Time and gender on the Shakespearean stage:
This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge, United Kingdom
Cambridge University Press
2022
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| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself, negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial if we are to develop our understanding of the early modern cultural construction of both |
| Beschreibung: | xii, 275 Seiten |
| ISBN: | 9781108820271 |
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Datensatz im Suchindex
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| adam_text | Contents page viii ix xi List ofFigures Acknowledgements Note on Texts Introduction: The Actions and Delays of Gendered Temporalities i i Virtuous Delay: The Enduring Patient Wife 47 t Transgressive Action: The Impatient Prodigal Husband tot 3 Waiting and Taking: The Temporally Conflicted Revenger 148 4 The Delay’s the Thing: Patience, Prodigality and Revenge in Hamlet 198 Conclusion: Echoes 2-28 Bi bliography Index 235 271 vii
This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial it we are to develop our understanding of the early modern cultural construction of both. Sarah Lewis is Lecturer in Early Modern English Literature at King’s College London. She has со-edited a collection of essays, Family Politics in Early Modern England (2016), and is a Director of the Grasping Kairos research network.
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| adam_txt |
Contents page viii ix xi List ofFigures Acknowledgements Note on Texts Introduction: The Actions and Delays of Gendered Temporalities i i Virtuous Delay: The Enduring Patient Wife 47 t Transgressive Action: The Impatient Prodigal Husband tot 3 Waiting and Taking: The Temporally Conflicted Revenger 148 4 The Delay’s the Thing: Patience, Prodigality and Revenge in Hamlet 198 Conclusion: Echoes 2-28 Bi bliography Index 235 271 vii
This book analyses the cultural and theatrical intersections of early modern temporal concepts and gendered identities. Through close readings of the works of Shakespeare, Middleton, Dekker, Heywood and others, across the genres of domestic comedy, city comedy and revenge tragedy, Sarah Lewis shows how temporal tropes are used to delineate masculinity and femininity on the early modern stage, and vice versa. She sets out the ways in which the temporal constructs of patience, prodigality and revenge, as well as the dramatic identities that are built from those constructs, and the experience of playgoing itself negotiate a fraught opposition between action in the moment and delay in the duration. This book argues that looking at time through the lens of gender, and gender through the lens of time, is crucial it we are to develop our understanding of the early modern cultural construction of both. Sarah Lewis is Lecturer in Early Modern English Literature at King’s College London. She has со-edited a collection of essays, Family Politics in Early Modern England (2016), and is a Director of the Grasping Kairos research network. |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
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| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | First paperback edition |
| era | Geschichte 1570-1610 gnd |
| era_facet | Geschichte 1570-1610 |
| format | Book |
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