De la tehnologic la imersiv: spre un teatru al spectatorului şi al spaţiului
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| Format: | Buch |
| Sprache: | Romanian |
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Cluj-Napoca
Editura Şcoala Ardeleană
2022
Bucureşti Eikon |
| Schriftenreihe: | Colecţia Şcoala ardeleană de teatrologie
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| Online-Zugang: | Literaturverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 377 Seiten Illustrationen |
| ISBN: | 9786067976168 9786064903976 |
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Datensatz im Suchindex
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De la tehnologic la imersiv · 363 Kaprów, Allan, editor: Jeff Kelley, Esseys on the Biurring ofArt and Life, Berkley, Los Angeles, Londra, University of California Press, 2003 Klich, Rosemary și Sheer, Erward, Multimedia Performance, New York, Palgrave-Macmillan, 2011. Kobiałka, Michael (ed.), Of Borders and Threshold: Theatre History, Practice and Theory, Minneapolis, University of Minnesota Press, 1999. Leach, Robert, Directors in Perspective. Vsevolod Meyerhold, Cambridge, Cambridge University Press, 1989. Lista, Giovanni, La scène futuriste, Paris, Éditions de CNRS, 1989. Lehmann, Hans-Thies, Teatrul postdramatic, traducere în limba română de Victor Scoradeț, București, Editura Unitext, 2009. Levy, Pierre, Cyberculture, trad. R. Bononno, Minneapolis și Londra, University of Minessota Press, 2001. Machon, Josephine, Immersive Theatres - Intimacy and Immediacy in Contemporary Performance, New York, Palgrave-Macmillan, 2013 Malița, Liviu, Extremele artei, Cluj, Editura Accent, 2010. Manovich, Lev, The Poetics of Augmented Space, 2002, http://manovich.net/content/04-proiects/034-the-poetics-of-augm ented-space/31 article 2002.pdf. Marinetti, Filippo Tommaso, Manifestele futurismului, trad, de Emilia David Drogoreanu, București, Editura Art, 2009. Masura, Nadja Linnine, Digital Theatre: A live and Mediated Art Form Expanding Perceptions of Body, Place and Community, teză de doctorat, University of Maryland, SUA, 2007. Meredieu, Florence de, Arta și noile tehnologii, traducere în limba română de Anca Calangiu, București, Editura Rao, 2004. Merleau-Ponty, Maurice, The
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364 · Andreea Iacob Rancière, Jacques, The Emancipated Spectator, traducere din limba franceză în limba engleză: Gregory Elliott, Londra, New York, Verso, 2009. Reiss, Julie H., From Margin to Center. The Spaces of Installation Art, Massachusetts și Londra, The MIT Press, 1999. Rorty, Richard [ed.], The Linguistic Turn: Recent Essays in Philosophical Method, Chicago, The University of Chicago Press, 1967. Rush, Michael, New Media in Art, Londra și New York, Thames Hudson, 2005. Ryan, Marie-Laure, Narrative as Virtual reality. Immersion and Interactivity in Literature and Electronic Media, Baltimore și Londra, The Johns Hopkins University Press, 2001. Salter, Chris, Entangled: Technology and the Transformation of Performance, Cambridge, Massachusetts și Londra, The MIT Press, 2010. Schreibman, Susan, Siemens, Ray, Unsworth, John (ed.J, A Companion to Digital Humanities, Malden și Oxford, Blackwell Publishing, 2004, http://www.digitalhumanities.org/companion/· Vartic, Ion, Ibsen și „Teatrul invizibil , București, Editura Didactică și Pedagogică, 2005. White, Gareth, Audience Participation in Theatre: Aesthetics of the Invitation, New York, Palgrave-Macmillan, 2013. Wiener, Norman, The Human Use of Human Beings. Cybernetics and Society, Londra, Free Association Books, 1989. Wilson, Stephen, Art + Science Now, Londra, Thames Hudson, 2010. Studiu pe suport digital Dinescu, Lucia Simona, Aspecte mediale ale imaginii digitale, CD-ROM, București, CESI, 2004. Articole Adolphe, Jean-Marc, The Palpable Experience, în Intersection: Intimacy and Spectacle, în revista „Intersection:
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De la tehnologic la imersiv ■ 365 Aronson, Arnold, Theatres of the Future, în „Theatre Journal”, vol. 33, nr. 4 (Dec., 1981), The Johns Hopkins University Press, http://historvtransformationofdesign.weebly.com/uploads/l/l/7/ 2/11722228/theatres of the future.pdf Ausländer, Philip, Liveness, Mediatization, and Intermediai Performance, ín „Degrés: Revue de synthèse à orientation sémiologique , Belgia, vol. 101, 2000, http://lmc.gatech.edu/~auslander/publications/liveness.pdf Benayoun, Maurice, Art After Technology, ín „Technology Review” nr. 7, Franța, MIT French Edition, 2008. Barbour, David, The Prevalence ofProjections, in „American Theatre Magazine”, 1 decembrie 2001, https://www.highbeam.com/doc/lP3-2546340741.html Braiker, Brian, Moon Rocks, în „Newsweek , 8 iulie 2004, http://www.newsweek.com/moon-rocks-130759 Bush, Vannevar, As We May Think, în revista „Atlantic Monthly”, iulie 1945. Cassano, Jay, The Science of Why You Should Spend Your Money On Experiences, Not Things, 30 martie 2015, http://www.fastcoexist.com/3043858/world-changing-ideas/the-sc ience-of-why-you-should-spend-your-money-on-experiences-not-thi ng Coulter, Graham, Deconstructing Installation Art, 2006, www.installationart.net Dias, Marcos Pereira, A Machine to See With (and Reflect Upon): Interview with Blast Theory Artists Matt Adams and Nick Tandavanitj, în „liminalities , volumul 8, nr. 1,2012, http://liminalities.net/8-l/blast-theory.html Dospinescu, Liviu, Teatru și realitate virtuală (V). Michel Lemieux și Fantoma lui Pepper, în „man.In.fest”, nr. 23-25, 2005. Gerould, Daniel, Jerzi Grotowski’s
