Queer forms:
In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activist...
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| Format: | Buch |
| Sprache: | English |
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New York
New York University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. Through studies of queer and feminist cultural productions including Joanna Russ's The Female Man, Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions. |
| Beschreibung: | xii, 435 Seiten Illustrationen Breite 152 mm, Hoehe 229 mm |
| ISBN: | 9781479829828 9781479820733 |
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| 520 | 3 | |a In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. Through studies of queer and feminist cultural productions including Joanna Russ's The Female Man, Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions. | |
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Datensatz im Suchindex
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| adam_text | CONTENTS Introduction: Queer Forms 1 Stepford Wives and Female Men: The Radical Equality of Female Replicants 2 Entering the Vortex: Breaching the Boundaries of the Lesbian Separatist Frontier in Avant-Garde Science Fiction Film 3. “Beware the Hostile Fag”: Acidic Intimacies and the Gay Male Consciousness-Raising Circle in The Boys in the Band 4. Queer Love on Barbary Lane: The Serial Experience of Coming Out of the Closet with Armistead Maupin’s Tales of the City 5. Stripped to the Bone: Sequencing Sexual Pluralism in the Comic Strip Work of Joe Brainard and David Wojnarowicz 6. “I Cherish My Bile Duct as Much as Any Other Organ”: Political Disgust and the Digestive Life of AIDS in Tony Kushners Angels in America 1 55 104 159 197 246 293 Conclusion: “Something Else to Be”: On Friendship’s Queer Forms 335 Acknowledgments 367 ^otes 373 xi
xii I CONTENTS Bibliography 407 Index 423 About the Author 435 Color illustrations appear as an insertfollowing page 212.
n Queer Forms, Ramzi Fawaz explores how the central values of movements for womens and gay liberation, including consciousness-raising, separatism, and coming out of the closet, were translated into a range of American popular culture forms. Nineteen-seventies feminist and gay activists passionately fought to expand, transform, and wholly explode definitions of so-called normal gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, divergent genders and sexualities. Through studies of queer and feminist film, literature, and visual culture, including Joanna Russ s The Female Man. Mart Crowley s The Boys in the Band, Armistead Maupin s Tales of the City, and Lizzie Borden s Born in Flames, Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities. Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions. I
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| adam_txt |
CONTENTS Introduction: Queer Forms 1 Stepford Wives and Female Men: The Radical Equality of Female Replicants 2 Entering the Vortex: Breaching the Boundaries of the Lesbian Separatist Frontier in Avant-Garde Science Fiction Film 3. “Beware the Hostile Fag”: Acidic Intimacies and the Gay Male Consciousness-Raising Circle in The Boys in the Band 4. Queer Love on Barbary Lane: The Serial Experience of Coming Out of the Closet with Armistead Maupin’s Tales of the City 5. Stripped to the Bone: Sequencing Sexual Pluralism in the Comic Strip Work of Joe Brainard and David Wojnarowicz 6. “I Cherish My Bile Duct as Much as Any Other Organ”: Political Disgust and the Digestive Life of AIDS in Tony Kushners Angels in America 1 55 104 159 197 246 293 Conclusion: “Something Else to Be”: On Friendship’s Queer Forms 335 Acknowledgments 367 ^otes 373 xi
xii I CONTENTS Bibliography 407 Index 423 About the Author 435 Color illustrations appear as an insertfollowing page 212.
n Queer Forms, Ramzi Fawaz explores how the central values of movements for womens and gay liberation, including consciousness-raising, separatism, and coming out of the closet, were translated into a range of American popular culture forms. Nineteen-seventies feminist and gay activists passionately fought to expand, transform, and wholly explode definitions of so-called normal gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, divergent genders and sexualities. Through studies of queer and feminist film, literature, and visual culture, including Joanna Russ's The Female Man. Mart Crowley's The Boys in the Band, Armistead Maupin's Tales of the City, and Lizzie Borden's Born in Flames, Fawaz shows how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern United States. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities. Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions. I |
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| spelling | Fawaz, Ramzi Verfasser (DE-588)1085654095 aut Queer forms Ramzi Fawaz New York New York University Press [2022] © 2022 xii, 435 Seiten Illustrationen Breite 152 mm, Hoehe 229 mm txt rdacontent n rdamedia nc rdacarrier In this book, Ramzi Fawaz explores how the central values of 1970s movements for women's and gay liberation-including consciousness-raising, separatism, and coming out of the closet-were translated into a range of American popular culture forms. Throughout this period, feminist and gay activists fought social and political battles to expand, transform, or wholly explode definitions of so-called "normal" gender and sexuality. In doing so, they inspired artists, writers, and filmmakers to invent new ways of formally representing, or giving shape to, non-normative genders and sexualities. Through studies of queer and feminist cultural productions including Joanna Russ's The Female Man, Mart Crowley's The Boys in the Band (1970), Armistead Maupin's Tales of the City (1976-1983), Lizzy Borden's Born in Flames (1983), and Tony Kushner's Angels in America (1989-1991), Fawaz show how artists innovated in many popular mediums and genres to make the experience of gender and sexual non-conformity recognizable to mass audiences in the modern US. Against the ideal of ceaseless gender and sexual fluidity and attachments to rigidly defined identities, Queer Forms argues for the value of shapeshifting as the imaginative transformation of genders and sexualities across time. By taking many shapes of gender and sexual divergence we can grant one another the opportunity to appear and be perceived as an evolving form, not only to claim our visibility, but to be better understood in all our dimensions. Geschichte 1970-1991 gnd rswk-swf Frauenbewegung (DE-588)4071428-7 gnd rswk-swf Massenmedien (DE-588)4037877-9 gnd rswk-swf Homosexuellenbewegung (DE-588)4140613-8 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Massenmedien (DE-588)4037877-9 s Homosexuellenbewegung (DE-588)4140613-8 s Frauenbewegung (DE-588)4071428-7 s Geschichte 1970-1991 z DE-604 Erscheint auch als Online-Ausgabe, ebook 978-1-4798-1690-3 Erscheint auch als Online-Ausgabe, ebook other 978-1-4798-9378-2 https://www.gbv.de/dms/bowker/toc/9781479820733.pdf 2022-10-19 Aggregator Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033933117&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033933117&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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