How Nashville became Music City, U.S.A.: a history of Music Row
"Michael Kosser came to Nashville to write songs in 1971 and enjoyed a songwriting career that included recordings by country stars like George Jones, Charlie Rich, Conway Twitty, Tammy Wynette, Ray Price, Kitty Wells, Barbara Mandrell, Marty Robbins, The Kendalls, Blake Shelton, and Josh Graci...
Saved in:
| Main Author: | |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
Essex, Connecticut
Backbeat Books
[2022]
|
| Edition: | Updated and expanded |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "Michael Kosser came to Nashville to write songs in 1971 and enjoyed a songwriting career that included recordings by country stars like George Jones, Charlie Rich, Conway Twitty, Tammy Wynette, Ray Price, Kitty Wells, Barbara Mandrell, Marty Robbins, The Kendalls, Blake Shelton, and Josh Gracin. He has written twenty published books and was a senior editor at American Songwriter Magazine, where he wrote a column, "Street Smarts," for more than twenty years. Kosser has also written extensively for Variety, the Nashville news media, and various other music publications. He and his wife, Gina, live in Nashville, Tennessee"-- |
| Physical Description: | xviii, 406 Seiten, 16 ungezählte Seiten Tafeln Illustrationen |
| ISBN: | 9781493065127 |
Staff View
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048588182 | ||
| 003 | DE-604 | ||
| 005 | 20230119 | ||
| 007 | t | ||
| 008 | 221201s2022 a||| |||| 00||| eng d | ||
| 020 | |a 9781493065127 |q hbk. |9 978-1-49306-512-7 | ||
| 035 | |a (OCoLC)1362880894 | ||
| 035 | |a (DE-599)BVBBV048588182 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 100 | 1 | |a Kosser, Michael |e Verfasser |0 (DE-588)134432827 |4 aut | |
| 245 | 1 | 0 | |a How Nashville became Music City, U.S.A. |b a history of Music Row |c Michael Kosser |
| 250 | |a Updated and expanded | ||
| 264 | 1 | |a Essex, Connecticut |b Backbeat Books |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a xviii, 406 Seiten, 16 ungezählte Seiten Tafeln |b Illustrationen | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 520 | 3 | |a "Michael Kosser came to Nashville to write songs in 1971 and enjoyed a songwriting career that included recordings by country stars like George Jones, Charlie Rich, Conway Twitty, Tammy Wynette, Ray Price, Kitty Wells, Barbara Mandrell, Marty Robbins, The Kendalls, Blake Shelton, and Josh Gracin. He has written twenty published books and was a senior editor at American Songwriter Magazine, where he wrote a column, "Street Smarts," for more than twenty years. Kosser has also written extensively for Variety, the Nashville news media, and various other music publications. He and his wife, Gina, live in Nashville, Tennessee"-- | |
| 648 | 7 | |a Geschichte |2 gnd |9 rswk-swf | |
| 650 | 0 | 7 | |a Countrymusic |0 (DE-588)4138030-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikwirtschaft |0 (DE-588)4268614-3 |2 gnd |9 rswk-swf |
| 651 | 7 | |a Nashville, Tenn. |0 (DE-588)4102368-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Country music / History and criticism | |
| 653 | 0 | |a Music trade / Tennessee / Nashville | |
| 653 | 0 | |a Country music | |
| 653 | 0 | |a Music trade | |
| 653 | 2 | |a Tennessee / Nashville | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Nashville, Tenn. |0 (DE-588)4102368-7 |D g |
| 689 | 0 | 1 | |a Countrymusic |0 (DE-588)4138030-7 |D s |
| 689 | 0 | 2 | |a Musikwirtschaft |0 (DE-588)4268614-3 |D s |
| 689 | 0 | 3 | |a Geschichte |A z |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-49307-353-5 |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033963916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20230119 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033963916 | ||
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 330.09 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 781.66 |e 22/bsb |f 0905 |g 73 |
| 942 | 1 | 1 | |c 330.09 |e 22/bsb |f 0905 |g 73 |
Record in the Search Index
| _version_ | 1804184623854387200 |
|---|---|