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366 ■ Andreea Iacob Jagemann, Anne, Kinoautomat - Človek a jeho dům/ One Man and his House, ín „Art Margins Online , 31 decembrie 2009, http://www.artmargins.com/index.php/6-film-a-video/549-raduz-c incera-ian-rohac-vladimir-svitacek-qkinoautomat-clovek-jeho-dumone-man-houseq-dvd-review Klich, Rosemary, Performing Posthuman Perspective: Can You See Me Now?, http://scan.net.au/scan/journal/display.Dhp?iournal id=91 Landau, Elizabeth, Study: Experiences Make Us Happier Than Possesions, 10 februarie 2009, CNN, http://edition.cnn.com/2009/HEALTH/02/10/happiness.possessions/ Moholy-Nagy, László, Theater, Circus, Variety, 1924, https://effetsdepresence.uqam.ca/upload/files/articles/theater-circ us-variety.pdf Prampolini, Enrico, L atmosfera scenica futurista, în „NOI: Rivista d’arte futurista 1 (ediție specială), 1924. Příhodová, Barbora, The Power ofImages in Performance: Josef Svoboda s Scenographyfor IntoWerama 1960 at Boston Opera Company, ín „2nd Global Conference: Performance - Visual Aspects of Performance Practice 2011, https://www.inter-disciplinary.net/wp-content/uploads/2011/10/ prihodovappaper.pdf Reaney, Mark, The Theatre of Virtual Reality: Designing Scenery in an Imaginary World, 1992, http://www2.ku.edu/~ievr/reaney/ Reaney, Marc, Virtual Reality on Stage, 1995, http://www2.ku.edu/~ievr/reaney/ Reaney, Marc, Virtual Reality Sprouts Wings, 1997, http://www2.ku.edu/~ievr/reaney/ Reaney, Marc, Virtual Scenography: The Actor/Audience/Computer Interface, 1996, http://www2.ku.edu/~ievr/reaney/, Rocha-Leite, Hannah, The Best Is Yet To Come, 28 noiembrie 2013,
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De la tehnologic la imersiv ■ 367 Cronici Billington, Michael, The Elephant Vanished, în „The Guardian”, 30 iunie 2003, http://www.theguardian.com/stage/2003/iun/30/theatre.artsfeaturesl Billington, Michael, The Masque of the Red Death, ín „The Guardian”, 4 octombrie 2007, https://www.theguardian.com/stage/2007/oct/04/theatre Brukner, J.D.R., A Dog, Her Guru and Brunch, ín „The New York Times”, 30 ianuarie 1996, http://www.nytimes.com/1996/01/30/theater/theater-review-a-d og-her-guru-and-brunch.html Buchanan, Kyle, How a Sundance Multimedia Exhibit Nearly Made a Blogger Rob a Bank, in „Vulture , 21 ianuarie 2011, http://www.vulture.com/2011/01/how i tried to rob a bank toda, html Clapp, Susannah, A Damned Good Show, in „The Guardian , 29 octombrie 2006, https://www.theguardian.com/stage/2006/oct/29/theatre Dickson, Andrew, Best Theatre of2012, N0 9: You Me Bum Bum Train, in „The Guardian , 11 decembrie 2012, https://www.theguardian.com/stage/2012/dec/ll/best-theatre-20 12-you-me-bum Fisher, Philip, The Elephant Vanishes ín „The British Theatre Guide , 2003, http://www.britishtheatreguide.info/reviews/elephant-rev Fleischer, Mary, The Elephant Vanishes, in „Theatre Journal”, vol. 57, martie 2015, p. 116, http://www.istor.org/discover/10.2307/25069592?sid=21105113 310601 uid=3738920 uid=2 uid=4 Foarfa, Cristina, Sleep no more (Macbeth) sau despre cea mai completă și ciudată experiență teatrală, în „bookaholic.ro , 12 martie 2013, http://bookaholic.ro/sleep-no-more-sau-despre-cea-mai-completa-s i-ciudata-experienta-teatrala.html Frost, Dan, Here s What We Can Say About You Me
Bum Bum Train, ín „Londonist , 23 septembrie 2015, http://londonist.com/2015/09/here-s-what-we-can-say-about-youme-bum-bum-train#disqus_thread Gardner, Lyn, The Masque of the Red Death left me Punchdrunk, in „The Guardian”, 4 octombrie 2007, https://www.theguardian.com/stage/theatreblog/2007/oct/04/the masqueofthereddeathle
368 ■ Andreea Iacob Gee, Catherine, You Me Bum Bum Train, în „The Telegraph , 19 iunie 2015, http://www.telegraph.co.uk/culture/theatre/london-shows/11686 742/You-Me-Bum-Bum-Train-how-to-get-tickets.html Glusker, Anne, The Best Seatsfor This Play Are Moving Fast, ín „The New York Times”, 17 decembrie 2006, http://www.nytimes.com/2006/12/17/theater/17glus.html Hemming, Sarah, You Me Bum Bum Train, Old Foyles Building, London, ín „Financial Times , 14 octombrie 2015, https://www.ft.com/content/45b7b256-7269-lle5-al29-3fcc4f641 d98 Hanra, Hanna, We Took a Ride On the You Me Bum Bum Train, in „Vice , 19 iunie 2015, https://www.vice.com/en uk/article/you-me-bum-bum-train-378 Hitchings, Henry, You Me Bum Bum Train: All aboard for the ride of a lifetime. You Me Bum Bum Train is the ultimate theatrical experience — a promenade performance that taps into your wildest dreams, its creators tell Henry Hitchings, in „Evening Standard , 11 august 2015, http://www.standard.co.uk/goingout/you-me-bum-bum-train-all-a board-for-the-ride-of-a-lifetime-a2473106.html Higgins, Charlotte, ENO joins pioneering theatre company for East End opera, in „The Guardian”, 31 martie 2010, https://www.theguardian.com/stage/2010/mar/31/punchdrunk-e no-collaboration Julious, Britt, Chicago s David Bowie Is exhibition shows galleries how to face the changes, in „The Guardian”, 23 septembrie 2014, http://www.theguardian.com/music/2014/sep/23/david-bowie-ischicago-exhibition-art-career-changes Jupp, Emily, You Me Bum Bum Train: The latestjourney into challenging immersive theatre, in „The Independent”, 22
septembrie 2015, http://www.independent.co.uk/arts-entertainment/theatre-dance/f eatures/you-me-bum-bum-train-the-latest-iourney-into-challenging -immersive-theatre-10511552.html Kelly, Emma, Inside You Me Bum Bum Train: Take on 20 multiple personalities on bonkers night out, in „Daily Star , 16 octombrie 2015x http://www.dailystar.co.uk/showbiz/470422/You-Me-Bum-Bum-Tr ain-review Lawson, Mark, You Me Boom Boom Train: my trip with the Kafkaesque theatrical cult, in „The Guardian , 23 septembrie 2015, https://www.theguardian.com/stage/2015/sep/23/you-me-bum-b um-train-my-trip-with-the-kafkaesque-theatrical-cult
