American Mass Incarceration and Post-Network Quality Television: Captivating Aspirations
Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically inte...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Amsterdam
Amsterdam University Press
[2022]
|
| Subjects: | |
| Online Access: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 Volltext |
| Summary: | Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Physical Description: | 1 Online-Ressource (312 Seiten) |
| ISBN: | 9789048553686 |
| DOI: | 10.1515/9789048553686 |
Staff View
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048573143 | ||
| 003 | DE-604 | ||
| 005 | 20230705 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 221122s2022 xx o|||| 00||| eng d | ||
| 020 | |a 9789048553686 |9 978-90-485-5368-6 | ||
| 024 | 7 | |a 10.1515/9789048553686 |2 doi | |
| 035 | |a (ZDB-23-DGG)9789048553686 | ||
| 035 | |a (OCoLC)1369567834 | ||
| 035 | |a (DE-599)BVBBV048573143 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-1043 |a DE-1046 |a DE-858 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 791.4575 |2 23 | |
| 100 | 1 | |a Flamand, Lee |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a American Mass Incarceration and Post-Network Quality Television |b Captivating Aspirations |c Lee Flamand |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 1 Online-Ressource (312 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) | ||
| 520 | |a Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices | ||
| 546 | |a In English | ||
| 650 | 4 | |a Cultural Studies | |
| 650 | 4 | |a Film, Media, and Communication | |
| 650 | 4 | |a Interdisciplinary Studies | |
| 650 | 4 | |a Media Studies | |
| 650 | 4 | |a Media studies: TV and society | |
| 650 | 4 | |a Racism and racial discrimination | |
| 650 | 4 | |a Radio and Television | |
| 650 | 4 | |a Television | |
| 650 | 4 | |a United States of America, USA. | |
| 650 | 7 | |a PERFORMING ARTS / Television / General |2 bisacsh | |
| 650 | 4 | |a Criminal justice, Administration of |z United States | |
| 650 | 4 | |a Mass media and criminal justice |z United States | |
| 650 | 4 | |a Prisons in mass media | |
| 650 | 4 | |a Prisons |z United States | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033949172 | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-12 |p ZDB-23-DGG |q BSB_PDA_DGG_Kauf |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-1043 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-1046 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-858 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-859 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-860 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-473 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9789048553686?locatt=mode:legacy |l DE-739 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
Record in the Search Index
| _version_ | 1824508162401632256 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Flamand, Lee |
| author_facet | Flamand, Lee |
| author_role | aut |
| author_sort | Flamand, Lee |
| author_variant | l f lf |
| building | Verbundindex |
| bvnumber | BV048573143 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9789048553686 (OCoLC)1369567834 (DE-599)BVBBV048573143 |
| dewey-full | 791.4575 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4575 |
| dewey-search | 791.4575 |
| dewey-sort | 3791.4575 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9789048553686 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000zc 4500</leader><controlfield tag="001">BV048573143</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230705</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">221122s2022 xx o|||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048553686</subfield><subfield code="9">978-90-485-5368-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9789048553686</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9789048553686</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1369567834</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048573143</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4575</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Flamand, Lee</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">American Mass Incarceration and Post-Network Quality Television</subfield><subfield code="b">Captivating Aspirations</subfield><subfield code="c">Lee Flamand</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (312 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media, and Communication</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Interdisciplinary Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Media Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Media studies: TV and society</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Racism and racial discrimination</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Radio and Television</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">United States of America, USA.</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Television / General</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Criminal justice, Administration of</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Mass media and criminal justice</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Prisons in mass media</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Prisons</subfield><subfield code="z">United States</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033949172</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-12</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">BSB_PDA_DGG_Kauf</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-1043</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-1046</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-858</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-859</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-860</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-473</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9789048553686?locatt=mode:legacy</subfield><subfield code="l">DE-739</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048573143 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:26Z |
| indexdate | 2025-02-19T17:36:14Z |
| institution | BVB |
| isbn | 9789048553686 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033949172 |
| oclc_num | 1369567834 |
| open_access_boolean | |
| owner | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 Online-Ressource (312 Seiten) |
| psigel | ZDB-23-DGG ZDB-23-DGG BSB_PDA_DGG_Kauf ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Amsterdam University Press |
| record_format | marc |
| spelling | Flamand, Lee Verfasser aut American Mass Incarceration and Post-Network Quality Television Captivating Aspirations Lee Flamand Amsterdam Amsterdam University Press [2022] © 2022 1 Online-Ressource (312 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Far more than a building of brick and mortar, the prison relies upon gruesome stories circulated as commercial media to legitimize its institutional reproduction. Perhaps no medium has done more in recent years to both produce and intervene in such stories than television. This unapologetically interdisciplinary work presents a series of investigations into some of the most influential and innovative treatments of American mass incarceration to hit our screens in recent decades. Looking beyond celebratory accolades, Lee A. Flamand argues that we cannot understand the eagerness of influential programs such as OZ, The Wire, Orange Is the New Black, 13th, and Queen Sugar to integrate the sensibilities of prison ethnography, urban sociology, identity politics activism, and even Black feminist theory into their narrative structures without understanding how such critical postures relate to the cultural aspirations and commercial goals of a quickly evolving TV industry and the most deeply ingrained continuities of American storytelling practices In English Cultural Studies Film, Media, and Communication Interdisciplinary Studies Media Studies Media studies: TV and society Racism and racial discrimination Radio and Television Television United States of America, USA. PERFORMING ARTS / Television / General bisacsh Criminal justice, Administration of United States Mass media and criminal justice United States Prisons in mass media Prisons United States https://doi.org/10.1515/9789048553686?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Flamand, Lee American Mass Incarceration and Post-Network Quality Television Captivating Aspirations Cultural Studies Film, Media, and Communication Interdisciplinary Studies Media Studies Media studies: TV and society Racism and racial discrimination Radio and Television Television United States of America, USA. PERFORMING ARTS / Television / General bisacsh Criminal justice, Administration of United States Mass media and criminal justice United States Prisons in mass media Prisons United States |
| title | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations |
| title_auth | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations |
| title_exact_search | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations |
| title_exact_search_txtP | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations |
| title_full | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations Lee Flamand |
| title_fullStr | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations Lee Flamand |
| title_full_unstemmed | American Mass Incarceration and Post-Network Quality Television Captivating Aspirations Lee Flamand |
| title_short | American Mass Incarceration and Post-Network Quality Television |
| title_sort | american mass incarceration and post network quality television captivating aspirations |
| title_sub | Captivating Aspirations |
| topic | Cultural Studies Film, Media, and Communication Interdisciplinary Studies Media Studies Media studies: TV and society Racism and racial discrimination Radio and Television Television United States of America, USA. PERFORMING ARTS / Television / General bisacsh Criminal justice, Administration of United States Mass media and criminal justice United States Prisons in mass media Prisons United States |
| topic_facet | Cultural Studies Film, Media, and Communication Interdisciplinary Studies Media Studies Media studies: TV and society Racism and racial discrimination Radio and Television Television United States of America, USA. PERFORMING ARTS / Television / General Criminal justice, Administration of United States Mass media and criminal justice United States Prisons in mass media Prisons United States |
| url | https://doi.org/10.1515/9789048553686?locatt=mode:legacy |
| work_keys_str_mv | AT flamandlee americanmassincarcerationandpostnetworkqualitytelevisioncaptivatingaspirations |