Visual methodologies: an introduction to researching with visual materials
Have you found some exciting images that you want to explore but don’t know how to start your research or what methods to choose? Do you have a question about an aspect of visual culture that you want to answer? Whatever level of experience you have, this classic text will provide you with...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
London
SAGE Publications
[2023]
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Ausgabe: | 5th edition |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Have you found some exciting images that you want to explore but don’t know how to start your research or what methods to choose? Do you have a question about an aspect of visual culture that you want to answer? Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images. With a clear step-by-step approach that is easy to dip in and out of, the book features: •Key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials •‘Focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities •Guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the bookThis bestselling critical guide is the perfect companion to visual methods projects for undergraduates, graduates, researchers and academics across the social sciences and humanities |
Beschreibung: | How to Use this Book; Contexts; Researching with Visual Materials: A Brief Survey of Conceptual Debates; A Critical Visual Methodology; Design; Understanding Visual Research Ethics; Designing a Visual Methods Research Project; How to Find, Format, Reference and Reproduce Images; Methods; Compositional Interpretation: Looking with a ‘Good Eye’; Content Analysis and Cultural Analytics: Finding Patterns in What You See; Semiology: Making Sense of Signs; Discourse Analysis I: Text, Intertextuality and Context; Discourse Analysis II: Instituitions, Objects and Displays; Interviews and Ethnographies: Studying Audiences, Fans and Users; Making Images as Research Data: Documentation, Elicitation and Participation; Applying Digital Methods to Digital Images ; Engagement; Using Images to Make Research Findings Engaging |
Beschreibung: | xv, 454 Seiten Illustrationen, Diagramme |
ISBN: | 9781529767193 9781529767209 |
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520 | |a Have you found some exciting images that you want to explore but don’t know how to start your research or what methods to choose? Do you have a question about an aspect of visual culture that you want to answer? Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images. With a clear step-by-step approach that is easy to dip in and out of, the book features: •Key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials •‘Focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities •Guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the bookThis bestselling critical guide is the perfect companion to visual methods projects for undergraduates, graduates, researchers and academics across the social sciences and humanities | ||
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CONTENTS Figures and Tables About the Author Acknowledgements Preface: Introducing the Fifth Edition 1 ix xvi xvii xviii How to use this book 1 1.1 The Four Parts of this Book 1.2 Introducing the Book’s Approach: A Critical Visual Methodology 1.3 How to Use this Book Selectively 1.4 How the Methods Chapters are Organised 1.5 Why You Should Read More than Just this Book 1.6 Two Final Remarks Further Reading 3 4 5 9 10 10 11 I CONTEXTS 2 Researching with visual materials: a brief survey of conceptual debates 2.1 An Introductory Survey of‘The Visual’ 2.2 Visual Research Methods: Finding and Making Images 2.3 Understanding the Social Effects of Visual Materials 2.4 Three Criteria for a Critical Visual Methodology Summary: Researching with Visual Materials Further Reading 3 A critical visual methodology 3.1 Introducing the Four Sites of a Critical Visual Methodology: Production, the Image Itself, its Circulation and its Audiencing 3.2 The Site of Production 3.3 The Site of the Image 3.4 The Site of Circulation 3.5 The Site of Audiencing Summary: A Critical Visual Methodology Further Reading 13 15 16 35 37 43 44 44 46 47 49 55 57 60 69 69