De la tehnologic la imersiv ■ 369 Maxwell, Dominik, You Me Bum Bum Train at the Old Foyles Building, WC1, ín „The Times”, 21 octombrie 2015, https://www.thetimes.co.uk/article/you-me-bum-bum-train-at-theold-foyles-building-wcl-xpdwpv3cnmk O’Mahony, John, Anarchy in the UK, ín „The Guardian , 1 ianuarie 2005, http://www.theguardian.com/stage/2005/ian/01/theatre2 Orr, Jake, Review: Duchess ofMalfl, Punchdrunk and ENO, 22 iulie 2010, http://www.ayoungertheatre.com/review-duchess-of-malfi-punchd runk-and-eno/ Nissim, Mayer, David Bowie Is՛ at the Victoria and Albert Museum review, în „Digial Spy”, 20 martie 2013, http://www.digitalspy.co.uk/music/news/a467165/david-bowie-is -at-the-victoria-and-albert-museum-review.html#~pbYF9ywABqOT cu Piepenburg, Erik, Stage Is Set. Ready for Your Part?, ín „The New York Times”, 16 martie 2011, http://theater.nytimes.com/2011/03/20/theater/sleep-no-more-fr om-punchdrunk-transforms-chelsea-warehouses.html Reed, Peter, The Duchess of Maiß [Torsten Rasch, English National Opera Punchdrunk], 13 iulie 2010, http://www.classicalsource.com/db control/db concert review.php ?id=8374 Rockwell, John, Some Foreigners Steal the Show in Salzburg, in „The New York Times , 19 august 1992, http://www.nytimes.com/1992/08/19/news/some-foreigners-stea l-the-show-in-salzburg.html Shenton, Mark, You Me Bum Bum Train 2015 review - London s most visceral theatre event’, in „The Stage , 22 septembrie 2015, https://www.thestage.co.uk/reviews/2015/bum-bum-train-2015-r eview-londons-visceral-theatre-event/ Spencer, Charles, The Masque of the Red Death: A night of
delicious terror, in „The Telegraph”, 4 octombrie 2007, http://www.telegraph.co.uk/culture/theatre/drama/3668321/TheMasque-of-the-Red-Death-A-night-of-delicious-terror.html Trueman, Matt, London Review: Immersive Cult Hit ‘You Me Bum Bum Train՛, in „Variety , 10 noiembrie 2010, http://variety.com/2015/legit/reviews/you-me-bum-bum-train-rev iew-1201637428/
370 ■ Andreea Iacob Surse online http://www.tate.org.uk/art/art-terms/l/live-art https://www.computerhope.com/issues/ch000984.htm http://www.w2vr.com/timeline/Burroughs.html http: //www. w2vr.com/timeline/Wiener.htmI http://www. w2vr.com/archives/Kay/Kay.html http://www.theartstory.org/movement-bauhaus.htm http://www.schawinsky.com/bio http://www.medienkunstnetz.de/works/variations-v/ http://installationart.net/ChapterlIntroduction/introduction03.htmI#i nteraction http://www.ilya-emilia-kabakov.com/installations-l/ http://www.tate.org.uk/whats-on/exhibition/unilever-series-olafur-eli asson-weather-proiect/olafur-eliasson-weather-proiect http://rosewhitemusic.com/piano/writings/iohn-cage-and-the-prepar ed-piano/ www.markamerika.com http://www.grammatron.com/about.html www.there.com www.secondlife.com www.blasttheory.co.uk http://www.kinoautomatcz/about-kinoautomat.htm http://www.czech-it.ro/kinoautomat-primul-film-interactiv-din-lume-i n-proiectie-la-bucuresti-si-clu.html http://www.magiclantern.org.uk/history/history01.php Historical Dictionary of German Theatre, http://german theatre.enacademic.com/334/Piscator, Erwin http://www.see-this-sound.at/print/work/439: http://www.medienkunstnetz.de/works/theatergraph/ https://betweenmeandtheotherworld.wordpress.com/2012/01/07/tri sha-browns-homemade-1966/ http://www.encyklopedie.ckrumlov.cz/docs/en/osobno ioabre.xml http://www.iacques-polieri.com http://thewoostergroup.org www.maboumines.org http://www.thebuildersassociation.org http://www.gertstein.org/ http://www.paulsermon.org/dream/
http://archive.news.ku.edu/1999/99N/OctNews/Oct20/stage.html
De la tehnologic la imersiv ■ 371 www.troikaranch.org www.exile.at https://www.digitalartarchive.at/database/literature/work/the-imagi nary-hotel.html http://www.cc.gatech.edu/classes/cs8113e 99 winter/lambda.html http://www.pochanostra.com/what/ http://www.vam.ac.uk/content/exhibitions/david-bowie-is/# http://davidbowieis.philharmoniedeparis.fr/en/exhibition www.punchdrunk.org.uk http://sleepnomorenyc.com/hotel.htm http://coneyhq.org/about-us/ http://www.fabermusic.com/news/torsten-raschs-new-opera-the-duc hess-of-malfi-561 Surse video https://www.youtube.com/watch?v=y088wII10MY https://www.youtube.com/watch?v=3y2AincVMPU https://www.youtube.com/watch?v=DX974AF7s6A https://www.youtube.com/watch?v=3y2AincVMPU https;//www.youtube.com/watch?v=45TzKWOOYyO
CUPRINS Cuvânt-înainte de Mihai Măniuțiu...................................................7 INTRODUCERE ....................................................................................... 13 Evoluția comună a noilor tehnologii și a artei secolului XX......................................................... 13 Scurtă istorie a computerelor.............................. 17 începuturile non-liniarității....................................................... 19 Interactivitatea și . ...................................................................... 21 Hypertextul în arte..................................................................... 24 Spațiul scenic și imersia............................................................. 28 Performance Art și îmbinarea mediilor..................................... 33 Arta instalațiilor: participare (activarea publicului) și imersie (spații imersive)................................................ 43 Scurtă istorie a artei instalațiilor.................................................48 De la spectator la participant Arta instalațiilor și teatrul................ 53 69 „Spectacolul cultural și teatralitatea........................................ 73 Teatrul și relația cu publicul...................................................... 78 RAPORTUL CU SPECTATORUL............................................... Avangarda teatrală istorică.......................................................... 78 Nașterea performance art-ului: de la teatralitate la performativitate.......... ......................... 79 Paradoxul spectatorului
(emancipat)......................................... 86 Raportul spectator - noile tehnologii în alte cîmpuri artistice.......................................... Interactivitate și tehnologie în muzee: atinge, simte și descoperă!......................................... 89 89
