Who hears here?: on Black music, pasts and present
"Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2022]
|
| Schriftenreihe: | Phono: black music and the global imagination
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths"-- |
| Beschreibung: | xvii, 287 Seiten |
| ISBN: | 9780520281844 9780520281837 |
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| 505 | 8 | |a Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond | |
| 520 | 3 | |a "Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths"-- | |
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Datensatz im Suchindex
| _version_ | 1804184540675047424 |
|---|---|
| adam_text | Contents Foreword by Tammy L. Kernodle xi Acknowledgments xv Introduction: Who Hears Here Now? 1. 2. 3. 4. 5. 6. 7. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940 1 14 Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade 43 The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies 90 Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture 102 Muzing New Hoods, Making New Identities : Film, Hip-Hop Culture, and Jazz Music 117 Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde 133 Bebop, Jazz Manhood, and “Piano Shame” 155
8. Blues and the Ethnographic Truth 9. Time Is Illmatic: A Song for My Father, A Letter to My Son 182 A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in Robert Glasper’s Black Radio 191 10. 164 11. Free Jazz and the Price of Black Musical Abstraction 199 12. Jack Whitten’s Musical Eye 207 13. Out of Place and Out of Line: Jason Moran’s Eclecticism as Critical Inquiry 14. African American Music 214 219 Onward: An Afterword by Shana L. Redmond 246 Notes 249 Index 285
|
| adam_txt |
Contents Foreword by Tammy L. Kernodle xi Acknowledgments xv Introduction: Who Hears Here Now? 1. 2. 3. 4. 5. 6. 7. Cosmopolitan or Provincial? Ideology in Early Black Music Historiography, 1867-1940 1 14 Who Hears Here? Black Music, Critical Bias, and the Musicological Skin Trade 43 The Pot Liquor Principle: Developing a Black Music Criticism in American Music Studies 90 Secrets, Lies, and Transcriptions: New Revisions on Race, Black Music, and Culture 102 Muzing New Hoods, Making New Identities : Film, Hip-Hop Culture, and Jazz Music 117 Afro-Modernism and Music: On Science, Community, and Magic in the Black Avant-Garde 133 Bebop, Jazz Manhood, and “Piano Shame” 155
8. Blues and the Ethnographic Truth 9. Time Is Illmatic: A Song for My Father, A Letter to My Son 182 A New Kind of Blue: The Power of Suggestion and the Pleasure of Groove in Robert Glasper’s Black Radio 191 10. 164 11. Free Jazz and the Price of Black Musical Abstraction 199 12. Jack Whitten’s Musical Eye 207 13. Out of Place and Out of Line: Jason Moran’s Eclecticism as Critical Inquiry 14. African American Music 214 219 Onward: An Afterword by Shana L. Redmond 246 Notes 249 Index 285 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ramsey, Guthrie P. |
| author2 | Redmond, Shana L. |
| author2_role | aft |
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| author_GND | (DE-588)1046549596 (DE-588)132022184 (DE-588)1037438582 |
| author_facet | Ramsey, Guthrie P. Redmond, Shana L. |
| author_role | aut |
| author_sort | Ramsey, Guthrie P. |
| author_variant | g p r gp gpr |
| building | Verbundindex |
| bvnumber | BV048540550 |
| classification_rvk | LS 48050 LS 48200 LS 48650 |
| contents | Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond |
| ctrlnum | (OCoLC)1350251012 (DE-599)BVBBV048540550 |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Sozialgeschichte gnd |
| era_facet | Sozialgeschichte |
| format | Book |
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| publisher | University of California Press |
| record_format | marc |
| series2 | Phono: black music and the global imagination |