CONTENTS vi 71 II DESIGN Understanding visual research ethics 4 4.1 Research Ethics and Visual Materials: An Introduction 4.2 Consent 4.3 Anonymity 4 4 The Institutional Framework 4.5 Legal Considerations: Copyright, GDPR and Terms and Conditions 4.6 The Researcher’s Own Responsibility for Ethical Seeing Summary: Visual Research Ethics Further Reading 5 6 90 5.1 An Introduction to Designing a Visual Methods Research Project 5.2 Defining the Project 5.3 Deciding on Your Method(s) 5.4 The Importance of Iteration in Research Design Summary: Designing a Visual Methods Research Project Further Reading 91 93 97 102 102 104 How to find, format, reference and reproduce images 105 Finding Your Images The Format of Your Images Referencing Your Images Reproducing Your Images III METHODS 8 74 76 80 84 84 86 87 89 Designing a visual methods research project 6.1 6.2 6.3 6.4 7 73 106 110 110 111 115 Compositional interpretation: looking with a ‘good eye’ 117 7.1 Compositional Interpretation: An Introduction 7.2 Compositional Interpretation: Technologies and the Production of the Image 7.3 The Compositionality of the Image Itself 7.4 Compositional Interpretation: An Assessment Summary: Compositional Interpretation Further Reading 118 Content analysis and cultural analytics: Finding patterns in what you see 8.1 Content Analysis and Cultural Analytics: An Introduction Ö.Z Four Steps to Content Analysis 123 125 145 146 146 148 149 152
CONTENTS 8.3 Doing Cultural Analytics 8.4 Content Analysis and Cultural Analytics: An Assessment Summary: Content Analysis and Cultural Analytics Further Reading 9 vii 2^2 166 168 Semiology: Making sense of signs 9.1 Semiology: An Introduction 9.2 Choosing Images for a Semiological Study 9.Յ The Sign and its Meaning-making Processes in Mainstream Semiology 9.4 Social Semiotics: Making Meaning Socially 9.5 Semiology: An Assessment Summary: Semiology Further Reading 10 Discourse analysis I: Text, intertextuality and context Discourse and Visual Culture: An Introduction Discourse, Discourse Analysis I and Discourse Analysis II Finding Your Sources for a Discourse Analysis I Discourse Analysis I: The Production and Rhetorical Organisation of Discourse 10.5 Discourse Analysis I and Reflexivity 10.6 Discourse Analysis I: An Assessment Summary: Discourse Analysis I Further Reading 10.1 10.2 10.3 10.4 171 175 277 201 209 շշշ շշշ 214 214 217 223 228 244 246 247 248 11 Discourse analysis II: institutions, objects and displays 249 11.1 Another Introduction to Discourse and Visual Culture 11.2 Finding Your Sources for Discourse Analysis II ІІ.З The Apparatus of the Gallery and the Museum 11.4 The Technologies of the Gallery and the Museum 11.5 The Visitor 11.6 Discourse Analysis II: An Assessment Summary: Discourse Analysis II Further Reading 249 257 258 264 275 281 282 283 12 Interviews and ethnographies: Studying audiences, fans and users 284 12.1 Researching How Images are Seen: An Introduction 284 12.2 Finding Visual Materials for Studies of Audiences, Fans and Users 289 12.3
Interviews with Audiences, Fans and Users 296
CONTENTS viii 12.4 Ethnographies of Audiences, Fans and Users 12.5 Interviews and Ethnographies of Audiencing: An Assessment Summary: Interviews and Ethnographies 315 318 Further Reading 13 Making images as research data: Documentation, elicitation and participation 13.1 Making Images as Research Data:An Introduction 13.2 Photo-documentation 13.3 Photo-elicitation 13.4 Participatory Photography 13.5 Making Photographs as Research Data:An Assessment Summary: Making Images for Documentation, Elicitation and Participation Further Reading 14 Applying digital methods to digital images 14.1 Digital Methods: An Introduction 14.2 To Use a Digital Method, Do I Need to Know How to Code? 14.3 How to Access Digital Objects for Digital Methods 14.4 Analysing the Images Digitally 14.5 Digital Methods: An Assessment Summary: Digital Methods Further Reading 320 321 325 336 349 350 352 353 354 354 357 359 366 371 373 374 IV ENGAGEMENT 375 15 Using images to make research findingsengaging 377 15.1 An Introduction to Using Images to Create Engagement with Research Findings 377 15.2 What Findings Do You Want to Share Visually? 15.3 What Audience Do You Want toReach? 15.4 So How Should You Design Your Visuals? 15.5 Reaching Your Audience 15.6 Using Images to Make Research Findings Engaging: An Assessment Further Reading References Name Index Subject Index 381 390 390 393 395 ,AQ ЭУо ճհօ 443 |
adam_txt |
CONTENTS Figures and Tables About the Author Acknowledgements Preface: Introducing the Fifth Edition 1 ix xvi xvii xviii How to use this book 1 1.1 The Four Parts of this Book 1.2 Introducing the Book’s Approach: A Critical Visual Methodology 1.3 How to Use this Book Selectively 1.4 How the Methods Chapters are Organised 1.5 Why You Should Read More than Just this Book 1.6 Two Final Remarks Further Reading 3 4 5 9 10 10 11 I CONTEXTS 2 Researching with visual materials: a brief survey of conceptual debates 2.1 An Introductory Survey of‘The Visual’ 2.2 Visual Research Methods: Finding and Making Images 2.3 Understanding the Social Effects of Visual Materials 2.4 Three Criteria for a Critical Visual Methodology Summary: Researching with Visual Materials Further Reading 3 A critical visual methodology 3.1 Introducing the Four Sites of a Critical Visual Methodology: Production, the Image Itself, its Circulation and its Audiencing 3.2 The Site of Production 3.3 The Site of the Image 3.4 The Site of Circulation 3.5 The Site of Audiencing Summary: A Critical Visual Methodology Further Reading 13 15 16 35 37 43 44 44 46 47 49 55 57 60 69 69