Spațiul virtual și literatura: interactivitatea în romane hypertextuale......................... 102 Imitarea realității: website-uri de socializare și tehnologiile pentru jocuri video..................................... 108 Kinoautomat - primul film interactiv din lume și modelul „imersivității totale în filmul eXistenZ........... 116 Participare și imersie în noile forme spectaculare................ 125 RAPORTUL CU SPAȚIUL........................................................................ 141 Spațiu al imaginii video............................................................... 143 Spații teatrale dinamice............................................................ 161 Spațiu hibrid al imaginii video: între imagine preînregistrată și imagine live................. 166 Spațiu al unui alt spațiu: proiecții video live din afara spațiului scenic................ 190 Spații teatrale virtuale....................................... ,...................... 202 De la scenografie la mediu........................................................ 227 Internetul ca spațiu (imaterial)................................................ 240 Spațiu al experienței.................................................................. 252 SPRE UN TEATRU IMERSIV..................................................................267 Definiții ale teatrului imersiv și relația cu arta instalațiilor........................................... 273 Studii de caz pe producții ale companiei Punchdrunk și spectacolul You Me Bum Bum Train..........276 Despre imersie în teatrul tradițional și în teatrul
imersiv.... 312 Noile forme de regie, text, actorie, spațiu și spectator în teatrul tehnologic și în teatrul imersiv.......................... 317 Prezent și prezență în teatrul imersiv.................................... 339 Experiența corporală și senzorialitatea.................................. 343 CONCLUZII................................................................................................... 353 BIBLIOGRAFIE............................................................................................ 361 Postfață de Laura Pavel......................................................................... 373
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BIBLIOGRAFIE Volume Alexenberg, Mel, The Future of Art in a Postdigital Age: From Hellenistic to Hebraic Consciousness, Bristol, Chicago, University of Chicago Press, 2011. Alston, Adam, Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation, New York, Palgrave-Macmillan, 2016. Appia, Adolphe, Opera de artă vie, București, Editura Unitext, 2000. Ascott, Roy, Editor: Shanken, Edward A., Telematic Embrace. Visionary Theories of Art, Technology, and Consciousness, Berkley, Los Angeles, Londra, University of California Press, 2003. Bachelard, Gaston, The Poetics ofSpace, Boston, Beacon Press, 1994. Baudrillard, Jean, Simulacra and Simulation, traducere în limba engleză de Sheila Faria Glaser, Michigan, The University of Michigan Press, 2006. Benford, Steve și Giannachi, Gabriella, Performing Mixed Reality, Cambridge, Massachusetts, Londra, MIT Press, 2011. Bishop, Claire, Installation Art, Londra, Tate, 2005. Callens, Johan (ed.J, The Wooster Group and its Traditions, Bruxelles, P.I.E.-PETER LANG, 2004. Carlson, Marvin A., Performance: A Critical Introduction, New York, Routledge, 2004. Celant, Germano, Laurie Anderson. Dal Vivo, Milano, Fondazione Prada, 1998. Chambers, Colin (ed.), The Continuum Companion to Twentieth Century Theatre, Londra și New York, Editura Continuum, 2002. Corvin, Michel, Le théâtre de recherche entre les deux guerres - Le laboratoire art et action, Paris, La cité - L'Age d'homme, 1974. Crangle, Richard, Heard, Mervyn, van Dooren, lne. “Devices and Desires". Realms of Light, Londra, The Magic Lantern Society, 2005. Cull, Laura,
Theatres of Immanence: Deleuze and the Ethics of Performance, New York, Palgrave-Macmillan, 2013.
362 ■ Andreea Iacob Deleuze, Gilles, Pure Immanence - Essays on a Life, New York, Zone Books, 2001. Dempsey, Amy, Styles, Schools Movements, New York, Thames Hudson, 2010. Dixon, Steve, Digital Performance. A History of New Media in Theatre, Dance, Performance Art, and Installation, Cambridge, Massachusetts, Londra, The MIT Press, 2007. Featherstone, Mike, Burrows, Roger (ed.), Cyberspace, Cyberbodies, Cyberpunk: Cultures of Technological Embodiment, Londra, Ed. Sage, 1995. Fisher-Lichte, Erika, The Show and the Gaze of Theatre: A European Perspective, Iowa, University of Iowa Press, 1997. Fisher-Lichte, Erika, The Transformative Power of Performance. A New Aesthetics, Londra și New York, Routledge, 2008. Frieze, James (ed.), Reframing Immersive Theatre: The Politics and Pragmatics of Participatory Performance, New York, Palgrave-Macmillan, 2016. Genette, Gérard, The Aesthetic Relation, Ithaca și Londra, Cornell University Press, 1999. Geurts, Katryn Linn, Culture and the Senses. Bodily Ways of Knowing in an African Community, California, University of California Press, 2002. Giannachi, Gabriella, Virtual Theatres. An Introduction, Londra și New York, Routledge, 2004. Giesekam, Greg, Staging the Screen: The Use of Film and Video in Theatre, New York, Palgrave-Macmillan, 2007. Goldberg, RosaLee, Laurie Anderson, Londra, Thames Hudson, 2000. Goldberg, RoseLee, Performance Art from Futurism to the Present, New York, Thames Hudson, 2001. Grau, Oliver, Virtual art. From illusion to immersion, Massachusetts și Londra, The MIT Press Cambridge, 2003. Grotowski, Jerzy, Spre un
teatru sărac, traducere de George Banu și Mirella Nedelcu-Patureau, București, Editura Unitext, 1998. Hall, Doug și Fifer, Sally Jo (ed.), Illuminating Video. An Essential Guide to Video Art, New York, Aperture Foundation, 1990. Hope, Cat, Ryan, John, Digital Arts. An Introduction to New Media, Londra și New York, Bloomsbury Academic, 2014. Innes, Christopher D., Erwin Piscator's political theatre: the development of modern German drama, Cambridge, Cambridge University Press, 1972.
