Seven logics of sculpture: encountering objects through the senses
"Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, mat...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Valiz
2023
|
| Schriftenreihe: | Vis-à-vis
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. This book explores ‘seven logics’ of sculpture—not as a historical overview, but with a contemporary analytical approach, drawing from literature, philosophy, psycho-analysis, architecture, and mundane daily culture—that help understand specific manifestations of sculpture and the active perception by the viewer. It relates to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage. Seven Logics of Sculpture opens up new ways of looking at, understanding, and appreciating sculpture, placing the medium at the heart of art’s experience; how sculpture can be shaped, assembled, encountered, seen and embodied." |
| Beschreibung: | 251 Seiten Illustrationen 24 cm |
| ISBN: | 9789493246157 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
9 INTRODUCTION: LOGICS OF
SCULPTURE
PYGMALION, OR THE BIRTH OF SCULPTURE
HERDER, OR THE AESTHETICS OF SCULPTURE
SIGHT WITHOUT TOUCH, TOUCH WITHOUT SIGHT
HERDER S RELEVANCE FOR UNDERSTANDING
CONTEMPORARY SCULPTURE
CLASSICAL SCULPTURE, OR THE ORIGIN OF
WESTERN SCULPTURE
SCULPTURE AS THEORETICAL OBJECT, OR CHARLES RAY
KRAUSS, OR THE LOGIC OF SCULPTURE
CONTEMPORARY SCULPTURE, OR LOGICS OF SCULPTURE
45 THE BODP UNDONE
THE APPEARANCE OF THE BODY: ALBERTO GIACOMETTI
MULTIPLICATION, DOUBLING, AND PAIRING:
LOUISE BOURGEOIS
FORMLESS BODIES: LOUISE BOURGEOIS AND HANS HOVY
THE SCULPTURE OF POLYMORPHOUS SEXUALITY:
HANS HOVY
THE SKIN OF SCULPTURE: ALINA SZAPOCZNIKOW
SLASHING SKIN: JOHAN TAHON
LAYERED SKIN: EVA HESSE
SENSES DECEIVED: JEANNETTE CHRISTENSEN
89 SCENIC SCULPTURE
THE ENTANGLEMENT OF THE LOGIC OF INNER NECESSITY
WITH THE LOGIC OF SCENIC SCULPTURE: AUGUSTE RODIN
AND GIAN LORENZO BERNINI
THE PLATFORM AS THEATRICAL STAGE:
ALBERTO GIACOMETTI
THE NARRATIVE DYNAMICS OF PURE FORM:
BARBARA HEPWORTH
FROM BATTLEGROUNDS TO PLAYING FIELDS: HANS HOVY
109 SCULPTING SPACE
UNIFYING SCULPTURE WITH SPACE: KATARZYNA KOBRO
CUTTING SPACE: CARL ANDRE
GATHERING SPACE: RICHARD SERRA
CONTAINING SURROUNDING SPACE: DONALD JUDD
DRAUNNG VIRTUAL SPACE: FRED SANDBACK
NEGATIVE SPACE: BRUCE NAUMAN AND
RACHEL WHITEREAD
133 BUILDING BLOCKS
FROM BODY TO SOLID
FROM PURE FORM AND MATERIALITY TO ORNAMENT:
CARL ANDRE AND PER KIRKEBY
MODULAR ARRANGEMENTS: SALOUA RAOUDA CHOUCAIR
HEADS AS BUILDING BLOCKS: MARIEN SCHOUTEN
DECONSTRUCTING SCULPTURE: DIDIER VERMEIREN
NON-MATERIAL BUILDING BLOCKS OF SCULPTURE:
ANN VERONICA JANSSENS
THE ART OF BUILDING: LYGIA CLARK
165 ASSEMBLAGE
THE EMERGENCE OF ASSEMBLAGE SCULPTURE
ASSEMBLAGES OF EXISTENCE: THE CELLS OF
LOUISE BOURGEOIS
HARLEM RUBBLE: DAVID HAMMONS
CLUTTERING TIME AND SPACE: HERINGA/VAN KALSBEEK
193 ARCHITECTURAL SCULPTURE
VIEWING POSITIONS AND VIEWING MODALITIES
BETWEEN IDEALISM AND MATERIALISM
PARALLAX, FENCES, AND GRIDS
ORNAMENTAL GRIDS
HOW DOES ARCHITECTURAL SCULPTURE SCULPT SPACE?
215 SPECIFIC OBJECTS
DONALD JUDD AND MINIMALISM
REPETITIONS AND VARIATIONS
SYSTEMATIC INTUITION
CAN FURNITURE BE SPECIFIC?
