Existentialism and Contemporary Cinema: A Sartrean Perspective
At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tra...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2011]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
| Zusammenfassung: | At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (224 Seiten) |
| ISBN: | 9780857453211 |
| DOI: | 10.1515/9780857453211 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:18Z |
| indexdate | 2024-07-10T09:41:44Z |
| institution | BVB |
| isbn | 9780857453211 |
| language | English |
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| spelling | Existentialism and Contemporary Cinema A Sartrean Perspective ed. by Jean-Pierre Boulé, Enda McCaffrey New York ; Oxford Berghahn Books [2011] © 2011 1 Online-Ressource (224 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) At the heart of this volume is the assertion that Sartrean existentialism, most prominent in the 1940s, particularly in France, is still relevant as a way of interpreting the world today. Film, by reflecting philosophical concerns in the actions and choices of characters, continues and extends a tradition in which art exemplifies the understanding of existentialist philosophy. In a scholarly yet accessible style, the contributors exploit the rich interplay between Sartre's philosophy, plays and novels, and a number of contemporary films including No Country for Old Men, Lost in Translation and The Truman Show, with film-makers including the Dardenne brothers, Michael Haneke, and Mike Leigh. This volume will be of interest to students who are coming to Sartre's work for the first time and to those who would like to read films within an existentialist perspective In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Existentialism in motion pictures Philosophy in motion pictures Boulé, Jean-Pierre (DE-588)1158234074 edt ctb McCaffrey, Enda (DE-588)172811694 edt ctb Cooper, Sarah 1971- Sonstige (DE-588)1036243400 oth Darnell, Michelle R. Sonstige (DE-588)116180868X oth Falzon, Christopher 1957- Sonstige (DE-588)132622424 oth Martin, Tom Sonstige oth Williams,Patrick Sonstige oth Nicholls, Tracey Sonstige (DE-588)14231269X oth Rolls, Alistair 1971- Sonstige (DE-588)1028653336 oth Stoehr, Kevin L. 1967- Sonstige (DE-588)132038846 oth Stanton, Mark Sonstige oth Williams, Patrick Sonstige oth https://doi.org/10.1515/9780857453211 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Existentialism and Contemporary Cinema A Sartrean Perspective PERFORMING ARTS / Film & Video / History & Criticism bisacsh Existentialism in motion pictures Philosophy in motion pictures |
| title | Existentialism and Contemporary Cinema A Sartrean Perspective |
| title_auth | Existentialism and Contemporary Cinema A Sartrean Perspective |
| title_exact_search | Existentialism and Contemporary Cinema A Sartrean Perspective |
| title_exact_search_txtP | Existentialism and Contemporary Cinema A Sartrean Perspective |
| title_full | Existentialism and Contemporary Cinema A Sartrean Perspective ed. by Jean-Pierre Boulé, Enda McCaffrey |
| title_fullStr | Existentialism and Contemporary Cinema A Sartrean Perspective ed. by Jean-Pierre Boulé, Enda McCaffrey |
| title_full_unstemmed | Existentialism and Contemporary Cinema A Sartrean Perspective ed. by Jean-Pierre Boulé, Enda McCaffrey |
| title_short | Existentialism and Contemporary Cinema |
| title_sort | existentialism and contemporary cinema a sartrean perspective |
| title_sub | A Sartrean Perspective |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Existentialism in motion pictures Philosophy in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Existentialism in motion pictures Philosophy in motion pictures |
| url | https://doi.org/10.1515/9780857453211 |
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