| spelling | Ramsey, Guthrie P. Verfasser (DE-588)1046549596 aut Who hears here? on Black music, pasts and present Guthrie P. Ramsey, Jr. ; foreword by Tammy L. Kernodle ; afterword by Shana L. Redmond Oakland, California University of California Press [2022] © 2022 xvii, 287 Seiten txt rdacontent n rdamedia nc rdacarrier Phono: black music and the global imagination Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond "Guthrie P. Ramsey, Jr., is an award-winning musicologist, music historian, composer, and pianist, whose prescient theoretical and critical interventions have worked to build a bridge between Black cultural studies and musicology. Representing twenty-five years of commentary and scholarship, these essays document Ramsey's search to understand America's Black musical past and present and to find his own voice as an African American writer in the field of musicology. This far-reaching collection embraces historiography, ethnography, cultural criticism, musical analysis, and autobiography, traversing the landscape of Black musical expression from sacred music to art music, and jazz to hip hop. Taken together, these essays and the provocative introduction that precedes them are testament to the legacy work that has come to define a field, as well as a rousing call to new readers to continue to ask the hard questions and write the hard truths"-- Sozialgeschichte gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Schwarze (DE-588)4116433-7 gnd rswk-swf Afroamerikanische Musik (DE-588)4122767-0 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf African Americans / Music / History and criticism Popular music / Social aspects / United States Musicology / United States / History Musique populaire / Aspect social / États-Unis African Americans / Music Musicology Popular music / Social aspects United States Criticism, interpretation, etc History USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Afroamerikanische Musik (DE-588)4122767-0 s Ethnische Identität (DE-588)4153096-2 s Sozialgeschichte z DE-604 Kernodle, Tammy L. 1969- (DE-588)132022184 wpr Redmond, Shana L. (DE-588)1037438582 aft Erscheint auch als Online-Ausgabe 978-0-520-39218-2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033917090&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ramsey, Guthrie P. Who hears here? on Black music, pasts and present Introduction : who hears here now? -- Cosmopolitan or provincial? : ideology in early black music historiography, 1867-1940 -- Who hears here? : black music, critical bias, and the musicological skin trade -- The pot liquor principle : developing a black music criticism in American music studies -- Secrets, lies and transcriptions : new revisions on race, black music and culture -- Muzing new hoods, making new identities : film, hip-hop culture, and jazz music -- Afro-Modernism and music : on science, community, and magic in the Black Avant-Garde -- Bebop, jazz manhood and "piano shame" -- Blues and the ethnographic truth -- Time is illmatic : a song for my father, a letter to my son -- A new kind of blue : the power of suggestion and the pleasure of groove in Robert Glasper's black radio -- Free jazz and the price of black musical abstraction -- Jack Whitten's musical eye -- Out of place and out of line : Jason Moran's eclecticism as critical inquiry -- African American music -- Onward : an afterword by Shana L. Redmond Ethnische Identität (DE-588)4153096-2 gnd Schwarze (DE-588)4116433-7 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd |
| subject_GND | (DE-588)4153096-2 (DE-588)4116433-7 (DE-588)4122767-0 (DE-588)4078704-7 |
| title | Who hears here? on Black music, pasts and present |
| title_auth | Who hears here? on Black music, pasts and present |
| title_exact_search | Who hears here? on Black music, pasts and present |
| title_exact_search_txtP | Who hears here? on Black music, pasts and present |
| title_full | Who hears here? on Black music, pasts and present Guthrie P. Ramsey, Jr. ; foreword by Tammy L. Kernodle ; afterword by Shana L. Redmond |
| title_fullStr | Who hears here? on Black music, pasts and present Guthrie P. Ramsey, Jr. ; foreword by Tammy L. Kernodle ; afterword by Shana L. Redmond |
| title_full_unstemmed | Who hears here? on Black music, pasts and present Guthrie P. Ramsey, Jr. ; foreword by Tammy L. Kernodle ; afterword by Shana L. Redmond |
| title_short | Who hears here? |
| title_sort | who hears here on black music pasts and present |
| title_sub | on Black music, pasts and present |
| topic | Ethnische Identität (DE-588)4153096-2 gnd Schwarze (DE-588)4116433-7 gnd Afroamerikanische Musik (DE-588)4122767-0 gnd |
| topic_facet | Ethnische Identität Schwarze Afroamerikanische Musik USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033917090&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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