De la tehnologic la imersiv · 363 Kaprów, Allan, editor: Jeff Kelley, Esseys on the Biurring ofArt and Life, Berkley, Los Angeles, Londra, University of California Press, 2003 Klich, Rosemary și Sheer, Erward, Multimedia Performance, New York, Palgrave-Macmillan, 2011. Kobiałka, Michael (ed.), Of Borders and Threshold: Theatre History, Practice and Theory, Minneapolis, University of Minnesota Press, 1999. Leach, Robert, Directors in Perspective. Vsevolod Meyerhold, Cambridge, Cambridge University Press, 1989. Lista, Giovanni, La scène futuriste, Paris, Éditions de CNRS, 1989. Lehmann, Hans-Thies, Teatrul postdramatic, traducere în limba română de Victor Scoradeț, București, Editura Unitext, 2009. Levy, Pierre, Cyberculture, trad. R. Bononno, Minneapolis și Londra, University of Minessota Press, 2001. Machon, Josephine, Immersive Theatres - Intimacy and Immediacy in Contemporary Performance, New York, Palgrave-Macmillan, 2013 Malița, Liviu, Extremele artei, Cluj, Editura Accent, 2010. Manovich, Lev, The Poetics of Augmented Space, 2002, http://manovich.net/content/04-proiects/034-the-poetics-of-augm ented-space/31 article 2002.pdf. Marinetti, Filippo Tommaso, Manifestele futurismului, trad, de Emilia David Drogoreanu, București, Editura Art, 2009. Masura, Nadja Linnine, Digital Theatre: A "live" and Mediated Art Form Expanding Perceptions of Body, Place and Community, teză de doctorat, University of Maryland, SUA, 2007. Meredieu, Florence de, Arta și noile tehnologii, traducere în limba română de Anca Calangiu, București, Editura Rao, 2004. Merleau-Ponty, Maurice, The
Phenomenology of Perception, Londra și New York, Routledge, 2002. Mitchell, W.T.J., Picture Theory, Chicago, The University of Chicago Press, 1994. Oliveira, Nicolas De, Oxley, Nicola, Petty, Michael, Installation Art, Londra, Thames and Hudson, 1998. Packer, Randall și Jordan, Ken (ed.), Multimedia: From Wagner to Virtual Reality, New York și Londra, W. W. Norton Company, 2001. Pavis, Patrice, Contemporary Mise en Scène: Staging Theatre Today, New York, Routledge, 2013. Perkins, David N., The Intelligent Eye: Learning to Think by Looking at Art, Los Angeles, Getty Publications, 1994. Pooler, Richard, The Boundaries of Modern Art, UK și SUA, Arena Books, 2013.
364 · Andreea Iacob Rancière, Jacques, The Emancipated Spectator, traducere din limba franceză în limba engleză: Gregory Elliott, Londra, New York, Verso, 2009. Reiss, Julie H., From Margin to Center. The Spaces of Installation Art, Massachusetts și Londra, The MIT Press, 1999. Rorty, Richard [ed.], The Linguistic Turn: Recent Essays in Philosophical Method, Chicago, The University of Chicago Press, 1967. Rush, Michael, New Media in Art, Londra și New York, Thames Hudson, 2005. Ryan, Marie-Laure, Narrative as Virtual reality. Immersion and Interactivity in Literature and Electronic Media, Baltimore și Londra, The Johns Hopkins University Press, 2001. Salter, Chris, Entangled: Technology and the Transformation of Performance, Cambridge, Massachusetts și Londra, The MIT Press, 2010. Schreibman, Susan, Siemens, Ray, Unsworth, John (ed.J, A Companion to Digital Humanities, Malden și Oxford, Blackwell Publishing, 2004, http://www.digitalhumanities.org/companion/· Vartic, Ion, Ibsen și „Teatrul invizibil", București, Editura Didactică și Pedagogică, 2005. White, Gareth, Audience Participation in Theatre: Aesthetics of the Invitation, New York, Palgrave-Macmillan, 2013. Wiener, Norman, The Human Use of Human Beings. Cybernetics and Society, Londra, Free Association Books, 1989. Wilson, Stephen, Art + Science Now, Londra, Thames Hudson, 2010. Studiu pe suport digital Dinescu, Lucia Simona, Aspecte mediale ale imaginii digitale, CD-ROM, București, CESI, 2004. Articole Adolphe, Jean-Marc, The Palpable Experience, în Intersection: Intimacy and Spectacle, în revista „Intersection:
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De la tehnologic la imersiv ■ 365 Aronson, Arnold, Theatres of the Future, în „Theatre Journal”, vol. 33, nr. 4 (Dec., 1981), The Johns Hopkins University Press, http://historvtransformationofdesign.weebly.com/uploads/l/l/7/ 2/11722228/theatres of the future.pdf Ausländer, Philip, Liveness, Mediatization, and Intermediai Performance, ín „Degrés: Revue de synthèse à orientation sémiologique", Belgia, vol. 101, 2000, http://lmc.gatech.edu/~auslander/publications/liveness.pdf Benayoun, Maurice, Art After Technology, ín „Technology Review” nr. 7, Franța, MIT French Edition, 2008. Barbour, David, The Prevalence ofProjections, in „American Theatre Magazine”, 1 decembrie 2001, https://www.highbeam.com/doc/lP3-2546340741.html Braiker, Brian, Moon Rocks, în „Newsweek", 8 iulie 2004, http://www.newsweek.com/moon-rocks-130759 Bush, Vannevar, As We May Think, în revista „Atlantic Monthly”, iulie 1945. Cassano, Jay, The Science of Why You Should Spend Your Money On Experiences, Not Things, 30 martie 2015, http://www.fastcoexist.com/3043858/world-changing-ideas/the-sc ience-of-why-you-should-spend-your-money-on-experiences-not-thi ng Coulter, Graham, Deconstructing Installation Art, 2006, www.installationart.net Dias, Marcos Pereira, A Machine to See With (and Reflect Upon): Interview with Blast Theory Artists Matt Adams and Nick Tandavanitj, în „liminalities", volumul 8, nr. 1,2012, http://liminalities.net/8-l/blast-theory.html Dospinescu, Liviu, Teatru și realitate virtuală (V). Michel Lemieux și Fantoma lui Pepper, în „man.In.fest”, nr. 23-25, 2005. Gerould, Daniel, Jerzi Grotowski’s
