Towards an ecocritical theatre: playing the anthropocene
"Towards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challeng...
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1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York
Routledge
2022
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Schriftenreihe: | Routledge environmental humanities
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Schlagworte: | |
Online-Zugang: | FUBA1 Volltext |
Zusammenfassung: | "Towards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world. To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world's iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage. This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies"-- |
Beschreibung: | 1 Online-Ressource (xiv, 249 Seiten) Illustrationen, Porträts (schwarz-weiß) |
ISBN: | 9781003048749 |
DOI: | 10.4324/9781003048749 |
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520 | 3 | |a "Towards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world. To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world's iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage. This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies"-- | |
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Datensatz im Suchindex
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author | Ahmadi, Mohebat |
author_GND | (DE-588)1262991374 |
author_facet | Ahmadi, Mohebat |
author_role | aut |
author_sort | Ahmadi, Mohebat |
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bvnumber | BV048492282 |
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contents | Where ecocriticism meets theatre in the era of the anthropocene -- Setting the stage for the material turn and agential bodies: Caryl Churchill's The skriker and Far away -- Setting the stage for the end of the world: Stephen Sewell's It just stopped and Andrew Bovell's When the rain stops falling -- Setting the stage for material expressions across planetary boundaries: E.M. Lewis' Song of extinction and Chantal Bilodeau's Sila -- Setting the stage for possibilities of collaborative survival: Jordan Hall's A brief history of human extinction and Miwa Matreyek's This world made itself and Infinitely yours -- Conclusion: Anthropocentic theatre: a stage for living in the present and imagining the future |
ctrlnum | (OCoLC)1347222658 (DE-599)BVBBV048492282 |
discipline | Literaturwissenschaft |
discipline_str_mv | Literaturwissenschaft |
doi_str_mv | 10.4324/9781003048749 |
format | Electronic eBook |
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id | DE-604.BV048492282 |
illustrated | Not Illustrated |
index_date | 2024-07-03T20:42:13Z |
indexdate | 2024-07-10T09:39:35Z |
institution | BVB |
isbn | 9781003048749 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033869726 |
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physical | 1 Online-Ressource (xiv, 249 Seiten) Illustrationen, Porträts (schwarz-weiß) |
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publishDate | 2022 |
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publisher | Routledge |
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series2 | Routledge environmental humanities |
spelling | Ahmadi, Mohebat Verfasser (DE-588)1262991374 aut Towards an ecocritical theatre playing the anthropocene Mohebat Ahmadi London ; New York Routledge 2022 1 Online-Ressource (xiv, 249 Seiten) Illustrationen, Porträts (schwarz-weiß) txt rdacontent c rdamedia cr rdacarrier Routledge environmental humanities Where ecocriticism meets theatre in the era of the anthropocene -- Setting the stage for the material turn and agential bodies: Caryl Churchill's The skriker and Far away -- Setting the stage for the end of the world: Stephen Sewell's It just stopped and Andrew Bovell's When the rain stops falling -- Setting the stage for material expressions across planetary boundaries: E.M. Lewis' Song of extinction and Chantal Bilodeau's Sila -- Setting the stage for possibilities of collaborative survival: Jordan Hall's A brief history of human extinction and Miwa Matreyek's This world made itself and Infinitely yours -- Conclusion: Anthropocentic theatre: a stage for living in the present and imagining the future "Towards an Ecocritical Theatre investigates contemporary theatre through the lens of Anthropocene-oriented ecocriticism. It assesses how Anthropocene thinking engages different modes of