Reimagining the Ballet des porcelaines: a tale of magic, desire, and exotic entanglement
In September 1739 at the Château de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the Ballet des porcelaines, and sometimes also as The teapot prince. Written by the Comte de Caylus, with music by Grandval, it tells the story of a prince who searches for hi...
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| Sprache: | English |
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Harvey Miller Publishers
2022
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| Zusammenfassung: | In September 1739 at the Château de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the Ballet des porcelaines, and sometimes also as The teapot prince. Written by the Comte de Caylus, with music by Grandval, it tells the story of a prince who searches for his beloved on a faraway island ruled by an evil magician. The magician has turned the island's inhabitants into porcelain, an event the audience witnesses in the form of a male and female singer who spin around on stage until they transform into vases. Aside from the libretto and the score, nothing survives of the Ballet des Porcelaines. The costumes and choreography are unknown. Although it inspired later famous ballets featuring sleeping beauties and porcelain princesses, it seems to have been staged only twice: first in 1739 and again two years later on the grounds of the estate, next to a lake encircled by vases and an illuminated arch suggesting a nighttime performance. The château's owner served as France's foreign minister and promoted trade with Asia. We can assume some kind of chinoiserie imagery and context for the ballet, which can be interpreted both as a standard fairy tale love story and as an allegory for the intense European desire to know and steal the secrets of porcelain manufacture. The ballet is an example of the deep intertwining of visual and performing arts in eighteenth-century France, and to an enchantment with Asia embodied on stage and in life by porcelain goods. The plot?s animation of porcelain also relates to a period understanding of the permeable boundary between persons and things manifested in a variety of cultural forms. The ballet exemplifies the profound sense of magic, mystery, and desire that porcelain instilled in European viewers (who referred to it as "white gold"), an effect that is lost on many museumgoers today |
| Beschreibung: | 168 Seiten Illustrationen 29 x 23 cm |
| ISBN: | 9781912554812 |
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| 505 | 8 | |a Once upon a time at the château de Morville: commerce, colonialism, and chinoiserie in the Ballet des Porcelaines / Meredith Martin -- My porcelain sickness / Phil Chan -- Conjuring the 1740s: a tale of Europe's obesession with porcelain / Charlotte Vignon -- Costume design: Q+A with Xin Ying / Meredith Martin -- Entering the ivory tower of Baroque ballet / Patricia Beaman -- Musically steeping a pot of tea / Leah Gale Nelson -- Finding the sound in between / Sugar Vendil -- Le Prince Pot-à-Thé: ballet pantomime French transcription / Dominique Quéro -- The teapot prince: a pantomime ballet annotated English translation / Christine Jones -- Making the porcelain dance / Wolf Burchard -- Chinese fantasies of porcelain on the cusp between life and death / Judith T. Zeitlin -- Living things on the collector as audienceL animate porcelain dancers / Elizabeth Rouget -- A smash hit in the making / Mia Jackson and Kate Tunstall -- A teapot prince and his enchanted palace: the Royal Pavilion, Brighton / Alexandra Loske -- A porcelain room and a teapot prince: Maria Amalia's Salottino di porcellana and Le Prince Pot-à-Thé in Naples / Sylvain Bellenger and Sarah K. Kozlowski -- Palazzo Grassi or the past revisited / Bruno Racine -- The Sèvres Manufactory: three centuries of a ballet of porcelain / Romane Sarfati and Charlotte Vignon | |
| 520 | 3 | |a In September 1739 at the Château de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the Ballet des porcelaines, and sometimes also as The teapot prince. Written by the Comte de Caylus, with music by Grandval, it tells the story of a prince who searches for his beloved on a faraway island ruled by an evil magician. The magician has turned the island's inhabitants into porcelain, an event the audience witnesses in the form of a male and female singer who spin around on stage until they transform into vases. Aside from the libretto and the score, nothing survives of the Ballet des Porcelaines. The costumes and choreography are unknown. Although it inspired later famous ballets featuring sleeping beauties and porcelain princesses, it seems to have been staged only twice: first in 1739 and again two years later on the grounds of the estate, next to a lake encircled by vases and an illuminated arch suggesting a nighttime performance. The château's owner served as France's foreign minister and promoted trade with Asia. We can assume some kind of chinoiserie imagery and context for the ballet, which can be interpreted both as a standard fairy tale love story and as an allegory for the intense European desire to know and steal the secrets of porcelain manufacture. The ballet is an example of the deep intertwining of visual and performing arts in eighteenth-century France, and to an enchantment with Asia embodied on stage and in life by porcelain goods. The plot?s animation of porcelain also relates to a period understanding of the permeable boundary between persons and things manifested in a variety of cultural forms. The ballet exemplifies the profound sense of magic, mystery, and desire that porcelain instilled in European viewers (who referred to it as "white gold"), an effect that is lost on many museumgoers today | |