CONTENTS vi 71 II DESIGN Understanding visual research ethics 4 4.1 Research Ethics and Visual Materials: An Introduction 4.2 Consent 4.3 Anonymity 4 4 The Institutional Framework 4.5 Legal Considerations: Copyright, GDPR and Terms and Conditions 4.6 The Researcher’s Own Responsibility for Ethical Seeing Summary: Visual Research Ethics Further Reading 5 6 90 5.1 An Introduction to Designing a Visual Methods Research Project 5.2 Defining the Project 5.3 Deciding on Your Method(s) 5.4 The Importance of Iteration in Research Design Summary: Designing a Visual Methods Research Project Further Reading 91 93 97 102 102 104 How to find, format, reference and reproduce images 105 Finding Your Images The Format of Your Images Referencing Your Images Reproducing Your Images III METHODS 8 74 76 80 84 84 86 87 89 Designing a visual methods research project 6.1 6.2 6.3 6.4 7 73 106 110 110 111 115 Compositional interpretation: looking with a ‘good eye’ 117 7.1 Compositional Interpretation: An Introduction 7.2 Compositional Interpretation: Technologies and the Production of the Image 7.3 The Compositionality of the Image Itself 7.4 Compositional Interpretation: An Assessment Summary: Compositional Interpretation Further Reading 118 Content analysis and cultural analytics: Finding patterns in what you see 8.1 Content Analysis and Cultural Analytics: An Introduction Ö.Z Four Steps to Content Analysis 123 125 145 146 146 148 149 152
CONTENTS 8.3 Doing Cultural Analytics 8.4 Content Analysis and Cultural Analytics: An Assessment Summary: Content Analysis and Cultural Analytics Further Reading 9 vii 2^2 166 168 Semiology: Making sense of signs 9.1 Semiology: An Introduction 9.2 Choosing Images for a Semiological Study 9.Յ The Sign and its Meaning-making Processes in Mainstream Semiology 9.4 Social Semiotics: Making Meaning Socially 9.5 Semiology: An Assessment Summary: Semiology Further Reading 10 Discourse analysis I: Text, intertextuality and context Discourse and Visual Culture: An Introduction Discourse, Discourse Analysis I and Discourse Analysis II Finding Your Sources for a Discourse Analysis I Discourse Analysis I: The Production and Rhetorical Organisation of Discourse 10.5 Discourse Analysis I and Reflexivity 10.6 Discourse Analysis I: An Assessment Summary: Discourse Analysis I Further Reading 10.1 10.2 10.3 10.4 171 175 277 201 209 շշշ շշշ 214 214 217 223 228 244 246 247 248 11 Discourse analysis II: institutions, objects and displays 249 11.1 Another Introduction to Discourse and Visual Culture 11.2 Finding Your Sources for Discourse Analysis II ІІ.З The Apparatus of the Gallery and the Museum 11.4 The Technologies of the Gallery and the Museum 11.5 The Visitor 11.6 Discourse Analysis II: An Assessment Summary: Discourse Analysis II Further Reading 249 257 258 264 275 281 282 283 12 Interviews and ethnographies: Studying audiences, fans and users 284 12.1 Researching How Images are Seen: An Introduction 284 12.2 Finding Visual Materials for Studies of Audiences, Fans and Users 289 12.3
Interviews with Audiences, Fans and Users 296
CONTENTS viii 12.4 Ethnographies of Audiences, Fans and Users 12.5 Interviews and Ethnographies of Audiencing: An Assessment Summary: Interviews and Ethnographies 315 318 Further Reading 13 Making images as research data: Documentation, elicitation and participation 13.1 Making Images as Research Data:An Introduction 13.2 Photo-documentation 13.3 Photo-elicitation 13.4 Participatory Photography 13.5 Making Photographs as Research Data:An Assessment Summary: Making Images for Documentation, Elicitation and Participation Further Reading 14 Applying digital methods to digital images 14.1 Digital Methods: An Introduction 14.2 To Use a Digital Method, Do I Need to Know How to Code? 14.3 How to Access Digital Objects for Digital Methods 14.4 Analysing the Images Digitally 14.5 Digital Methods: An Assessment Summary: Digital Methods Further Reading 320 321 325 336 349 350 352 353 354 354 357 359 366 371 373 374 IV ENGAGEMENT 375 15 Using images to make research findingsengaging 377 15.1 An Introduction to Using Images to Create Engagement with Research Findings 377 15.2 What Findings Do You Want to Share Visually? 15.3 What Audience Do You Want toReach? 15.4 So How Should You Design Your Visuals? 15.5 Reaching Your Audience 15.6 Using Images to Make Research Findings Engaging: An Assessment Further Reading References Name Index Subject Index 381 390 390 393 395 ,AQ ЭУо ճհօ 443 |