theatrical representation, as well as how the theatrical apparatus can rise to the representational challenges of changing interactions between humans and the nonhuman world. To explore these problems, the book investigates international Anglophone plays and performances by Caryl Churchill, Stephen Sewell, Andrew Bovell, E.M. Lewis, Chantal Bilodeau, Jordan Hall, and Miwa Matreyek, who have taken significant steps towards re-orienting theatre from its traditional focus on humans to an ecocritical attention to nonhumans and the environment in the Anthropocene. Their theatrical works show how an engagement with the problem of scale disrupts the humanist bias of theatre, provoking new modes of theatrical inquiry that envision a scale beyond the human and realign our ecological culture, art, and intimacy with geological time. Moreover, the plays and performances studied here, through their liveness, immediacy, physicality, and communality, examine such scalar shifts via the problem of agency in order to give expression to the stories of nonhuman actants. These theatrical works provoke reflections on the flourishing of multispecies responsibilities and sensitivities in aesthetic and ethical terms, providing a platform for research in the environmental humanities through imaginative conversations on the world's iterative performativity in which all bodies, human and nonhuman, are cast horizontally as agential forces on the theatrical world stage. This book will be of great interest to students and scholars of theatre studies, environmental humanities, and ecocritical studies"-- Ecocriticism (DE-588)4790005-2 gnd rswk-swf Humanökologie (DE-588)4026152-9 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Drama / 21st century / History and criticism Theater / History / 21st century Human ecology in literature Ecocriticism Civilization, Modern / 21st century Théâtre (Genre littéraire) / 21e siècle / Histoire et critique Théâtre / Histoire / 21e siècle Écologie humaine dans la littérature Écocritique Civilisation / 21e siècle Civilization, Modern Drama Theater 2000-2099 Criticism, interpretation, etc History Theater (DE-588)4059702-7 s Humanökologie (DE-588)4026152-9 s Ecocriticism (DE-588)4790005-2 s DE-604 Äquivalent Druck-Ausgabe, Paperback 978-0-367-50091-7 Erscheint auch als Druck-Ausgabe, Hardback 978-0-367-50088-7 (DE-604)BV048290251 https://doi.org/10.4324/9781003048749 URL des Erstveröffentlichers Volltext |
spellingShingle | Ahmadi, Mohebat Towards an ecocritical theatre playing the anthropocene Where ecocriticism meets theatre in the era of the anthropocene -- Setting the stage for the material turn and agential bodies: Caryl Churchill's The skriker and Far away -- Setting the stage for the end of the world: Stephen Sewell's It just stopped and Andrew Bovell's When the rain stops falling -- Setting the stage for material expressions across planetary boundaries: E.M. Lewis' Song of extinction and Chantal Bilodeau's Sila -- Setting the stage for possibilities of collaborative survival: Jordan Hall's A brief history of human extinction and Miwa Matreyek's This world made itself and Infinitely yours -- Conclusion: Anthropocentic theatre: a stage for living in the present and imagining the future Ecocriticism (DE-588)4790005-2 gnd Humanökologie (DE-588)4026152-9 gnd Theater (DE-588)4059702-7 gnd |
subject_GND | (DE-588)4790005-2 (DE-588)4026152-9 (DE-588)4059702-7 |
title | Towards an ecocritical theatre playing the anthropocene |
title_auth | Towards an ecocritical theatre playing the anthropocene |
title_exact_search | Towards an ecocritical theatre playing the anthropocene |
title_exact_search_txtP | Towards an ecocritical theatre playing the anthropocene |
title_full | Towards an ecocritical theatre playing the anthropocene Mohebat Ahmadi |
title_fullStr | Towards an ecocritical theatre playing the anthropocene Mohebat Ahmadi |
title_full_unstemmed | Towards an ecocritical theatre playing the anthropocene Mohebat Ahmadi |
title_short | Towards an ecocritical theatre |
title_sort | towards an ecocritical theatre playing the anthropocene |
title_sub | playing the anthropocene |
topic | Ecocriticism (DE-588)4790005-2 gnd Humanökologie (DE-588)4026152-9 gnd Theater (DE-588)4059702-7 gnd |
topic_facet | Ecocriticism Humanökologie Theater |
url | https://doi.org/10.4324/9781003048749 |
work_keys_str_mv | AT ahmadimohebat towardsanecocriticaltheatreplayingtheanthropocene |