Dismantling the Dream Factory: Gender, German Cinema, and the Postwar Quest for a New Film Language

The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular...

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Bibliographic Details
Main Author: Baer, Hester (Author)
Format: Electronic eBook
Language:English
Published: New York ; Oxford Berghahn Books [2009]
Series:Film Europa 9
Subjects:
Online Access:DE-1046
DE-1043
DE-858
DE-859
DE-860
DE-739
DE-473
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Summary:The history of postwar German cinema has most often been told as a story of failure, a failure paradoxically epitomized by the remarkable popularity of film throughout the late 1940s and 1950s. Through the analysis of 10 representative films, Hester Baer reassesses this period, looking in particular at how the attempt to 'dismantle the dream factory' of Nazi entertainment cinema resulted in a new cinematic language which developed as a result of the changing audience demographic. In an era when female viewers comprised 70 per cent of cinema audiences a 'women's cinema' emerged, which sought to appeal to female spectators through its genres, star choices, stories and formal conventions. In addition to analyzing the formal language and narrative content of these films, Baer uses a wide array of other sources to reconstruct the original context of their reception, including promotional and publicity materials, film programs, censorship documents, reviews and spreads in fan magazines. This book presents a new take on an essential period, which saw the rebirth of German cinema after its thorough delegitimization under the Nazi regime
Item Description:Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
Physical Description:1 Online-Ressource (318 Seiten)
ISBN:9781845459451
DOI:10.1515/9781845459451

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