Framing Africa: Portrayals of a Continent in Contemporary Mainstream Cinema
The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military od...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2013]
|
| Schlagworte: | |
| Online-Zugang: | DE-1046 DE-1043 DE-858 DE-859 DE-860 DE-739 DE-473 URL des Erstveröffentlichers |
| Zusammenfassung: | The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), 'failed states' (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (176 Seiten) |
| ISBN: | 9781782380740 |
| DOI: | 10.1515/9781782380740 |
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| 520 | |a The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), 'failed states' (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination | ||
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:19Z |
| indexdate | 2025-02-19T17:35:56Z |
| institution | BVB |
| isbn | 9781782380740 |
| language | English |
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| spelling | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema ed. by Nigel Eltringham New York ; Oxford Berghahn Books [2013] © 2013 1 Online-Ressource (176 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) The first decade of the 21st century has seen a proliferation of North American and European films that focus on African politics and society. While once the continent was the setting for narratives of heroic ascendancy over self (The African Queen, 1951; The Snows of Kilimanjaro, 1952), military odds (Zulu, 1964; Khartoum, 1966) and nature (Mogambo, 1953; Hatari!,1962; Born Free, 1966; The Last Safari, 1967), this new wave of films portrays a continent blighted by transnational corruption (The Constant Gardener, 2005), genocide (Hotel Rwanda, 2004; Shooting Dogs, 2006), 'failed states' (Black Hawk Down, 2001), illicit transnational commerce (Blood Diamond, 2006) and the unfulfilled promises of decolonization (The Last King of Scotland, 2006). Conversely, where once Apartheid South Africa was a brutal foil for the romance of East Africa (Cry Freedom, 1987; A Dry White Season, 1989), South Africa now serves as a redeemed contrast to the rest of the continent (Red Dust, 2004; Invictus, 2009). Writing from the perspective of long-term engagement with the contexts in which the films are set, anthropologists and historians reflect on these films and assess the contemporary place Africa holds in the North American and European cinematic imagination In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Europe History 21st century Motion pictures United States History 20th century Motion pictures United States History 21st century Eltringham, Nigel Sonstige oth https://doi.org/10.1515/9781782380740 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Europe History 21st century Motion pictures United States History 20th century Motion pictures United States History 21st century |
| title | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema |
| title_auth | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema |
| title_exact_search | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema |
| title_exact_search_txtP | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema |
| title_full | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema ed. by Nigel Eltringham |
| title_fullStr | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema ed. by Nigel Eltringham |
| title_full_unstemmed | Framing Africa Portrayals of a Continent in Contemporary Mainstream Cinema ed. by Nigel Eltringham |
| title_short | Framing Africa |
| title_sort | framing africa portrayals of a continent in contemporary mainstream cinema |
| title_sub | Portrayals of a Continent in Contemporary Mainstream Cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Europe History 21st century Motion pictures United States History 20th century Motion pictures United States History 21st century |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Europe History 21st century Motion pictures United States History 20th century Motion pictures United States History 21st century |
| url | https://doi.org/10.1515/9781782380740 |
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