Theatrical and Paratheatrical Activities as Cosmic Drama: Roots and Continuities in the Polish Romantic Tradition, ín „World Literature Today”, vol. 54, nr. 3,1980 Hanhardt, John, The Worlds of Nam June Paik, http://www.paikstudios.com Hornyik, Sandor, On the Picturial Turn, publicat pe exindex.hu, 16 septembrie 2002, http://exindex.hu/index.php?l=en page=3 id=417 Horseley, Carter B., Laurie Anderson, Songs and Stories from Moby Dick, în revista „The City Review”, New York, 1999
366 ■ Andreea Iacob Jagemann, Anne, Kinoautomat - Človek a jeho dům/ One Man and his House, ín „Art Margins Online", 31 decembrie 2009, http://www.artmargins.com/index.php/6-film-a-video/549-raduz-c incera-ian-rohac-vladimir-svitacek-qkinoautomat-clovek-jeho-dumone-man-houseq-dvd-review Klich, Rosemary, Performing Posthuman Perspective: Can You See Me Now?, http://scan.net.au/scan/journal/display.Dhp?iournal id=91 Landau, Elizabeth, Study: Experiences Make Us Happier Than Possesions, 10 februarie 2009, CNN, http://edition.cnn.com/2009/HEALTH/02/10/happiness.possessions/ Moholy-Nagy, László, Theater, Circus, Variety, 1924, https://effetsdepresence.uqam.ca/upload/files/articles/theater-circ us-variety.pdf Prampolini, Enrico, L'atmosfera scenica futurista, în „NOI: Rivista d’arte futurista" 1 (ediție specială), 1924. Příhodová, Barbora, The Power ofImages in Performance: Josef Svoboda's Scenographyfor IntoWerama 1960 at Boston Opera Company, ín „2nd Global Conference: Performance - Visual Aspects of Performance Practice" 2011, https://www.inter-disciplinary.net/wp-content/uploads/2011/10/ prihodovappaper.pdf Reaney, Mark, The Theatre of Virtual Reality: Designing Scenery in an Imaginary World, 1992, http://www2.ku.edu/~ievr/reaney/ Reaney, Marc, Virtual Reality on Stage, 1995, http://www2.ku.edu/~ievr/reaney/ Reaney, Marc, Virtual Reality Sprouts Wings, 1997, http://www2.ku.edu/~ievr/reaney/ Reaney, Marc, Virtual Scenography: The Actor/Audience/Computer Interface, 1996, http://www2.ku.edu/~ievr/reaney/, Rocha-Leite, Hannah, The Best Is Yet To Come, 28 noiembrie 2013,
https://theatricaltheorerical.wordpress.com/2013/ll/28/161/ —, Exposition Internationale du Surréalisme -1938, pe blog-ul Western New Mexico University, http://westernidea.wordpress.com/2013/04/22/exposition-intern ationale-du-surrealisme-1938/
De la tehnologic la imersiv ■ 367 Cronici Billington, Michael, The Elephant Vanished, în „The Guardian”, 30 iunie 2003, http://www.theguardian.com/stage/2003/iun/30/theatre.artsfeaturesl Billington, Michael, The Masque of the Red Death, ín „The Guardian”, 4 octombrie 2007, https://www.theguardian.com/stage/2007/oct/04/theatre Brukner, J.D.R., A Dog, Her Guru and Brunch, ín „The New York Times”, 30 ianuarie 1996, http://www.nytimes.com/1996/01/30/theater/theater-review-a-d og-her-guru-and-brunch.html Buchanan, Kyle, How a Sundance Multimedia Exhibit Nearly Made a Blogger Rob a Bank, in „Vulture", 21 ianuarie 2011, http://www.vulture.com/2011/01/how i tried to rob a bank toda, html Clapp, Susannah, A Damned Good Show, in „The Guardian", 29 octombrie 2006, https://www.theguardian.com/stage/2006/oct/29/theatre Dickson, Andrew, Best Theatre of2012, N0 9: You Me Bum Bum Train, in „The Guardian", 11 decembrie 2012, https://www.theguardian.com/stage/2012/dec/ll/best-theatre-20 12-you-me-bum Fisher, Philip, The Elephant Vanishes ín „The British Theatre Guide", 2003, http://www.britishtheatreguide.info/reviews/elephant-rev Fleischer, Mary, The Elephant Vanishes, in „Theatre Journal”, vol. 57, martie 2015, p. 116, http://www.istor.org/discover/10.2307/25069592?sid=21105113 310601 uid=3738920 uid=2 uid=4 Foarfa, Cristina, Sleep no more (Macbeth) sau despre cea mai completă și ciudată experiență teatrală, în „bookaholic.ro", 12 martie 2013, http://bookaholic.ro/sleep-no-more-sau-despre-cea-mai-completa-s i-ciudata-experienta-teatrala.html Frost, Dan, Here's What We Can Say About You Me
Bum Bum Train, ín „Londonist", 23 septembrie 2015, http://londonist.com/2015/09/here-s-what-we-can-say-about-youme-bum-bum-train#disqus_thread Gardner, Lyn, The Masque of the Red Death left me Punchdrunk, in „The Guardian”, 4 octombrie 2007, https://www.theguardian.com/stage/theatreblog/2007/oct/04/the masqueofthereddeathle
368 ■ Andreea Iacob Gee, Catherine, You Me Bum Bum Train, în „The Telegraph", 19 iunie 2015, http://www.telegraph.co.uk/culture/theatre/london-shows/11686 742/You-Me-Bum-Bum-Train-how-to-get-tickets.html Glusker, Anne, The Best Seatsfor This Play Are Moving Fast, ín „The New York Times”, 17 decembrie 2006, http://www.nytimes.com/2006/12/17/theater/17glus.html Hemming, Sarah, You Me Bum Bum Train, Old Foyles Building, London, ín „Financial Times", 14 octombrie 2015, https://www.ft.com/content/45b7b256-7269-lle5-al29-3fcc4f641 d98 Hanra, Hanna, We Took a Ride On the You Me Bum Bum Train, in „Vice", 19 iunie 2015, https://www.vice.com/en uk/article/you-me-bum-bum-train-378 Hitchings, Henry, You Me Bum Bum Train: All aboard for the ride of a lifetime. You Me Bum Bum Train is the ultimate theatrical experience — a promenade performance that taps into your wildest dreams, its creators tell Henry Hitchings, in „Evening Standard", 11 august 2015, http://www.standard.co.uk/goingout/you-me-bum-bum-train-all-a board-for-the-ride-of-a-lifetime-a2473106.html Higgins, Charlotte, ENO joins pioneering theatre company for East End opera, in „The Guardian”, 31 martie 2010, https://www.theguardian.com/stage/2010/mar/31/punchdrunk-e no-collaboration Julious, Britt, Chicago 's David Bowie Is exhibition shows galleries how to face the changes, in „The Guardian”, 23 septembrie 2014, http://www.theguardian.com/music/2014/sep/23/david-bowie-ischicago-exhibition-art-career-changes Jupp, Emily, You Me Bum Bum Train: The latestjourney into challenging immersive theatre, in „The Independent”, 22