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owner | DE-473 DE-BY-UBG DE-91 DE-BY-TUM DE-739 DE-188 DE-1049 DE-11 DE-706 |
owner_facet | DE-473 DE-BY-UBG DE-91 DE-BY-TUM DE-739 DE-188 DE-1049 DE-11 DE-706 |
physical | xv, 454 Seiten Illustrationen, Diagramme |
publishDate | 2023 |
publishDateSearch | 2023 |
publishDateSort | 2023 |
publisher | SAGE Publications |
record_format | marc |
spelling | Rose, Gillian 1962- Verfasser (DE-588)173480039 aut Visual methodologies an introduction to researching with visual materials Gillian Rose 5th edition London SAGE Publications [2023] © 2023 xv, 454 Seiten Illustrationen, Diagramme txt rdacontent n rdamedia nc rdacarrier How to Use this Book; Contexts; Researching with Visual Materials: A Brief Survey of Conceptual Debates; A Critical Visual Methodology; Design; Understanding Visual Research Ethics; Designing a Visual Methods Research Project; How to Find, Format, Reference and Reproduce Images; Methods; Compositional Interpretation: Looking with a ‘Good Eye’; Content Analysis and Cultural Analytics: Finding Patterns in What You See; Semiology: Making Sense of Signs; Discourse Analysis I: Text, Intertextuality and Context; Discourse Analysis II: Instituitions, Objects and Displays; Interviews and Ethnographies: Studying Audiences, Fans and Users; Making Images as Research Data: Documentation, Elicitation and Participation; Applying Digital Methods to Digital Images ; Engagement; Using Images to Make Research Findings Engaging Have you found some exciting images that you want to explore but don’t know how to start your research or what methods to choose? Do you have a question about an aspect of visual culture that you want to answer? Whatever level of experience you have, this classic text will provide you with the key skills you need to complete a visual methods research project, understand the rationale behind each step, and engage with the contexts and power relations that shape our interpretation of visual images. With a clear step-by-step approach that is easy to dip in and out of, the book features: •Key examples in every methods chapter to demonstrate how the methods work in practice and with different visual materials •‘Focus’ and ‘Discussion’ features that help you practice your skills at specific parts of the methods and understand some of the method’s complexities •Guidance on researching using digital visual media, such as Instagram and TikTok, integrated throughout the bookThis bestselling critical guide is the perfect companion to visual methods projects for undergraduates, graduates, researchers and academics across the social sciences and humanities Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Analyse (DE-588)4122795-5 gnd rswk-swf Visuelle Wahrnehmung (DE-588)4078921-4 gnd rswk-swf Methodologie (DE-588)4139716-2 gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 s Methodologie (DE-588)4139716-2 s DE-604 Visuelle Wahrnehmung (DE-588)4078921-4 s Analyse (DE-588)4122795-5 s Digitalisierung UB Bamberg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033945091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Rose, Gillian 1962- Visual methodologies an introduction to researching with visual materials Visuelle Kommunikation (DE-588)4131112-7 gnd Analyse (DE-588)4122795-5 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Methodologie (DE-588)4139716-2 gnd |
subject_GND | (DE-588)4131112-7 (DE-588)4122795-5 (DE-588)4078921-4 (DE-588)4139716-2 |
title | Visual methodologies an introduction to researching with visual materials |
title_auth | Visual methodologies an introduction to researching with visual materials |
title_exact_search | Visual methodologies an introduction to researching with visual materials |
title_exact_search_txtP | Visual methodologies an introduction to researching with visual materials |
title_full | Visual methodologies an introduction to researching with visual materials Gillian Rose |
title_fullStr | Visual methodologies an introduction to researching with visual materials Gillian Rose |
title_full_unstemmed | Visual methodologies an introduction to researching with visual materials Gillian Rose |
title_short | Visual methodologies |
title_sort | visual methodologies an introduction to researching with visual materials |
title_sub | an introduction to researching with visual materials |
topic | Visuelle Kommunikation (DE-588)4131112-7 gnd Analyse (DE-588)4122795-5 gnd Visuelle Wahrnehmung (DE-588)4078921-4 gnd Methodologie (DE-588)4139716-2 gnd |
topic_facet | Visuelle Kommunikation Analyse Visuelle Wahrnehmung Methodologie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033945091&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT rosegillian visualmethodologiesanintroductiontoresearchingwithvisualmaterials |