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| 653 | 0 | |a Orientalism in art | |
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Datensatz im Suchindex
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| any_adam_object_boolean | |
| author2 | Martin, Meredith 1975- Chan, Phil C. W. |
| author2_role | edt ctb |
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| contents | Once upon a time at the château de Morville: commerce, colonialism, and chinoiserie in the Ballet des Porcelaines / Meredith Martin -- My porcelain sickness / Phil Chan -- Conjuring the 1740s: a tale of Europe's obesession with porcelain / Charlotte Vignon -- Costume design: Q+A with Xin Ying / Meredith Martin -- Entering the ivory tower of Baroque ballet / Patricia Beaman -- Musically steeping a pot of tea / Leah Gale Nelson -- Finding the sound in between / Sugar Vendil -- Le Prince Pot-à-Thé: ballet pantomime French transcription / Dominique Quéro -- The teapot prince: a pantomime ballet annotated English translation / Christine Jones -- Making the porcelain dance / Wolf Burchard -- Chinese fantasies of porcelain on the cusp between life and death / Judith T. Zeitlin -- Living things on the collector as audienceL animate porcelain dancers / Elizabeth Rouget -- A smash hit in the making / Mia Jackson and Kate Tunstall -- A teapot prince and his enchanted palace: the Royal Pavilion, Brighton / Alexandra Loske -- A porcelain room and a teapot prince: Maria Amalia's Salottino di porcellana and Le Prince Pot-à-Thé in Naples / Sylvain Bellenger and Sarah K. Kozlowski -- Palazzo Grassi or the past revisited / Bruno Racine -- The Sèvres Manufactory: three centuries of a ballet of porcelain / Romane Sarfati and Charlotte Vignon |
| ctrlnum | (OCoLC)1354570930 (DE-599)BVBBV048581298 |
| era | Geschichte 1739 gnd |
| era_facet | Geschichte 1739 |
| format | Book |
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| illustrated | Illustrated |
| index_date | 2024-07-03T21:05:02Z |
| indexdate | 2024-07-10T09:42:06Z |
| institution | BVB |
| isbn | 9781912554812 |
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| physical | 168 Seiten Illustrationen 29 x 23 cm |
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| spelling | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement edited by Meredith Martin ; with contributions by Phil Chan, Christine Jones, and Charlotte Vignon London Harvey Miller Publishers 2022 168 Seiten Illustrationen 29 x 23 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Once upon a time at the château de Morville: commerce, colonialism, and chinoiserie in the Ballet des Porcelaines / Meredith Martin -- My porcelain sickness / Phil Chan -- Conjuring the 1740s: a tale of Europe's obesession with porcelain / Charlotte Vignon -- Costume design: Q+A with Xin Ying / Meredith Martin -- Entering the ivory tower of Baroque ballet / Patricia Beaman -- Musically steeping a pot of tea / Leah Gale Nelson -- Finding the sound in between / Sugar Vendil -- Le Prince Pot-à-Thé: ballet pantomime French transcription / Dominique Quéro -- The teapot prince: a pantomime ballet annotated English translation / Christine Jones -- Making the porcelain dance / Wolf Burchard -- Chinese fantasies of porcelain on the cusp between life and death / Judith T. Zeitlin -- Living things on the collector as audienceL animate porcelain dancers / Elizabeth Rouget -- A smash hit in the making / Mia Jackson and Kate Tunstall -- A teapot prince and his enchanted palace: the Royal Pavilion, Brighton / Alexandra Loske -- A porcelain room and a teapot prince: Maria Amalia's Salottino di porcellana and Le Prince Pot-à-Thé in Naples / Sylvain Bellenger and Sarah K. Kozlowski -- Palazzo Grassi or the past revisited / Bruno Racine -- The Sèvres Manufactory: three centuries of a ballet of porcelain / Romane Sarfati and Charlotte Vignon In September 1739 at the Château de Morville near Paris, a group of elite amateur artists staged a ballet pantomime known as the Ballet des porcelaines, and sometimes also as The teapot prince. Written by the Comte de Caylus, with music by Grandval, it tells the story of a prince who searches for his beloved on a faraway island ruled by an evil magician. The magician has turned the island's inhabitants into porcelain, an event the audience witnesses in the form of a male and female singer who spin around on stage until