septembrie 2015, http://www.independent.co.uk/arts-entertainment/theatre-dance/f eatures/you-me-bum-bum-train-the-latest-iourney-into-challenging -immersive-theatre-10511552.html Kelly, Emma, Inside You Me Bum Bum Train: Take on 20 multiple personalities on bonkers night out, in „Daily Star", 16 octombrie 2015x http://www.dailystar.co.uk/showbiz/470422/You-Me-Bum-Bum-Tr ain-review Lawson, Mark, You Me Boom Boom Train: my trip with the Kafkaesque theatrical cult, in „The Guardian", 23 septembrie 2015, https://www.theguardian.com/stage/2015/sep/23/you-me-bum-b um-train-my-trip-with-the-kafkaesque-theatrical-cult
De la tehnologic la imersiv ■ 369 Maxwell, Dominik, You Me Bum Bum Train at the Old Foyles Building, WC1, ín „The Times”, 21 octombrie 2015, https://www.thetimes.co.uk/article/you-me-bum-bum-train-at-theold-foyles-building-wcl-xpdwpv3cnmk O’Mahony, John, Anarchy in the UK, ín „The Guardian", 1 ianuarie 2005, http://www.theguardian.com/stage/2005/ian/01/theatre2 Orr, Jake, Review: Duchess ofMalfl, Punchdrunk and ENO, 22 iulie 2010, http://www.ayoungertheatre.com/review-duchess-of-malfi-punchd runk-and-eno/ Nissim, Mayer, 'David Bowie Is՛ at the Victoria and Albert Museum review, în „Digial Spy”, 20 martie 2013, http://www.digitalspy.co.uk/music/news/a467165/david-bowie-is -at-the-victoria-and-albert-museum-review.html#~pbYF9ywABqOT cu Piepenburg, Erik, Stage Is Set. Ready for Your Part?, ín „The New York Times”, 16 martie 2011, http://theater.nytimes.com/2011/03/20/theater/sleep-no-more-fr om-punchdrunk-transforms-chelsea-warehouses.html Reed, Peter, The Duchess of Maiß [Torsten Rasch, English National Opera Punchdrunk], 13 iulie 2010, http://www.classicalsource.com/db control/db concert review.php ?id=8374 Rockwell, John, Some Foreigners Steal the Show in Salzburg, in „The New York Times", 19 august 1992, http://www.nytimes.com/1992/08/19/news/some-foreigners-stea l-the-show-in-salzburg.html Shenton, Mark, You Me Bum Bum Train 2015 review - 'London's most visceral theatre event’, in „The Stage", 22 septembrie 2015, https://www.thestage.co.uk/reviews/2015/bum-bum-train-2015-r eview-londons-visceral-theatre-event/ Spencer, Charles, The Masque of the Red Death: A night of
delicious terror, in „The Telegraph”, 4 octombrie 2007, http://www.telegraph.co.uk/culture/theatre/drama/3668321/TheMasque-of-the-Red-Death-A-night-of-delicious-terror.html Trueman, Matt, London Review: Immersive Cult Hit ‘You Me Bum Bum Train՛, in „Variety", 10 noiembrie 2010, http://variety.com/2015/legit/reviews/you-me-bum-bum-train-rev iew-1201637428/
370 ■ Andreea Iacob Surse online http://www.tate.org.uk/art/art-terms/l/live-art https://www.computerhope.com/issues/ch000984.htm http://www.w2vr.com/timeline/Burroughs.html http: //www. w2vr.com/timeline/Wiener.htmI http://www. w2vr.com/archives/Kay/Kay.html http://www.theartstory.org/movement-bauhaus.htm http://www.schawinsky.com/bio http://www.medienkunstnetz.de/works/variations-v/ http://installationart.net/ChapterlIntroduction/introduction03.htmI#i nteraction http://www.ilya-emilia-kabakov.com/installations-l/ http://www.tate.org.uk/whats-on/exhibition/unilever-series-olafur-eli asson-weather-proiect/olafur-eliasson-weather-proiect http://rosewhitemusic.com/piano/writings/iohn-cage-and-the-prepar ed-piano/ www.markamerika.com http://www.grammatron.com/about.html www.there.com www.secondlife.com www.blasttheory.co.uk http://www.kinoautomatcz/about-kinoautomat.htm http://www.czech-it.ro/kinoautomat-primul-film-interactiv-din-lume-i n-proiectie-la-bucuresti-si-clu.html http://www.magiclantern.org.uk/history/history01.php Historical Dictionary of German Theatre, http://german theatre.enacademic.com/334/Piscator, Erwin http://www.see-this-sound.at/print/work/439: http://www.medienkunstnetz.de/works/theatergraph/ https://betweenmeandtheotherworld.wordpress.com/2012/01/07/tri sha-browns-homemade-1966/ http://www.encyklopedie.ckrumlov.cz/docs/en/osobno ioabre.xml http://www.iacques-polieri.com http://thewoostergroup.org www.maboumines.org http://www.thebuildersassociation.org http://www.gertstein.org/ http://www.paulsermon.org/dream/
http://archive.news.ku.edu/1999/99N/OctNews/Oct20/stage.html
De la tehnologic la imersiv ■ 371 www.troikaranch.org www.exile.at https://www.digitalartarchive.at/database/literature/work/the-imagi nary-hotel.html http://www.cc.gatech.edu/classes/cs8113e 99 winter/lambda.html http://www.pochanostra.com/what/ http://www.vam.ac.uk/content/exhibitions/david-bowie-is/# http://davidbowieis.philharmoniedeparis.fr/en/exhibition www.punchdrunk.org.uk http://sleepnomorenyc.com/hotel.htm http://coneyhq.org/about-us/ http://www.fabermusic.com/news/torsten-raschs-new-opera-the-duc hess-of-malfi-561 Surse video https://www.youtube.com/watch?v=y088wII10MY https://www.youtube.com/watch?v=3y2AincVMPU https://www.youtube.com/watch?v=DX974AF7s6A https://www.youtube.com/watch?v=3y2AincVMPU https;//www.youtube.com/watch?v=45TzKWOOYyO