| adam_text | Contents Acknowlegments ix Introduction xi Cast of Characters xv Chapter 1 The Roots of Music Row The country music in Nashville, before the Row. 1 Chapter 2 The Opry Puts Its Foot Down The only good studio in town shuts its doors. Owen and Harold Bradley build a new one in an old house on 16th Avenue, and Music Row is born. 9 Chapter 3 It All Begins with a Song Acuff-Rose, the cornerstone of the Nashville Music Industry. 19 Chapter 4 Now We Have an Industry! Heartbreak Hotel changes pop music—and Nashville. 27 Chapter 5 When Country Music Almost Died It was pop music that saved Music Row. 33 Chapter 6 Oohs and Aahs The fordanaires saw it all—and sang it all. 41 Chapter 7 Saving Country A few determined souls, on a mission from God. 51 Chapter 8 Dang Me! Roger Miller takes on the British Invasion. 57 Chapter 9 Crazy Willie Nelson gets a steady gig, and Patsy Cline battles it out in the studio. 67 Chapter 10 Homegrown Talent and the Nashville Machine Teen bands just a heartbeat away from the big time. 79 Chapter 11 The Everly Brothers and the Bryants A husband-and-wife songwriting team launches the greatest duo in the history ofpop music. 87
vi Contents Chapter 12 A Pair of Aces Ray Stevens and Charlie McCoy, two truly original talents. Chapter 13 Rebels and Respect Naked statues and Jack the cowboy. 107 Chapter 14 Gallico and His Boys The men who led country music into the 70s were handpicked by a garrulous Italian from Brooklyn. 121 Chapter 15 Strings and Power Saws Billy Sherrill and Bob Johnston re-invent and battle the Nashville Sound. 139 Chapter 16 Lou Bradley: Knight of the Console Tales from beyond the Quonset Hut. 153 Chapter 17 Wesley, It s Musici A Muscle Shoals bass player in Nashville s greatest pop studio, and the producer who kept “real country alive and well. 161 Chapter 18 Know When to Hold Em, Know When to Fold Em United Artists comes alive with Kenny and Crystal. 179 Chapter 19 Wanted: Jerry Bradley The crown prince of Music Row meets the Outlaws. 191 Chapter 20 Nashville, Before and After Bowen A California powerhouse turns Music Row upside down. 211 Chapter 21 Man, There s Only Three Chords! An honest record promoter and a pop record producer help launch the New Traditionalist country revival. 225 Chapter 22 I m Gonna Cut This Song and I Really Can t Tell You Why Three of the biggest music executive survivors of Music Row, and the stars they made. 243 Chapter 23 The Men of Garth No one becomes a star on his own, not even the incomparable Garth Brooks. 259 Chapter 24 From the Alleyway to MCA From “art writers to hit makers. 281 95
Contents Chapter 25 Texas and Oklahoma Song Dogs Without these three plainsmen, there ain t no Bootscootin Boogie. vii 297 Chapter 26 The King of the Independents Mike Curb came a little later, but he made a big footprint. 311 Chapter 27 Galante and Tomlinson: Keepin It Real Two true believers make good. 321 Chapter 28 Murder on the Row Where is country music going? And will the new be killing the old? 335 Chapter 29 If It Is Not Known for Music, It Will Not Be Known for Anything A noted chronicler of the South with a warning for Nashville. 345 Afterword to the Second Edition: Did It Have to Be Like This? 349 Index 383
|
| adam_txt |
Contents Acknowlegments ix Introduction xi Cast of Characters xv Chapter 1 The Roots of Music Row The country music in Nashville, before the Row. 1 Chapter 2 The Opry Puts Its Foot Down The only good studio in town shuts its doors. Owen and Harold Bradley build a new one in an old house on 16th Avenue, and Music Row is born. 9 Chapter 3 It All Begins with a Song Acuff-Rose, the cornerstone of the Nashville Music Industry. 19 Chapter 4 Now We Have an Industry! "Heartbreak Hotel" changes pop music—and Nashville. 27 Chapter 5 When Country Music Almost Died It was pop music that saved Music Row. 33 Chapter 6 Oohs and Aahs The fordanaires saw it all—and sang it all. 41 Chapter 7 Saving Country A few determined souls, on a mission from God. 51 Chapter 8 Dang Me! Roger Miller takes on the British Invasion. 57 Chapter 9 Crazy Willie Nelson gets a steady gig, and Patsy Cline battles it out in the studio. 67 Chapter 10 Homegrown Talent and the Nashville Machine Teen bands just a heartbeat away from the big time. 79 Chapter 11 The Everly Brothers and the Bryants A husband-and-wife songwriting team launches the greatest duo in the history ofpop music. 87
