Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film
"In this fascinating in-depth study of the impact of nostalgia on contemporary American cinema, Christine Sprengler unpicks the history of the concept and explores its significance in theory and practice. She offers a lucid analysis of the development of nostalgia in American society and cultur...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
New York ; Oxford
Berghahn Books
[2009]
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| Subjects: | |
| Online Access: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | "In this fascinating in-depth study of the impact of nostalgia on contemporary American cinema, Christine Sprengler unpicks the history of the concept and explores its significance in theory and practice. She offers a lucid analysis of the development of nostalgia in American society and culture, navigating a path through the key debates and aligning herself with recent attempts to recuperate its critical potential. This journey opens up the myriad permutations of nostalgia across visual and material culture and their interface with cinema, with the 1950s emerging as a privileged moment. Four case studies (Sin City, Far From Heaven, The Aviator and The Good German) analyse the ways in which aspects of visual design such as props, costume and colour contribute to the nostalgic aesthetic, allowing for both critical distance and emotion. Written with verve, style and impressive attention to detail, Screening Nostalgia is an invaluable addition to existing scholarship. It is also essential reading for anyone interested in the ways in which we access the past through cinema." · Pam Cook, Professor Emerita in Film, University of Southampton |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Physical Description: | 1 Online-Ressource (210 Seiten) |
| ISBN: | 9781845458881 |
| DOI: | 10.1515/9781845458881 |
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| spelling | Sprengler, Christine Verfasser aut Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film Christine Sprengler New York ; Oxford Berghahn Books [2009] © 2009 1 Online-Ressource (210 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) "In this fascinating in-depth study of the impact of nostalgia on contemporary American cinema, Christine Sprengler unpicks the history of the concept and explores its significance in theory and practice. She offers a lucid analysis of the development of nostalgia in American society and culture, navigating a path through the key debates and aligning herself with recent attempts to recuperate its critical potential. This journey opens up the myriad permutations of nostalgia across visual and material culture and their interface with cinema, with the 1950s emerging as a privileged moment. Four case studies (Sin City, Far From Heaven, The Aviator and The Good German) analyse the ways in which aspects of visual design such as props, costume and colour contribute to the nostalgic aesthetic, allowing for both critical distance and emotion. Written with verve, style and impressive attention to detail, Screening Nostalgia is an invaluable addition to existing scholarship. It is also essential reading for anyone interested in the ways in which we access the past through cinema." · Pam Cook, Professor Emerita in Film, University of Southampton In English PERFORMING ARTS / Film & Video / Direction & Production bisacsh https://doi.org/10.1515/9781845458881 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sprengler, Christine Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| title | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film |
| title_auth | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film |
| title_exact_search | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film |
| title_exact_search_txtP | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film |
| title_full | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film Christine Sprengler |
| title_fullStr | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film Christine Sprengler |
| title_full_unstemmed | Screening Nostalgia Populuxe Props and Technicolor Aesthetics in Contemporary American Film Christine Sprengler |
| title_short | Screening Nostalgia |
| title_sort | screening nostalgia populuxe props and technicolor aesthetics in contemporary american film |
| title_sub | Populuxe Props and Technicolor Aesthetics in Contemporary American Film |
| topic | PERFORMING ARTS / Film & Video / Direction & Production bisacsh |
| topic_facet | PERFORMING ARTS / Film & Video / Direction & Production |
| url | https://doi.org/10.1515/9781845458881 |
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