CUPRINS Cuvânt-înainte de Mihai Măniuțiu.7 INTRODUCERE . 13 Evoluția comună a noilor tehnologii și a artei secolului XX. 13 Scurtă istorie a computerelor. 17 începuturile non-liniarității. 19 Interactivitatea și . . 21 Hypertextul în arte. 24 Spațiul scenic și imersia. 28 Performance Art și îmbinarea mediilor. 33 Arta instalațiilor: participare (activarea publicului) și imersie (spații imersive). 43 Scurtă istorie a artei instalațiilor.48 De la spectator la participant Arta instalațiilor și teatrul. 53 69 „Spectacolul cultural" și teatralitatea. 73 Teatrul și relația cu publicul. 78 RAPORTUL CU SPECTATORUL. Avangarda teatrală istorică. 78 Nașterea performance art-ului: de la teatralitate la performativitate. . 79 Paradoxul spectatorului
(emancipat). 86 Raportul spectator - noile tehnologii în alte cîmpuri artistice. Interactivitate și tehnologie în muzee: atinge, simte și descoperă!. 89 89
Spațiul virtual și literatura: interactivitatea în romane hypertextuale. 102 Imitarea realității: website-uri de socializare și tehnologiile pentru jocuri video. 108 Kinoautomat - primul film interactiv din lume și modelul „imersivității totale" în filmul eXistenZ. 116 Participare și imersie în noile forme spectaculare. 125 RAPORTUL CU SPAȚIUL. 141 Spațiu al imaginii video. 143 Spații teatrale dinamice. 161 Spațiu hibrid al imaginii video: între imagine preînregistrată și imagine live. 166 Spațiu al unui alt spațiu: proiecții video live din afara spațiului scenic. 190 Spații teatrale virtuale. ,. 202 De la scenografie la mediu. 227 Internetul ca spațiu (imaterial). 240 Spațiu al experienței. 252 SPRE UN TEATRU IMERSIV.267 Definiții ale teatrului imersiv și relația cu arta instalațiilor. 273 Studii de caz pe producții ale companiei Punchdrunk și spectacolul You Me Bum Bum Train.276 Despre imersie în teatrul tradițional și în teatrul
imersiv. 312 Noile forme de regie, text, actorie, spațiu și spectator în teatrul tehnologic și în teatrul imersiv. 317 Prezent și prezență în teatrul imersiv. 339 Experiența corporală și senzorialitatea. 343 CONCLUZII. 353 BIBLIOGRAFIE. 361 Postfață de Laura Pavel. 373 |
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| geographic_facet | Rumänien |
| id | DE-604.BV048480562 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:39:05Z |
| indexdate | 2024-07-10T09:39:17Z |
| institution | BVB |
| isbn | 9786067976168 9786064903976 |
| language | Romanian |
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| physical | 377 Seiten Illustrationen |
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| publishDate | 2022 |
| publishDateSearch | 2022 |
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| publisher | Editura Şcoala Ardeleană Eikon |
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| series2 | Colecţia Şcoala ardeleană de teatrologie |
| spelling | Iacob, Andreea Verfasser (DE-588)1283328305 aut De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului Andreea Iacob ; cuvânt-înainte de Mihai Măniuţiu ; postfaţă de Laura Pavel Cluj-Napoca Editura Şcoala Ardeleană 2022 Bucureşti Eikon 377 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Colecţia Şcoala ardeleană de teatrologie Theater (DE-588)4059702-7 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Raum (DE-588)4048561-4 gnd rswk-swf Rumänien (DE-588)4050939-4 gnd rswk-swf Rumänien (DE-588)4050939-4 g Theater (DE-588)4059702-7 s Raum (DE-588)4048561-4 s Kunst (DE-588)4114333-4 s DE-604 Măniuţiu, Mihai 1954- (DE-588)1078479313 wpr Pavel, Laura 1968- (DE-588)1245019309 aft Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033858215&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033858215&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Iacob, Andreea De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului Theater (DE-588)4059702-7 gnd Kunst (DE-588)4114333-4 gnd Raum (DE-588)4048561-4 gnd |
| subject_GND | (DE-588)4059702-7 (DE-588)4114333-4 (DE-588)4048561-4 (DE-588)4050939-4 |
| title | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului |
| title_auth | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului |
| title_exact_search | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului |
| title_exact_search_txtP | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului |
| title_full | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului Andreea Iacob ; cuvânt-înainte de Mihai Măniuţiu ; postfaţă de Laura Pavel |
| title_fullStr | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului Andreea Iacob ; cuvânt-înainte de Mihai Măniuţiu ; postfaţă de Laura Pavel |
| title_full_unstemmed | De la tehnologic la imersiv spre un teatru al spectatorului şi al spaţiului Andreea Iacob ; cuvânt-înainte de Mihai Măniuţiu ; postfaţă de Laura Pavel |
| title_short | De la tehnologic la imersiv |
| title_sort | de la tehnologic la imersiv spre un teatru al spectatorului si al spatiului |
| title_sub | spre un teatru al spectatorului şi al spaţiului |
| topic | Theater (DE-588)4059702-7 gnd Kunst (DE-588)4114333-4 gnd Raum (DE-588)4048561-4 gnd |
| topic_facet | Theater Kunst Raum Rumänien |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033858215&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033858215&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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