The Men with the Movie Camera: The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of came...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2013]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (362 Seiten) |
| ISBN: | 9781782380788 |
| DOI: | 10.1515/9781782380788 |
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Datensatz im Suchindex
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| author | Cavendish, Philip |
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| dewey-full | 771/.4 |
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| discipline | Kunstgeschichte |
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| indexdate | 2024-07-10T09:41:45Z |
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| spelling | Cavendish, Philip Verfasser aut The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s Philip Cavendish New York ; Oxford Berghahn Books [2013] © 2013 1 Online-Ressource (362 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematography Soviet Union History Experimental films Soviet Union History and criticism Silent films Soviet Union History and criticism https://doi.org/10.1515/9781782380788 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cavendish, Philip The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematography Soviet Union History Experimental films Soviet Union History and criticism Silent films Soviet Union History and criticism |
| title | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s |
| title_auth | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s |
| title_exact_search | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s |
| title_exact_search_txtP | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s |
| title_full | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s Philip Cavendish |
| title_fullStr | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s Philip Cavendish |
| title_full_unstemmed | The Men with the Movie Camera The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s Philip Cavendish |
| title_short | The Men with the Movie Camera |
| title_sort | the men with the movie camera the poetics of visual style in soviet avant garde cinema of the 1920s |
| title_sub | The Poetics of Visual Style in Soviet Avant-Garde Cinema of the 1920s |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Cinematography Soviet Union History Experimental films Soviet Union History and criticism Silent films Soviet Union History and criticism |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Cinematography Soviet Union History Experimental films Soviet Union History and criticism Silent films Soviet Union History and criticism |
| url | https://doi.org/10.1515/9781782380788 |
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