vi Contents Chapter 12 A Pair of Aces Ray Stevens and Charlie McCoy, two truly original talents. Chapter 13 Rebels and Respect Naked statues and Jack the cowboy. 107 Chapter 14 Gallico and His Boys The men who led country music into the '70s were handpicked by a garrulous Italian from Brooklyn. 121 Chapter 15 Strings and Power Saws Billy Sherrill and Bob Johnston re-invent and battle the "Nashville Sound." 139 Chapter 16 Lou Bradley: Knight of the Console Tales from beyond the Quonset Hut. 153 Chapter 17 "Wesley, It's Musici" A Muscle Shoals bass player in Nashville's greatest pop studio, and the producer who kept “real" country alive and well. 161 Chapter 18 Know When to Hold 'Em, Know When to Fold 'Em United Artists comes alive with Kenny and Crystal. 179 Chapter 19 Wanted: Jerry Bradley The crown prince of Music Row meets the Outlaws. 191 Chapter 20 Nashville, Before and After Bowen A California powerhouse turns Music Row upside down. 211 Chapter 21 "Man, There's Only Three Chords!" An honest record promoter and a pop record producer help launch the "New Traditionalist" country revival. 225 Chapter 22 "I'm Gonna Cut This Song and I Really Can't Tell You Why" Three of the biggest music executive survivors of Music Row, and the stars they made. 243 Chapter 23 The Men of Garth No one becomes a star on his own, not even the incomparable Garth Brooks. 259 Chapter 24 From the Alleyway to MCA From “art writers" to hit makers. 281 95
Contents Chapter 25 Texas and Oklahoma Song Dogs Without these three plainsmen, there ain't no "Bootscootin' Boogie." vii 297 Chapter 26 The King of the Independents Mike Curb came a little later, but he made a big footprint. 311 Chapter 27 Galante and Tomlinson: Keepin' It Real Two true believers make good. 321 Chapter 28 Murder on the Row Where is country music going? And will the new be killing the old? 335 Chapter 29 "If It Is Not Known for Music, It Will Not Be Known for Anything" A noted chronicler of the South with a warning for Nashville. 345 Afterword to the Second Edition: Did It Have to Be Like This? 349 Index 383 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Kosser, Michael |
| author_GND | (DE-588)134432827 |
| author_facet | Kosser, Michael |
| author_role | aut |
| author_sort | Kosser, Michael |
| author_variant | m k mk |
| building | Verbundindex |
| bvnumber | BV048588182 |
| ctrlnum | (OCoLC)1362880894 (DE-599)BVBBV048588182 |
| edition | Updated and expanded |
| era | Geschichte gnd |
| era_facet | Geschichte |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02804nam a2200565 c 4500</leader><controlfield tag="001">BV048588182</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230119 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221201s2022 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781493065127</subfield><subfield code="q">hbk.</subfield><subfield code="9">978-1-49306-512-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1362880894</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048588182</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kosser, Michael</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)134432827</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">How Nashville became Music City, U.S.A.</subfield><subfield code="b">a history of Music Row</subfield><subfield code="c">Michael Kosser</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">Updated and expanded</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Essex, Connecticut</subfield><subfield code="b">Backbeat Books</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xviii, 406 Seiten, 16 ungezählte Seiten Tafeln</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"Michael Kosser came to Nashville to write songs in 1971 and enjoyed a songwriting career that included recordings by country stars like George Jones, Charlie Rich, Conway Twitty, Tammy Wynette, Ray Price, Kitty Wells, Barbara Mandrell, Marty Robbins, The Kendalls, Blake Shelton, and Josh Gracin. He has written twenty published books and was a senior editor at American Songwriter Magazine, where he wrote a column, "Street Smarts," for more than twenty years. Kosser has also written extensively for Variety, the Nashville news media, and various other music publications. He and his wife, Gina, live in Nashville, Tennessee"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Countrymusic</subfield><subfield code="0">(DE-588)4138030-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Nashville, Tenn.</subfield><subfield code="0">(DE-588)4102368-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Country music / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music trade / Tennessee / Nashville</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Country music</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Music trade</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">Tennessee / Nashville</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Nashville, Tenn.