Netherlandish and Italian Female Portraiture in the Fifteenth Century: Gender, Identity, and the Tradition of Power
This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial a...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
[2022]
|
| Schriftenreihe: | Visual and Material Culture, 1300 -1700
39 |
| Schlagworte: | |
| Online-Zugang: | BSB01 FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (368 Seiten) |
| ISBN: | 9789048544899 |
| DOI: | 10.1515/9789048544899 |
Internformat
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| 520 | |a This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology | ||
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Datensatz im Suchindex
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| id | DE-604.BV048573137 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:26Z |
| indexdate | 2024-07-10T09:41:52Z |
| institution | BVB |
| isbn | 9789048544899 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033949166 |
| oclc_num | 1418701399 |
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| spelling | Toreno, Elisabetta Verfasser aut Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power Elisabetta Toreno Amsterdam Amsterdam University Press [2022] © 2022 1 Online-Ressource (368 Seiten) txt rdacontent c rdamedia cr rdacarrier Visual and Material Culture, 1300 -1700 39 Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) This book investigates the aesthetic and conceptual characteristics of fifteenth-century female portraiture on panel. Portraits of women increased substantially during this century. They formed part of a material and a visual culture borne out of the rapid rise of an oligarchy from entrepreneurial activities that was especially advanced in the urbanised territories of Italy and Flanders. For this reason, the portraits in this book are by Netherlandish and Italian painters. They are simultaneously illustrative of the emancipation of the genre from its medieval idiom, and of the responses to the matrix of patriarchy, under which society was organised. Patriarchy is an androcentric structure that places women in a paradoxical situation of legal and social disenfranchisement on the account of purported psychophysical inadequacy, whilst making them the catalysts, through arranged marriages, for the success of the spheres of power, which are controlled by men. Thus, these portraits are also a window into women's lives in this structure. This book is the first systematic study of their sign-system and of the feminine experience of seeing and being seen, at the intersection of disciplines that include art history, anthropology, legal history, philosophy. The surprising results suggest new interpretations of form and function in female portraiture, women's active role in the imaging process and the early instances of a pro-women ideology In English 15th century, c 1400 to c 1499 Art and Material Culture Cultural Studies Cultural studies Gender and Sexuality Studies Gender studies: women and girls History, Art History, and Archaeology Material culture Netherlands ART / History / Renaissance bisacsh https://doi.org/10.1515/9789048544899?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Toreno, Elisabetta Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power 15th century, c 1400 to c 1499 Art and Material Culture Cultural Studies Cultural studies Gender and Sexuality Studies Gender studies: women and girls History, Art History, and Archaeology Material culture Netherlands ART / History / Renaissance bisacsh |
| title | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power |
| title_auth | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power |
| title_exact_search | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power |
| title_exact_search_txtP | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power |
| title_full | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power Elisabetta Toreno |
| title_fullStr | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power Elisabetta Toreno |
| title_full_unstemmed | Netherlandish and Italian Female Portraiture in the Fifteenth Century Gender, Identity, and the Tradition of Power Elisabetta Toreno |
| title_short | Netherlandish and Italian Female Portraiture in the Fifteenth Century |
| title_sort | netherlandish and italian female portraiture in the fifteenth century gender identity and the tradition of power |
| title_sub | Gender, Identity, and the Tradition of Power |
| topic | 15th century, c 1400 to c 1499 Art and Material Culture Cultural Studies Cultural studies Gender and Sexuality Studies Gender studies: women and girls History, Art History, and Archaeology Material culture Netherlands ART / History / Renaissance bisacsh |
| topic_facet | 15th century, c 1400 to c 1499 Art and Material Culture Cultural Studies Cultural studies Gender and Sexuality Studies Gender studies: women and girls History, Art History, and Archaeology Material culture Netherlands ART / History / Renaissance |
| url | https://doi.org/10.1515/9789048544899?locatt=mode:legacy |
| work_keys_str_mv | AT torenoelisabetta netherlandishanditalianfemaleportraitureinthefifteenthcenturygenderidentityandthetraditionofpower |