The politics of perception and the aesthetics of social change:
The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the 'end of art'.x
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Columbia University Press
[2021]
|
Schriftenreihe: | Columbia themes in philosophy, social criticism, and the arts
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the 'end of art'.x "In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change"-- |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xii, 271 Seiten 22 cm |
ISBN: | 9780231201421 9780231201438 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048581572 | ||
003 | DE-604 | ||
005 | 20230214 | ||
007 | t | ||
008 | 221128s2021 xxu |||| 00||| eng d | ||
020 | |a 9780231201421 |c hardback |9 978-0-231-20142-1 | ||
020 | |a 9780231201438 |c paperback |9 978-0-231-20143-8 | ||
035 | |a (OCoLC)1262735898 | ||
035 | |a (DE-599)KXP1742969119 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
044 | |a xxu |c XD-US | ||
049 | |a DE-Y2 | ||
082 | 0 | |a 701/.03 | |
084 | |a 71.41 |2 bkl | ||
084 | |a 20.06 |2 bkl | ||
084 | |a 20.10 |2 bkl | ||
100 | 1 | |a Miller, Jason |e Verfasser |0 (DE-588)1267445947 |4 aut | |
245 | 1 | 0 | |a The politics of perception and the aesthetics of social change |c Jason Miller |
264 | 1 | |a New York |b Columbia University Press |c [2021] | |
264 | 4 | |c © 2021 | |
300 | |a xii, 271 Seiten |c 22 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Columbia themes in philosophy, social criticism, and the arts | |
500 | |a Includes bibliographical references and index | ||
520 | 3 | |a The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the 'end of art'.x | |
520 | 3 | |a "In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change"-- | |
648 | 7 | |a Geschichte 1800-2021 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kultur |0 (DE-588)4125698-0 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Ästhetik |0 (DE-588)4000626-8 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kulturelle Identität |0 (DE-588)4033542-2 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Sozialer Wandel |0 (DE-588)4077587-2 |2 gnd |9 rswk-swf |
653 | 1 | |a Hegel, Georg Wilhelm Friedrich / 1770-1831 | |
653 | 0 | |a Group identity | |
653 | 0 | |a Arts and society | |
653 | 0 | |a Art and social action | |
689 | 0 | 0 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 1 | |a Kultur |0 (DE-588)4125698-0 |D s |
689 | 0 | 2 | |a Kulturelle Identität |0 (DE-588)4033542-2 |D s |
689 | 0 | 3 | |a Sozialer Wandel |0 (DE-588)4077587-2 |D s |
689 | 0 | |5 DE-604 | |
689 | 1 | 0 | |a Ästhetik |0 (DE-588)4000626-8 |D s |
689 | 1 | 1 | |a Geschichte 1800-2021 |A z |
689 | 1 | |5 DE-604 | |
856 | 4 | 2 | |u https://www.gbv.de/dms/bowker/toc/9780231201438.pdf |v 2022-07-28 |x Aggregator |3 Inhaltsverzeichnis |
999 | |a oai:aleph.bib-bvb.de:BVB01-033957440 |
Datensatz im Suchindex
_version_ | 1804184611953049600 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Miller, Jason |
author_GND | (DE-588)1267445947 |
author_facet | Miller, Jason |
author_role | aut |
author_sort | Miller, Jason |
author_variant | j m jm |
building | Verbundindex |
bvnumber | BV048581572 |
ctrlnum | (OCoLC)1262735898 (DE-599)KXP1742969119 |
dewey-full | 701/.03 |
dewey-hundreds | 700 - The arts |
dewey-ones | 701 - Philosophy of fine & decorative arts |
dewey-raw | 701/.03 |
dewey-search | 701/.03 |
dewey-sort | 3701 13 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1800-2021 gnd |
era_facet | Geschichte 1800-2021 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04285nam a2200613 c 4500</leader><controlfield tag="001">BV048581572</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230214 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221128s2021 xxu |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231201421</subfield><subfield code="c">hardback</subfield><subfield code="9">978-0-231-20142-1</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780231201438</subfield><subfield code="c">paperback</subfield><subfield code="9">978-0-231-20143-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1262735898</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KXP1742969119</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">XD-US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Y2</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">701/.03</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">71.41</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.06</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">20.10</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Miller, Jason</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1267445947</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The politics of perception and the aesthetics of social change</subfield><subfield code="c">Jason Miller</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia University Press</subfield><subfield code="c">[2021]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xii, 271 Seiten</subfield><subfield