Roman imperial portrait practice in the second century ad: Marcus Aurelius and Faustina the younger,
The creation of centrally defined imperial portrait types and the first 'step' of their dissemination in metropolitan Rome in the second century ad is the main focus of this study. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins a...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Oxford
Oxford University Press
[2022]
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| Schriftenreihe: | Oxford Academic
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| Zusammenfassung: | The creation of centrally defined imperial portrait types and the first 'step' of their dissemination in metropolitan Rome in the second century ad is the main focus of this study. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins and in sculpture, new insights into the functioning of the imperial image in Rome have been gained that move a difficult, much-discussed subject forward decisively. It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven, nor has it been disproven by a close systematic examination of the evidence on a broad material basis by those scholars who have questioned it. The new evidence presented in the present study has made it necessary to adjust this model in certain ways. More flexibility than currently allowed for is needed to describe the ancient processes and practices behind the phenomenon of 'repeated' imperial portraits. Norms have been investigated, and an adjusted and more flexible model of how the imperial image worked in the mint of Rome and in the metropolitan marble workshops in the second century ad has been outlined |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 1 Online-Ressource (240 Seiten) Illustrationen |
| ISBN: | 9780191937873 |
| DOI: | 10.1093/oso/9780192845658.001.0001 |
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| 505 | 8 | |a List of Illustrations -- List of Tables -- Abbreviations -- 1. Introduction: aims and methods -- A. State of research -- B. Research questions, aims, and scope -- C. Methodology and material -- 2. Faustina: imperial coins and medallions -- A. Research history and state of research -- B. Typological sequence and chronology -- C. Portrait types -- D. Analysis and conclusions -- 3. Faustina: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 4. Faustina: discussion -- 5. Marcus Aurelius: imperial coins and medallions -- A. Research history and state of research -- B. Chronology -- C. Chronological development and change of the portrait -- D. Analysis and conclusions -- 6. Marcus Aurelius: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 7. Marcus Aurelius: discussion -- 8. Organization of the mint of Rome and system of production -- 9. Metropolitan marble technology and marble workshops -- 10. Imperial portrait practice: norms and models in the second century -- A. Evaluation -- B. Outline of an adjusted model of an imperial portrait 'system' -- 11. Conclusion -- Appendix: Portrait Lists of Faustina and Marcus Aurelius -- Bibliography -- Illustrations -- Index | |
| 520 | |a The creation of centrally defined imperial portrait types and the first 'step' of their dissemination in metropolitan Rome in the second century ad is the main focus of this study. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins and in sculpture, new insights into the functioning of the imperial image in Rome have been gained that move a difficult, much-discussed subject forward decisively. It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven, nor has it been disproven by a close systematic examination of the evidence on a broad material basis by those scholars who have questioned it. The new evidence presented in the present study has made it necessary to adjust this model in certain ways. More flexibility than currently allowed for is needed to describe the ancient processes and practices behind the phenomenon of 'repeated' imperial portraits. Norms have been investigated, and an adjusted and more flexible model of how the imperial image worked in the mint of Rome and in the metropolitan marble workshops in the second century ad has been outlined | ||
| 600 | 1 | 4 | |a Faustina, Annia Galeria / Empress, consort of Marcus Aurelius, Emperor of Rome / -175 |
| 600 | 1 | 4 | |a Marcus Aurelius, Emperor of Rome / -121-180 |
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Datensatz im Suchindex
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| author | Niederhuber, Christian 1974- |
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| author_facet | Niederhuber, Christian 1974- |