they transform into vases. Aside from the libretto and the score, nothing survives of the Ballet des Porcelaines. The costumes and choreography are unknown. Although it inspired later famous ballets featuring sleeping beauties and porcelain princesses, it seems to have been staged only twice: first in 1739 and again two years later on the grounds of the estate, next to a lake encircled by vases and an illuminated arch suggesting a nighttime performance. The château's owner served as France's foreign minister and promoted trade with Asia. We can assume some kind of chinoiserie imagery and context for the ballet, which can be interpreted both as a standard fairy tale love story and as an allegory for the intense European desire to know and steal the secrets of porcelain manufacture. The ballet is an example of the deep intertwining of visual and performing arts in eighteenth-century France, and to an enchantment with Asia embodied on stage and in life by porcelain goods. The plot?s animation of porcelain also relates to a period understanding of the permeable boundary between persons and things manifested in a variety of cultural forms. The ballet exemplifies the profound sense of magic, mystery, and desire that porcelain instilled in European viewers (who referred to it as "white gold"), an effect that is lost on many museumgoers today Caylus, Anne Claude Philippe de 1692-1765 (DE-588)100076262 gnd rswk-swf Geschichte 1739 gnd rswk-swf Ballett (DE-588)4004351-4 gnd rswk-swf Caylus, Anne Claude Philippe / comte de / 1692-1765 / Ballet des porcelains / History and criticism Ballet / France / History / 18th century Porcelain in art Orientalism in art Caylus, Anne Claude Philippe / comte de / 1692-1765 Ballet France 1700-1799 History Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Caylus, Anne Claude Philippe de 1692-1765 (DE-588)100076262 p Ballett (DE-588)4004351-4 s Geschichte 1739 z DE-604 Martin, Meredith 1975- (DE-588)1111522456 edt Chan, Phil C. W. (DE-588)138732248 ctb |
| spellingShingle | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement Once upon a time at the château de Morville: commerce, colonialism, and chinoiserie in the Ballet des Porcelaines / Meredith Martin -- My porcelain sickness / Phil Chan -- Conjuring the 1740s: a tale of Europe's obesession with porcelain / Charlotte Vignon -- Costume design: Q+A with Xin Ying / Meredith Martin -- Entering the ivory tower of Baroque ballet / Patricia Beaman -- Musically steeping a pot of tea / Leah Gale Nelson -- Finding the sound in between / Sugar Vendil -- Le Prince Pot-à-Thé: ballet pantomime French transcription / Dominique Quéro -- The teapot prince: a pantomime ballet annotated English translation / Christine Jones -- Making the porcelain dance / Wolf Burchard -- Chinese fantasies of porcelain on the cusp between life and death / Judith T. Zeitlin -- Living things on the collector as audienceL animate porcelain dancers / Elizabeth Rouget -- A smash hit in the making / Mia Jackson and Kate Tunstall -- A teapot prince and his enchanted palace: the Royal Pavilion, Brighton / Alexandra Loske -- A porcelain room and a teapot prince: Maria Amalia's Salottino di porcellana and Le Prince Pot-à-Thé in Naples / Sylvain Bellenger and Sarah K. Kozlowski -- Palazzo Grassi or the past revisited / Bruno Racine -- The Sèvres Manufactory: three centuries of a ballet of porcelain / Romane Sarfati and Charlotte Vignon Caylus, Anne Claude Philippe de 1692-1765 (DE-588)100076262 gnd Ballett (DE-588)4004351-4 gnd |
| subject_GND | (DE-588)100076262 (DE-588)4004351-4 (DE-588)4143413-4 |
| title | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement |
| title_auth | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement |
| title_exact_search | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement |
| title_exact_search_txtP | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement |
| title_full | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement edited by Meredith Martin ; with contributions by Phil Chan, Christine Jones, and Charlotte Vignon |
| title_fullStr | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement edited by Meredith Martin ; with contributions by Phil Chan, Christine Jones, and Charlotte Vignon |
| title_full_unstemmed | Reimagining the Ballet des porcelaines a tale of magic, desire, and exotic entanglement edited by Meredith Martin ; with contributions by Phil Chan, Christine Jones, and Charlotte Vignon |
| title_short | Reimagining the Ballet des porcelaines |
| title_sort | reimagining the ballet des porcelaines a tale of magic desire and exotic entanglement |
| title_sub | a tale of magic, desire, and exotic entanglement |
| topic | Caylus, Anne Claude Philippe de 1692-1765 (DE-588)100076262 gnd Ballett (DE-588)4004351-4 gnd |
| topic_facet | Caylus, Anne Claude Philippe de 1692-1765 Ballett Aufsatzsammlung |
| work_keys_str_mv | AT martinmeredith reimaginingtheballetdesporcelainesataleofmagicdesireandexoticentanglement AT chanphilcw reimaginingtheballetdesporcelainesataleofmagicdesireandexoticentanglement |