Soundtrack to a movement: African American Islam, jazz, and black internationalism
Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousn...
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
New York University Press
[2021]
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Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa. |
Beschreibung: | 247 Seiten |
ISBN: | 9781479806768 9781479871032 |
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520 | |a Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa. | ||
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Datensatz im Suchindex
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adam_text | CONTENTS Introduction: Jazz Brothers in Rhythm and Spirit i 1. Islamic and Christian Influences in Jazz: Boston and New York during World War II 15 2. “Turn to Allah, Pray to the East”: Bebop and the Nation of Islam’s Mission to Blacks in Prison 71 3. The Faith of Universal Brotherhood: The Ahmadiyya Muslim Community’s Popularity among Bebop Musicians 99 4. Hard Bop, Free Jazz, and Islam: Black Liberation and Global Religious and Musical Consciousness in the Late 1950S and 1960S 125 Conclusion: Last Days and Times: Islam and Jazz in the Post-Coltrane Era 199 Acknowledgments 205 Notes 207 Index 239 About the Author 247
|
adam_txt |
CONTENTS Introduction: Jazz Brothers in Rhythm and Spirit i 1. Islamic and Christian Influences in Jazz: Boston and New York during World War II 15 2. “Turn to Allah, Pray to the East”: Bebop and the Nation of Islam’s Mission to Blacks in Prison 71 3. The Faith of Universal Brotherhood: The Ahmadiyya Muslim Community’s Popularity among Bebop Musicians 99 4. Hard Bop, Free Jazz, and Islam: Black Liberation and Global Religious and Musical Consciousness in the Late 1950S and 1960S 125 Conclusion: Last Days and Times: Islam and Jazz in the Post-Coltrane Era 199 Acknowledgments 205 Notes 207 Index 239 About the Author 247 |
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author | Turner, Richard Brent 1951- |
author_GND | (DE-588)139326065 |
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bvnumber | BV048463927 |
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dewey-full | 781.65089/6073 |
dewey-hundreds | 700 - The arts |
dewey-ones | 781 - General principles and musical forms |
dewey-raw | 781.65089/6073 |
dewey-search | 781.65089/6073 |
dewey-sort | 3781.65089 46073 |
dewey-tens | 780 - Music |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
era | Geschichte 1945-1979 gnd |
era_facet | Geschichte 1945-1979 |
format | Book |
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spelling | Turner, Richard Brent 1951- Verfasser (DE-588)139326065 aut Soundtrack to a movement African American Islam, jazz, and black internationalism Richard Brent Turner New York New York University Press [2021] © 2021 247 Seiten txt rdacontent n rdamedia nc rdacarrier Explores how jazz helped propel the rise of African American Islam during the era of global Black liberationAmid the social change and liberation of the civil rights and Black Power movements, the tenor saxophonist Archie Shepp recorded a tribute to Malcolm X's emancipatory political consciousness. Shepp saw similarities between his revolutionary hero and John Coltrane, one of the most influential jazz musicians of the era. Later, the esteemed trumpeter Miles Davis echoed Shepp's sentiment, recognizing that Coltrane's music represented the very passion, rage, rebellion, and love that Malcolm X preached.Soundtrack to a Movement examines the link between the revolutionary Black Islam of the post-WWII generation and jazz music. It argues that from the late 1940s and '50s though the 1970s, Islam rose in prominence among African Americans in part because of the embrace of the religion among jazz musicians. The book demonstrates that the values that Islam and jazz shared-Black affirmation, freedom, and self-determination-were key to the growth of African American Islamic communities, and that it was jazz musicians who led the way in shaping encounters with Islam as they developed a Black Atlantic "cool" that shaped both Black religion and jazz styles. Soundtrack to a Movement demonstrates how by expressing their values through the rejection of systemic racism, the construction of Black notions of masculinity and femininity, and the development of an African American religious internationalism, both jazz musicians and Black Muslims engaged with a global Black consciousness and interconnected resistance movements in the African diaspora and Africa. Geschichte 1945-1979 gnd rswk-swf RELIGION / Islam / History bisacsh African American Muslims African Americans Religion History 20th century African Americans Religion Fundamentalism United States History 20th century Internationalism History 20th century Jazz Religious aspects Islam History 20th century Jazz Social aspects United States History 20th century Schwarze (DE-588)4116433-7 gnd rswk-swf Islam (DE-588)4027743-4 gnd rswk-swf Jazz (DE-588)4028532-7 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Schwarze (DE-588)4116433-7 s Jazz (DE-588)4028532-7 s Islam (DE-588)4027743-4 s Geschichte 1945-1979 z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-4798-0036-0 Erscheint auch als Online-Ausgabe 978-1-4798-4969-7 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033841872&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Turner, Richard Brent 1951- Soundtrack to a movement African American Islam, jazz, and black internationalism RELIGION / Islam / History bisacsh African American Muslims African Americans Religion History 20th century African Americans Religion Fundamentalism United States History 20th century Internationalism History 20th century Jazz Religious aspects Islam History 20th century Jazz Social aspects United States History 20th century Schwarze (DE-588)4116433-7 gnd Islam (DE-588)4027743-4 gnd Jazz (DE-588)4028532-7 gnd |
subject_GND | (DE-588)4116433-7 (DE-588)4027743-4 (DE-588)4028532-7 (DE-588)4078704-7 |
title | Soundtrack to a movement African American Islam, jazz, and black internationalism |
title_auth | Soundtrack to a movement African American Islam, jazz, and black internationalism |
title_exact_search | Soundtrack to a movement African American Islam, jazz, and black internationalism |
title_exact_search_txtP | Soundtrack to a movement African American Islam, jazz, and black internationalism |
title_full | Soundtrack to a movement African American Islam, jazz, and black internationalism Richard Brent Turner |
title_fullStr | Soundtrack to a movement African American Islam, jazz, and black internationalism Richard Brent Turner |
title_full_unstemmed | Soundtrack to a movement African American Islam, jazz, and black internationalism Richard Brent Turner |
title_short | Soundtrack to a movement |
title_sort | soundtrack to a movement african american islam jazz and black internationalism |
title_sub | African American Islam, jazz, and black internationalism |
topic | RELIGION / Islam / History bisacsh African American Muslims African Americans Religion History 20th century African Americans Religion Fundamentalism United States History 20th century Internationalism History 20th century Jazz Religious aspects Islam History 20th century Jazz Social aspects United States History 20th century Schwarze (DE-588)4116433-7 gnd Islam (DE-588)4027743-4 gnd Jazz (DE-588)4028532-7 gnd |
topic_facet | RELIGION / Islam / History African American Muslims African Americans Religion History 20th century African Americans Religion Fundamentalism United States History 20th century Internationalism History 20th century Jazz Religious aspects Islam History 20th century Jazz Social aspects United States History 20th century Schwarze Islam Jazz USA |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033841872&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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