| author_role | aut |
| author_sort | Niederhuber, Christian 1974- |
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| contents | List of Illustrations -- List of Tables -- Abbreviations -- 1. Introduction: aims and methods -- A. State of research -- B. Research questions, aims, and scope -- C. Methodology and material -- 2. Faustina: imperial coins and medallions -- A. Research history and state of research -- B. Typological sequence and chronology -- C. Portrait types -- D. Analysis and conclusions -- 3. Faustina: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 4. Faustina: discussion -- 5. Marcus Aurelius: imperial coins and medallions -- A. Research history and state of research -- B. Chronology -- C. Chronological development and change of the portrait -- D. Analysis and conclusions -- 6. Marcus Aurelius: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 7. Marcus Aurelius: discussion -- 8. Organization of the mint of Rome and system of production -- 9. Metropolitan marble technology and marble workshops -- 10. Imperial portrait practice: norms and models in the second century -- A. Evaluation -- B. Outline of an adjusted model of an imperial portrait 'system' -- 11. Conclusion -- Appendix: Portrait Lists of Faustina and Marcus Aurelius -- Bibliography -- Illustrations -- Index |
| ctrlnum | (ZDB-28-OSO)9780191937873 (OCoLC)1349534718 (DE-599)BVBBV048527517 |
| dewey-full | 730.937 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730.937 |
| dewey-search | 730.937 |
| dewey-sort | 3730.937 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte Klassische Archäologie |
| discipline_str_mv | Kunstgeschichte Klassische Archäologie |
| doi_str_mv | 10.1093/oso/9780192845658.001.0001 |
| format | Electronic eBook |
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| series2 | Oxford Academic |
| spelling | Niederhuber, Christian 1974- Verfasser (DE-588)1265152942 aut Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, Christian Niederhuber Oxford Oxford University Press [2022] 1 Online-Ressource (240 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Oxford Academic Includes bibliographical references and index List of Illustrations -- List of Tables -- Abbreviations -- 1. Introduction: aims and methods -- A. State of research -- B. Research questions, aims, and scope -- C. Methodology and material -- 2. Faustina: imperial coins and medallions -- A. Research history and state of research -- B. Typological sequence and chronology -- C. Portrait types -- D. Analysis and conclusions -- 3. Faustina: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 4. Faustina: discussion -- 5. Marcus Aurelius: imperial coins and medallions -- A. Research history and state of research -- B. Chronology -- C. Chronological development and change of the portrait -- D. Analysis and conclusions -- 6. Marcus Aurelius: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 7. Marcus Aurelius: discussion -- 8. Organization of the mint of Rome and system of production -- 9. Metropolitan marble technology and marble workshops -- 10. Imperial portrait practice: norms and models in the second century -- A. Evaluation -- B. Outline of an adjusted model of an imperial portrait 'system' -- 11. Conclusion -- Appendix: Portrait Lists of Faustina and Marcus Aurelius -- Bibliography -- Illustrations -- Index The creation of centrally defined imperial portrait types and the first 'step' of their dissemination in metropolitan Rome in the second century ad is the main focus of this study. Through systematic case studies of Faustina the Younger's and Marcus Aurelius' portraits on coins and in sculpture, new insights into the functioning of the imperial image in Rome have been gained that move a difficult, much-discussed subject forward decisively. It has long been thought that imperial portrait types were officially commissioned to commemorate specific historical moments and that they were made available to both the mint and the marble workshops in Rome, assuming a close correspondence between portraits on coins and in the round. All of this, however, has never been clearly proven, nor has it been disproven by a close systematic examination of the evidence on a broad material basis by those scholars who have questioned it. The new evidence presented in the present study has made it necessary to adjust this model in certain ways. More flexibility than currently allowed for is needed to describe the ancient processes and practices behind the phenomenon of 'repeated' imperial portraits. Norms have been