The cinema of Stephanie Rothman: radical acts in filmmaking
"Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This b...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2022]
|
| Schlagworte: | |
| Zusammenfassung: | "Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories"--Back cover |
| Beschreibung: | ix, 267 Seiten 24 cm |
| ISBN: | 9781496841001 9781496840998 |
Internformat
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| 505 | 8 | |a Part 1. Industries, theories, and the trouble with archives -- Radical acts -- The limits of exceptional women -- Margin and center: locating Second Wave exploitation in US film history -- Stephanie Rothman does not exist -- Part 2. Intervenings -- Everyone starts somewhere -- Imagining a post-patriarchy -- New worlds -- Memories of underemployment | |
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Datensatz im Suchindex
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| contents | Part 1. Industries, theories, and the trouble with archives -- Radical acts -- The limits of exceptional women -- Margin and center: locating Second Wave exploitation in US film history -- Stephanie Rothman does not exist -- Part 2. Intervenings -- Everyone starts somewhere -- Imagining a post-patriarchy -- New worlds -- Memories of underemployment |
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| spelling | Kozma, Alicia Verfasser (DE-588)1235896552 aut The cinema of Stephanie Rothman radical acts in filmmaking Alicia Kozma Jackson University Press of Mississippi [2022] ix, 267 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Part 1. Industries, theories, and the trouble with archives -- Radical acts -- The limits of exceptional women -- Margin and center: locating Second Wave exploitation in US film history -- Stephanie Rothman does not exist -- Part 2. Intervenings -- Everyone starts somewhere -- Imagining a post-patriarchy -- New worlds -- Memories of underemployment "Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women's directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories"--Back cover Rothman, Stephanie 1936- (DE-588)108931065X gnd rswk-swf Geschichte gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Rothman, Stephanie / Criticism and interpretation Motion picture producers and directors / United States Screenwriters / United States Rothman, Stephanie Motion picture producers and directors Screenwriters United States Criticism, interpretation, etc Rothman, Stephanie 1936- (DE-588)108931065X p Film (DE-588)4017102-4 s DE-604 USA (DE-588)4078704-7 g Filmwirtschaft (DE-588)4154384-1 s Frau (DE-588)4018202-2 s Geschichte z Erscheint auch als Online-Ausgabe, pdf institutional 978-1-4968-4104-9 Erscheint auch als Online-Ausgabe, epub institutional 978-1-4968-4102-5 Erscheint auch als Online-Ausgabe, pdf single 978-1-4968-4103-2 Erscheint auch als Online-Ausgabe, epub single 978-1-4968-4101-8 |
| spellingShingle | Kozma, Alicia The cinema of Stephanie Rothman radical acts in filmmaking Part 1. Industries, theories, and the trouble with archives -- Radical acts -- The limits of exceptional women -- Margin and center: locating Second Wave exploitation in US film history -- Stephanie Rothman does not exist -- Part 2. Intervenings -- Everyone starts somewhere -- Imagining a post-patriarchy -- New worlds -- Memories of underemployment Rothman, Stephanie 1936- (DE-588)108931065X gnd Film (DE-588)4017102-4 gnd Frau (DE-588)4018202-2 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| subject_GND | (DE-588)108931065X (DE-588)4017102-4 (DE-588)4018202-2 (DE-588)4154384-1 (DE-588)4078704-7 |
| title | The cinema of Stephanie Rothman radical acts in filmmaking |
| title_auth | The cinema of Stephanie Rothman radical acts in filmmaking |
| title_exact_search | The cinema of Stephanie Rothman radical acts in filmmaking |
| title_exact_search_txtP | The cinema of Stephanie Rothman radical acts in filmmaking |
| title_full | The cinema of Stephanie Rothman radical acts in filmmaking Alicia Kozma |
| title_fullStr | The cinema of Stephanie Rothman radical acts in filmmaking Alicia Kozma |
| title_full_unstemmed | The cinema of Stephanie Rothman radical acts in filmmaking Alicia Kozma |
| title_short | The cinema of Stephanie Rothman |
| title_sort | the cinema of stephanie rothman radical acts in filmmaking |
| title_sub | radical acts in filmmaking |
| topic | Rothman, Stephanie 1936- (DE-588)108931065X gnd Film (DE-588)4017102-4 gnd Frau (DE-588)4018202-2 gnd Filmwirtschaft (DE-588)4154384-1 gnd |
| topic_facet | Rothman, Stephanie 1936- Film Frau Filmwirtschaft USA |
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