THE SPECIFIC FORMS OF SPECIFIC OBJECTS OF
MARIA RAN KESTEREN
THE SPECIFIC OBJECTS OF GEERT LAP
RETHINKING FORM: ALDO BAKKER
2-43 BIBLIOGRAPH/Y
24-7 INDEX
251 ABOUT THE AUTHOR
|
| adam_txt |
CONTENTS
9 INTRODUCTION: LOGICS OF
SCULPTURE
PYGMALION, OR THE BIRTH OF SCULPTURE
HERDER, OR THE AESTHETICS OF SCULPTURE
SIGHT WITHOUT TOUCH, TOUCH WITHOUT SIGHT
HERDER'S RELEVANCE FOR UNDERSTANDING
CONTEMPORARY SCULPTURE
CLASSICAL SCULPTURE, OR THE ORIGIN OF
WESTERN SCULPTURE
SCULPTURE AS THEORETICAL OBJECT, OR CHARLES RAY
KRAUSS, OR THE LOGIC OF SCULPTURE
CONTEMPORARY SCULPTURE, OR LOGICS OF SCULPTURE
45 THE BODP UNDONE
THE APPEARANCE OF THE BODY: ALBERTO GIACOMETTI
MULTIPLICATION, DOUBLING, AND PAIRING:
LOUISE BOURGEOIS
FORMLESS BODIES: LOUISE BOURGEOIS AND HANS HOVY
THE SCULPTURE OF POLYMORPHOUS SEXUALITY:
HANS HOVY
THE SKIN OF SCULPTURE: ALINA SZAPOCZNIKOW
SLASHING SKIN: JOHAN TAHON
LAYERED SKIN: EVA HESSE
SENSES DECEIVED: JEANNETTE CHRISTENSEN
89 SCENIC SCULPTURE
THE ENTANGLEMENT OF THE LOGIC OF INNER NECESSITY
WITH THE LOGIC OF SCENIC SCULPTURE: AUGUSTE RODIN
AND GIAN LORENZO BERNINI
THE PLATFORM AS THEATRICAL STAGE:
ALBERTO GIACOMETTI
THE NARRATIVE DYNAMICS OF PURE FORM:
BARBARA HEPWORTH
FROM BATTLEGROUNDS TO PLAYING FIELDS: HANS HOVY
109 SCULPTING SPACE
UNIFYING SCULPTURE WITH SPACE: KATARZYNA KOBRO
CUTTING SPACE: CARL ANDRE
GATHERING SPACE: RICHARD SERRA
CONTAINING SURROUNDING SPACE: DONALD JUDD
DRAUNNG VIRTUAL SPACE: FRED SANDBACK
NEGATIVE SPACE: BRUCE NAUMAN AND
RACHEL WHITEREAD
133 BUILDING BLOCKS
FROM BODY TO SOLID
FROM PURE FORM AND MATERIALITY TO ORNAMENT:
CARL ANDRE AND PER KIRKEBY
MODULAR ARRANGEMENTS: SALOUA RAOUDA CHOUCAIR
HEADS AS BUILDING BLOCKS: MARIEN SCHOUTEN
DECONSTRUCTING SCULPTURE: DIDIER VERMEIREN
NON-MATERIAL BUILDING BLOCKS OF SCULPTURE:
ANN VERONICA JANSSENS
THE ART OF BUILDING: LYGIA CLARK
165 ASSEMBLAGE
THE EMERGENCE OF ASSEMBLAGE SCULPTURE
ASSEMBLAGES OF EXISTENCE: THE CELLS OF
LOUISE BOURGEOIS
HARLEM RUBBLE: DAVID HAMMONS
CLUTTERING TIME AND SPACE: HERINGA/VAN KALSBEEK
193 ARCHITECTURAL SCULPTURE
VIEWING POSITIONS AND VIEWING MODALITIES
BETWEEN IDEALISM AND MATERIALISM
PARALLAX, FENCES, AND GRIDS
ORNAMENTAL GRIDS
HOW DOES ARCHITECTURAL SCULPTURE SCULPT SPACE?
215 SPECIFIC OBJECTS
DONALD JUDD AND MINIMALISM
REPETITIONS AND VARIATIONS
SYSTEMATIC INTUITION
CAN FURNITURE BE SPECIFIC?
THE SPECIFIC FORMS OF SPECIFIC OBJECTS OF
MARIA RAN KESTEREN
THE SPECIFIC OBJECTS OF GEERT LAP
RETHINKING FORM: ALDO BAKKER
2-43 BIBLIOGRAPH/Y
24-7 INDEX
251 ABOUT THE AUTHOR |
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| spelling | Alphen, Ernst van 1958- Verfasser (DE-588)1013754492 aut Seven logics of sculpture encountering objects through the senses Ernst van Alphen Amsterdam Valiz 2023 251 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Vis-à-vis "Sculpture as a specific medium is rarely investigated within a deeply cultural, philosophical context, nor within visual art itself. Whilst discussions about installation art, performance art, or other 3D art forms are widespread, the discourse on sculpture seems to be stuck in historical, material, or thematic frameworks. This is a loss for our understanding of art in general, and of sculpture in particular. In order to assess contemporary art practices, one should have a better understanding of the logics that are at work within sculpture as a medium, and how they differ from other art forms. This book explores ‘seven logics’ of sculpture—not as a historical overview, but with a contemporary analytical approach, drawing from literature, philosophy, psycho-analysis, architecture, and mundane daily culture—that help understand specific manifestations of sculpture and the active perception by the viewer. It relates to aspects such as the senses, the skin, the body, objecthood, narrative dynamics, the shaping of space, fragmentation, and montage. Seven Logics of Sculpture opens up new ways of looking at, understanding, and appreciating sculpture, placing the medium at the heart of art’s experience; how sculpture can be shaped, assembled, encountered, seen and embodied." Geschichte 1880-2020 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Plastik (DE-588)4046277-8 s Ästhetik (DE-588)4000626-8 s Geschichte 1880-2020 z DE-604 V:DE-604 application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033864411&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Seven logics of sculpture encountering objects through the senses |
| title_auth | Seven logics of sculpture encountering objects through the senses |
| title_exact_search | Seven logics of sculpture encountering objects through the senses |
| title_exact_search_txtP | Seven logics of sculpture encountering objects through the senses |
| title_full | Seven logics of sculpture encountering objects through the senses Ernst van Alphen |
| title_fullStr | Seven logics of sculpture encountering objects through the senses Ernst van Alphen |
| title_full_unstemmed | Seven logics of sculpture encountering objects through the senses Ernst van Alphen |
| title_short | Seven logics of sculpture |
| title_sort | seven logics of sculpture encountering objects through the senses |
| title_sub | encountering objects through the senses |
| topic | Ästhetik (DE-588)4000626-8 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Ästhetik Plastik |
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