investigated, and an adjusted and more flexible model of how the imperial image worked in the mint of Rome and in the metropolitan marble workshops in the second century ad has been outlined Faustina, Annia Galeria / Empress, consort of Marcus Aurelius, Emperor of Rome / -175 Marcus Aurelius, Emperor of Rome / -121-180 Faustina II. Römisches Reich, Kaiserin 130-176 (DE-588)118532111 gnd rswk-swf Mark Aurel Römisches Reich, Kaiser 121-180 (DE-588)118577468 gnd rswk-swf Portrait sculpture, Roman Numismatics, Roman Münzbildnis (DE-588)4308642-1 gnd rswk-swf Bildnis (DE-588)4006627-7 gnd rswk-swf Electronic books (DE-588)4113937-9 Hochschulschrift gnd-content Mark Aurel Römisches Reich, Kaiser 121-180 (DE-588)118577468 p Faustina II. Römisches Reich, Kaiserin 130-176 (DE-588)118532111 p Bildnis (DE-588)4006627-7 s Münzbildnis (DE-588)4308642-1 s DE-604 Erscheint auch als Druck-Ausgabe 978-0-19-284565-8 https://doi.org/10.1093/oso/9780192845658.001.0001 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Niederhuber, Christian 1974- Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, List of Illustrations -- List of Tables -- Abbreviations -- 1. Introduction: aims and methods -- A. State of research -- B. Research questions, aims, and scope -- C. Methodology and material -- 2. Faustina: imperial coins and medallions -- A. Research history and state of research -- B. Typological sequence and chronology -- C. Portrait types -- D. Analysis and conclusions -- 3. Faustina: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 4. Faustina: discussion -- 5. Marcus Aurelius: imperial coins and medallions -- A. Research history and state of research -- B. Chronology -- C. Chronological development and change of the portrait -- D. Analysis and conclusions -- 6. Marcus Aurelius: marble portraits -- A. Research history and state of research -- B. Portrait types -- C. Analysis and conclusions -- 7. Marcus Aurelius: discussion -- 8. Organization of the mint of Rome and system of production -- 9. Metropolitan marble technology and marble workshops -- 10. Imperial portrait practice: norms and models in the second century -- A. Evaluation -- B. Outline of an adjusted model of an imperial portrait 'system' -- 11. Conclusion -- Appendix: Portrait Lists of Faustina and Marcus Aurelius -- Bibliography -- Illustrations -- Index Faustina, Annia Galeria / Empress, consort of Marcus Aurelius, Emperor of Rome / -175 Marcus Aurelius, Emperor of Rome / -121-180 Faustina II. Römisches Reich, Kaiserin 130-176 (DE-588)118532111 gnd Mark Aurel Römisches Reich, Kaiser 121-180 (DE-588)118577468 gnd Portrait sculpture, Roman Numismatics, Roman Münzbildnis (DE-588)4308642-1 gnd Bildnis (DE-588)4006627-7 gnd |
| subject_GND | (DE-588)118532111 (DE-588)118577468 (DE-588)4308642-1 (DE-588)4006627-7 (DE-588)4113937-9 |
| title | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, |
| title_auth | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, |
| title_exact_search | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, |
| title_exact_search_txtP | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, |
| title_full | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, Christian Niederhuber |
| title_fullStr | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, Christian Niederhuber |
| title_full_unstemmed | Roman imperial portrait practice in the second century ad Marcus Aurelius and Faustina the younger, Christian Niederhuber |
| title_short | Roman imperial portrait practice in the second century ad |
| title_sort | roman imperial portrait practice in the second century ad marcus aurelius and faustina the younger |
| title_sub | Marcus Aurelius and Faustina the younger, |
| topic | Faustina, Annia Galeria / Empress, consort of Marcus Aurelius, Emperor of Rome / -175 Marcus Aurelius, Emperor of Rome / -121-180 Faustina II. Römisches Reich, Kaiserin 130-176 (DE-588)118532111 gnd Mark Aurel Römisches Reich, Kaiser 121-180 (DE-588)118577468 gnd Portrait sculpture, Roman Numismatics, Roman Münzbildnis (DE-588)4308642-1 gnd Bildnis (DE-588)4006627-7 gnd |
| topic_facet | Faustina, Annia Galeria / Empress, consort of Marcus Aurelius, Emperor of Rome / -175 Marcus Aurelius, Emperor of Rome / -121-180 Faustina II. Römisches Reich, Kaiserin 130-176 Mark Aurel Römisches Reich, Kaiser 121-180 Portrait sculpture, Roman Numismatics, Roman Münzbildnis Bildnis Hochschulschrift |
| url | https://doi.org/10.1093/oso/9780192845658.001.0001 |
| work_keys_str_mv | AT niederhuberchristian romanimperialportraitpracticeinthesecondcenturyadmarcusaureliusandfaustinatheyounger |