Shadow cinema: the historical and production contexts of unmade films
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London ; Oxford , New Delhi ; Sydney
Bloomsbury Academic
2022
|
| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | x, 269 Seiten |
| ISBN: | 9781501370960 1501370960 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Contributors viii Introduction 1 Part I Producers and production companies 1 15 A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! 17 James Fenwick 2 Gone with the winds that never were: The David O. Selznick archive and unmade historical cinema 39 David Eldridge 3 Parting the Iron Curtain: Michael Klinger’s attempt to make A Man and a Half 57 Andrew Spicer Part II Directors and auteurs 71 4 Unfinished business: Godard, cinema and theatre in the 1960s 73 Michael Witt
CONTENTS vi 5 Ken Russell’s unfinished projects and unmade films, 1956-68: The BBC years 91 Matthew Melia 6 Ghatak in the shadows: Films that struggled 109 Sanghita Sen Part III Questioning the unmade 127 7 Herding Cats; or, the possibilities of unproduction studies 129 Peter C. Kunze 8 Assembling Frankenstein 153 Kieran Foster 9 Burning bright: Samuel Fuller’s Tigrero and accidental ethnography 171 Andrew Howe 10 Clouzot’s L’Enfer 185 Lucy Mazdon 11 Claude Lanzmann’s Shoah and its shadow: Rescue and resistance 199 Sue Nice Part IV Reconstructing the unmade 215 12 The never Alice: Marilyn Manson, gothic girlhoods and Phantasmagoria: The Visions of Lewis Carroll 217 Alexandra Heller-Nicholas
CONTENTS 13 The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire Ripper murders 235 Hannah Hamad 14 The unmade undead: A post-mortem of the post-9/11 zombie cycle 251 Todd K. Platts Index 267
Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short or even made and never distributed a shadow cinema that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why ‘failures occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area ot empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen and unknown history of cinema. JAMES FENWICK is Senior Lecturer in Media and Communications at Sheffield Hallam University. UK. He is the author of Stanley Kubrick Produces (2020) and Unproduction Studies and the American Film Industry (2021). KIERAN FOSTER is Teaching Associate in Film and Media Studies at the University of Nottingham. UK. His research specialism is unmade films. He is the writer of the forthcoming monograph Hammer Goes to Hell: The Unmade Films of Hammer. He was the Principal Investigator on the AHRC funded post-doctoral project
that produced a live reading of the unmade Hammer script Vampirella (1975). staged before a capacity audience at the Regent Street Cinema in London, UK, in October 2019. DAVID ELDRIDGE is Senior Lecturer in American Studies at the University of Hull, UK. and author of Hollywood s History Films (2008) and American Culture in the 1930s (2008).
|
| adam_txt |
CONTENTS Contributors viii Introduction 1 Part I Producers and production companies 1 15 A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! 17 James Fenwick 2 Gone with the winds that never were: The David O. Selznick archive and unmade historical cinema 39 David Eldridge 3 Parting the Iron Curtain: Michael Klinger’s attempt to make A Man and a Half 57 Andrew Spicer Part II Directors and auteurs 71 4 Unfinished business: Godard, cinema and theatre in the 1960s 73 Michael Witt
CONTENTS vi 5 Ken Russell’s unfinished projects and unmade films, 1956-68: The BBC years 91 Matthew Melia 6 Ghatak in the shadows: Films that struggled 109 Sanghita Sen Part III Questioning the unmade 127 7 Herding Cats; or, the possibilities of unproduction studies 129 Peter C. Kunze 8 Assembling Frankenstein 153 Kieran Foster 9 Burning bright: Samuel Fuller’s Tigrero and accidental ethnography 171 Andrew Howe 10 Clouzot’s L’Enfer 185 Lucy Mazdon 11 Claude Lanzmann’s Shoah and its shadow: Rescue and resistance 199 Sue Nice Part IV Reconstructing the unmade 215 12 The never Alice: Marilyn Manson, gothic girlhoods and Phantasmagoria: The Visions of Lewis Carroll 217 Alexandra Heller-Nicholas
CONTENTS 13 The movie producer, the feminists and the serial killer: UK feminist activism, misogynist 70s film culture and the (non) filming of the Yorkshire Ripper murders 235 Hannah Hamad 14 The unmade undead: A post-mortem of the post-9/11 zombie cycle 251 Todd K. Platts Index 267
Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short or even made and never distributed a shadow cinema' that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why ‘failures' occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area ot empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen and unknown history of cinema. JAMES FENWICK is Senior Lecturer in Media and Communications at Sheffield Hallam University. UK. He is the author of Stanley Kubrick Produces (2020) and Unproduction Studies and the American Film Industry (2021). KIERAN FOSTER is Teaching Associate in Film and Media Studies at the University of Nottingham. UK. His research specialism is unmade films. He is the writer of the forthcoming monograph Hammer Goes to Hell: The Unmade Films of Hammer. He was the Principal Investigator on the AHRC funded post-doctoral project
that produced a live reading of the unmade Hammer script Vampirella (1975). staged before a capacity audience at the Regent Street Cinema in London, UK, in October 2019. DAVID ELDRIDGE is Senior Lecturer in American Studies at the University of Hull, UK. and author of Hollywood's History Films (2008) and American Culture in the 1930s (2008). |
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| title | Shadow cinema the historical and production contexts of unmade films |
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| title_full | Shadow cinema the historical and production contexts of unmade films edited by James Fenwick, Kieran Foster and David Eldridge |
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| title_short | Shadow cinema |
| title_sort | shadow cinema the historical and production contexts of unmade films |
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