</subfield><subfield code="0">(DE-588)4102368-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Countrymusic</subfield><subfield code="0">(DE-588)4138030-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikwirtschaft</subfield><subfield code="0">(DE-588)4268614-3</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-49307-353-5</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033963916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230119</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033963916</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">330.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.66</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">330.09</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| geographic | Nashville, Tenn. (DE-588)4102368-7 gnd |
| geographic_facet | Nashville, Tenn. |
| id | DE-604.BV048588182 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:06:52Z |
| indexdate | 2024-07-10T09:42:17Z |
| institution | BVB |
| isbn | 9781493065127 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033963916 |
| oclc_num | 1362880894 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xviii, 406 Seiten, 16 ungezählte Seiten Tafeln Illustrationen |
| psigel | BSB_NED_20230119 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Backbeat Books |
| record_format | marc |
| spelling | Kosser, Michael Verfasser (DE-588)134432827 aut How Nashville became Music City, U.S.A. a history of Music Row Michael Kosser Updated and expanded Essex, Connecticut Backbeat Books [2022] © 2022 xviii, 406 Seiten, 16 ungezählte Seiten Tafeln Illustrationen txt rdacontent n rdamedia nc rdacarrier "Michael Kosser came to Nashville to write songs in 1971 and enjoyed a songwriting career that included recordings by country stars like George Jones, Charlie Rich, Conway Twitty, Tammy Wynette, Ray Price, Kitty Wells, Barbara Mandrell, Marty Robbins, The Kendalls, Blake Shelton, and Josh Gracin. He has written twenty published books and was a senior editor at American Songwriter Magazine, where he wrote a column, "Street Smarts," for more than twenty years. Kosser has also written extensively for Variety, the Nashville news media, and various other music publications. He and his wife, Gina, live in Nashville, Tennessee"-- Geschichte gnd rswk-swf Countrymusic (DE-588)4138030-7 gnd rswk-swf Musikwirtschaft (DE-588)4268614-3 gnd rswk-swf Nashville, Tenn. (DE-588)4102368-7 gnd rswk-swf Country music / History and criticism Music trade / Tennessee / Nashville Country music Music trade Tennessee / Nashville Criticism, interpretation, etc Nashville, Tenn. (DE-588)4102368-7 g Countrymusic (DE-588)4138030-7 s Musikwirtschaft (DE-588)4268614-3 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-1-49307-353-5 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033963916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Kosser, Michael How Nashville became Music City, U.S.A. a history of Music Row Countrymusic (DE-588)4138030-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| subject_GND | (DE-588)4138030-7 (DE-588)4268614-3 (DE-588)4102368-7 |
| title | How Nashville became Music City, U.S.A. a history of Music Row |
| title_auth | How Nashville became Music City, U.S.A. a history of Music Row |
| title_exact_search | How Nashville became Music City, U.S.A. a history of Music Row |
| title_exact_search_txtP | How Nashville became Music City, U.S.A. a history of Music Row |
| title_full | How Nashville became Music City, U.S.A. a history of Music Row Michael Kosser |
| title_fullStr | How Nashville became Music City, U.S.A. a history of Music Row Michael Kosser |
| title_full_unstemmed | How Nashville became Music City, U.S.A. a history of Music Row Michael Kosser |
| title_short | How Nashville became Music City, U.S.A. |
| title_sort | how nashville became music city u s a a history of music row |
| title_sub | a history of Music Row |
| topic | Countrymusic (DE-588)4138030-7 gnd Musikwirtschaft (DE-588)4268614-3 gnd |
| topic_facet | Countrymusic Musikwirtschaft Nashville, Tenn. |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033963916&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT kossermichael hownashvillebecamemusiccityusaahistoryofmusicrow |