in Kant's third Kritik allowed Romantic writers to put the aesthetic to radical uses not envisaged by its parent philosophy. It also recounts how they would go on to force philosophy to revise received notions of authority, empowering women and subordinated ethnic groups to re-orientate existing hierarchies. The sheer range and variety of writers covered is testament both to the breadth of writing that Kant's philosophy so rashly legitimated and to the wider importance of philosophy to the understanding of Romantic literature Kant, Immanuel / 1724-1804 / Influence Romanticism / Europe European literature / 18th century / History and criticism European literature / 19th century / History and criticism Philosophy, European / History Erscheint auch als Druck-Ausgabe, Hardcover 978-1-00-926823-3 https://doi.org/10.1017/9781009268226 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hamilton, Paul 1950- Orientation in European romanticism the art of falling upwards Introduction: Sublimity and abjection -- Kleist and the Kant-crisis -- Hölderlin and the philosophers -- The feminist humanism of Felicia Hemans : the poetics of Records of woman (1828) -- Thomas Moore and the national lyric -- Ugo Foscolo's literary hypocrisy -- Balzac's comic pessimism -- George Sand's optimism -- Retrospect : Rilke translates Leopardi Kant, Immanuel / 1724-1804 / Influence Romanticism / Europe European literature / 18th century / History and criticism European literature / 19th century / History and criticism Philosophy, European / History |
| title | Orientation in European romanticism the art of falling upwards |
| title_auth | Orientation in European romanticism the art of falling upwards |
| title_exact_search | Orientation in European romanticism the art of falling upwards |
| title_exact_search_txtP | Orientation in European romanticism the art of falling upwards |
| title_full | Orientation in European romanticism the art of falling upwards Paul Hamilton |
| title_fullStr | Orientation in European romanticism the art of falling upwards Paul Hamilton |
| title_full_unstemmed | Orientation in European romanticism the art of falling upwards Paul Hamilton |
| title_short | Orientation in European romanticism |
| title_sort | orientation in european romanticism the art of falling upwards |
| title_sub | the art of falling upwards |
| topic | Kant, Immanuel / 1724-1804 / Influence Romanticism / Europe European literature / 18th century / History and criticism European literature / 19th century / History and criticism Philosophy, European / History |
| topic_facet | Kant, Immanuel / 1724-1804 / Influence Romanticism / Europe European literature / 18th century / History and criticism European literature / 19th century / History and criticism Philosophy, European / History |
| url | https://doi.org/10.1017/9781009268226 |
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