code="c">22 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Columbia themes in philosophy, social criticism, and the arts</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the 'end of art'.x</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1800-2021</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kulturelle Identität</subfield><subfield code="0">(DE-588)4033542-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Sozialer Wandel</subfield><subfield code="0">(DE-588)4077587-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="1"><subfield code="a">Hegel, Georg Wilhelm Friedrich / 1770-1831</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Group identity</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Arts and society</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Art and social action</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kultur</subfield><subfield code="0">(DE-588)4125698-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Kulturelle Identität</subfield><subfield code="0">(DE-588)4033542-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Sozialer Wandel</subfield><subfield code="0">(DE-588)4077587-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Ästhetik</subfield><subfield code="0">(DE-588)4000626-8</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Geschichte 1800-2021</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.gbv.de/dms/bowker/toc/9780231201438.pdf</subfield><subfield code="v">2022-07-28</subfield><subfield code="x">Aggregator</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033957440</subfield></datafield></record></collection> |
id | DE-604.BV048581572 |
illustrated | Not Illustrated |
index_date | 2024-07-03T21:05:05Z |
indexdate | 2024-07-10T09:42:06Z |
institution | BVB |
isbn | 9780231201421 9780231201438 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033957440 |
oclc_num | 1262735898 |
open_access_boolean | |
owner | DE-Y2 |
owner_facet | DE-Y2 |
physical | xii, 271 Seiten 22 cm |
publishDate | 2021 |
publishDateSearch | 2021 |
publishDateSort | 2021 |
publisher | Columbia University Press |
record_format | marc |
series2 | Columbia themes in philosophy, social criticism, and the arts |
spelling | Miller, Jason Verfasser (DE-588)1267445947 aut The politics of perception and the aesthetics of social change Jason Miller New York Columbia University Press [2021] © 2021 xii, 271 Seiten 22 cm txt rdacontent n rdamedia nc rdacarrier Columbia themes in philosophy, social criticism, and the arts Includes bibliographical references and index The cultural turn -- Rethinking the claims of culture : "offensiveness" in the Rushdie affair and beyond -- Imagining agency : self-determination and the experience of art -- The aesthetics of recognition -- Imagination and interpretation after the 'end of art'.x "In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change"-- Geschichte 1800-2021 gnd rswk-swf Kultur (DE-588)4125698-0 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Kulturelle Identität (DE-588)4033542-2 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Hegel, Georg Wilhelm Friedrich / 1770-1831 Group identity Arts and society Art and social action Kunst (DE-588)4114333-4 s Kultur (DE-588)4125698-0 s Kulturelle Identität (DE-588)4033542-2 s Sozialer Wandel (DE-588)4077587-2 s DE-604 Ästhetik (DE-588)4000626-8 s Geschichte 1800-2021 z https://www.gbv.de/dms/bowker/toc/9780231201438.pdf 2022-07-28 Aggregator Inhaltsverzeichnis |
spellingShingle | Miller, Jason The politics of perception and the aesthetics of social change Kultur (DE-588)4125698-0 gnd Ästhetik (DE-588)4000626-8 gnd Kulturelle Identität (DE-588)4033542-2 gnd Kunst (DE-588)4114333-4 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
subject_GND | (DE-588)4125698-0 (DE-588)4000626-8 (DE-588)4033542-2 (DE-588)4114333-4 (DE-588)4077587-2 |
title | The politics of perception and the aesthetics of social change |
title_auth | The politics of perception and the aesthetics of social change |
title_exact_search | The politics of perception and the aesthetics of social change |
title_exact_search_txtP | The politics of perception and the aesthetics of social change |
title_full | The politics of perception and the aesthetics of social change Jason Miller |
title_fullStr | The politics of perception and the aesthetics of social change Jason Miller |
title_full_unstemmed | The politics of perception and the aesthetics of social change Jason Miller |
title_short | The politics of perception and the aesthetics of social change |
title_sort | the politics of perception and the aesthetics of social change |
topic | Kultur (DE-588)4125698-0 gnd Ästhetik (DE-588)4000626-8 gnd Kulturelle Identität (DE-588)4033542-2 gnd Kunst (DE-588)4114333-4 gnd Sozialer Wandel (DE-588)4077587-2 gnd |
topic_facet | Kultur Ästhetik Kulturelle Identität Kunst Sozialer Wandel |
url | https://www.gbv.de/dms/bowker/toc/9780231201438.pdf |
work_keys_str_mv | AT millerjason thepoliticsofperceptionandtheaestheticsofsocialchange |