Dance Circles: Movement, Morality and Self-fashioning in Urban Senegal
Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, Europea...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2013]
|
Schriftenreihe: | Dance and Performance Studies
5 |
Schlagworte: | |
Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
Zusammenfassung: | Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space. |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
Beschreibung: | 1 Online-Ressource (252 Seiten) |
ISBN: | 9781782381488 |
DOI: | 10.1515/9781782381488 |
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isbn | 9781782381488 |
language | English |
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spelling | Kringelbach, Hélène Neveu Verfasser aut Dance Circles Movement, Morality and Self-fashioning in Urban Senegal Hélène Neveu Kringelbach New York ; Oxford Berghahn Books [2013] © 2013 1 Online-Ressource (252 Seiten) txt rdacontent c rdamedia cr rdacarrier Dance and Performance Studies 5 Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Senegal has played a central role in contemporary dance due to its rich performing traditions, as well as strong state patronage of the arts, first under French colonialism and later in the postcolonial era. In the 1980s, when the Senegalese economy was in decline and state fundingwithdrawn, European agencies used the performing arts as a tool in diplomacy. This had a profound impact on choreographic production and arts markets throughout Africa. In Senegal, choreographic performers have taken to contemporary dance, while continuing to engage with neo-traditional performance, regional genres like the sabar, and the popular dances they grew up with. A historically informed ethnography of creativity, agency, and the fashioning of selves through the different life stages in urban Senegal, this book explores the significance of this multiple engagement with dance in a context of economic uncertainty and rising concerns over morality in the public space. In English PERFORMING ARTS / Dance / General bisacsh Dance companies Senegal Dance Senegal Performing arts Senegal https://doi.org/10.1515/9781782381488 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Kringelbach, Hélène Neveu Dance Circles Movement, Morality and Self-fashioning in Urban Senegal PERFORMING ARTS / Dance / General bisacsh Dance companies Senegal Dance Senegal Performing arts Senegal |
title | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal |
title_auth | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal |
title_exact_search | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal |
title_exact_search_txtP | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal |
title_full | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal Hélène Neveu Kringelbach |
title_fullStr | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal Hélène Neveu Kringelbach |
title_full_unstemmed | Dance Circles Movement, Morality and Self-fashioning in Urban Senegal Hélène Neveu Kringelbach |
title_short | Dance Circles |
title_sort | dance circles movement morality and self fashioning in urban senegal |
title_sub | Movement, Morality and Self-fashioning in Urban Senegal |
topic | PERFORMING ARTS / Dance / General bisacsh Dance companies Senegal Dance Senegal Performing arts Senegal |
topic_facet | PERFORMING ARTS / Dance / General Dance companies Senegal Dance Senegal Performing arts Senegal |
url | https://doi.org/10.1515/9781782381488 |
work_keys_str_mv | AT kringelbachheleneneveu dancecirclesmovementmoralityandselffashioninginurbansenegal |