Theory of prominence: temporal structure of music based on linguistic stress
Many twentieth and twenty-first century composers have written music with rhythmic structures that must be understood through a framework distinct from even, periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outli...
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Cambridge, United Kingdom ; New York
Cambridge University Press
2022
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| Series: | Cambridge elements
|
| Subjects: | |
| Online Access: | BSB01 UBG01 Volltext |
| Summary: | Many twentieth and twenty-first century composers have written music with rhythmic structures that must be understood through a framework distinct from even, periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics. The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical relationship of gestures. After developing a set of rules, the author provides analyses that outline temporal structure according to perceptual prominence |
| Item Description: | Title from publisher's bibliographic system (viewed on 02 Sep 2022) Tales of a Cellist -- On Prominence : Language and Music -- Rules for Analysis -- Analyses -- Conclusion |
| Physical Description: | 1 Online-Ressource (72 Seiten) |
| ISBN: | 9781108884402 |
| DOI: | 10.1017/9781108884402 |
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| spelling | Hayslett, Bryan ca. 20./21. Jh. (DE-588)1269457543 aut Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett Cambridge, United Kingdom ; New York Cambridge University Press 2022 1 Online-Ressource (72 Seiten) txt rdacontent c rdamedia cr rdacarrier Cambridge elements Title from publisher's bibliographic system (viewed on 02 Sep 2022) Tales of a Cellist -- On Prominence : Language and Music -- Rules for Analysis -- Analyses -- Conclusion Many twentieth and twenty-first century composers have written music with rhythmic structures that must be understood through a framework distinct from even, periodic meter, which has been a salient musical feature of Western classical music for centuries. This Element's analytical system outlines structure and phrasing in sections of music without even perceptible meter. Instead of entrainment to meter, Bryan Hayslett theorizes that listeners perceive rhythm in similar ways to how they perceive the rhythm of language. With gesture as the smallest organizational grouping unit, his analytical system combines Fred Lerdahl and Ray Jackendoff's generative theory of tonal music with Bruce Hayes's metrical stress theory from linguistics. The listener perceives the shape of a gesture according to the structure of its constituents, and larger-level phrasing is perceived through the hierarchical relationship of gestures. After developing a set of rules, the author provides analyses that outline temporal structure according to perceptual prominence Hyla, Lee / 1952-2014 / Dream of Innocent III León, Tania / Pieces / cello Green, Anthony R. / 1984- / Scintillation II. Takemitsu, Tōru / Orion Geschichte 1945-2020 gnd rswk-swf Musical meter and rhythm Musical analysis Musical perception Metrum (DE-588)4169752-2 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Metrum (DE-588)4169752-2 s Rhythmus (DE-588)4132330-0 s Geschichte 1945-2020 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-108-81333-4 https://doi.org/10.1017/9781108884402 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hayslett, Bryan ca. 20./21. Jh Theory of prominence temporal structure of music based on linguistic stress Hyla, Lee / 1952-2014 / Dream of Innocent III León, Tania / Pieces / cello Green, Anthony R. / 1984- / Scintillation II. Takemitsu, Tōru / Orion Musical meter and rhythm Musical analysis Musical perception Metrum (DE-588)4169752-2 gnd Rhythmus (DE-588)4132330-0 gnd |
| subject_GND | (DE-588)4169752-2 (DE-588)4132330-0 |
| title | Theory of prominence temporal structure of music based on linguistic stress |
| title_auth | Theory of prominence temporal structure of music based on linguistic stress |
| title_exact_search | Theory of prominence temporal structure of music based on linguistic stress |
| title_exact_search_txtP | Theory of prominence temporal structure of music based on linguistic stress |
| title_full | Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett |
| title_fullStr | Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett |
| title_full_unstemmed | Theory of prominence temporal structure of music based on linguistic stress Bryan Hayslett |
| title_short | Theory of prominence |
| title_sort | theory of prominence temporal structure of music based on linguistic stress |
| title_sub | temporal structure of music based on linguistic stress |
| topic | Hyla, Lee / 1952-2014 / Dream of Innocent III León, Tania / Pieces / cello Green, Anthony R. / 1984- / Scintillation II. Takemitsu, Tōru / Orion Musical meter and rhythm Musical analysis Musical perception Metrum (DE-588)4169752-2 gnd Rhythmus (DE-588)4132330-0 gnd |
| topic_facet | Hyla, Lee / 1952-2014 / Dream of Innocent III León, Tania / Pieces / cello Green, Anthony R. / 1984- / Scintillation II. Takemitsu, Tōru / Orion Musical meter and rhythm Musical analysis Musical perception Metrum Rhythmus |
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