Towards an Intermedial History of Brazilian Cinema:
Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical per...
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| Other Authors: | , , , , , , , , , , , , , , , , , , , |
|---|---|
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Edinburgh
Edinburgh University Press
[2022]
|
| Series: | Edinburgh Studies in Film and Intermediality : ESFI
|
| Subjects: | |
| Online Access: | DE-12 URL des Erstveröffentlichers |
| Summary: | Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) |
| Physical Description: | 1 Online-Ressource (304 pages) 76 B/W illustrations 1 B/W tables 77 B&W illustrations |
| ISBN: | 9781474453004 |
| DOI: | 10.1515/9781474453004 |
Staff View
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| 520 | |a Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. | ||
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| author2 | Adamatti, Margarida Maria Beugnet, Martine Butler, Alison Cesarino Costa, Flávia Christie, Ian Corrêa de Araújo, Luciana Elduque, Albert Lins, Consuelo Lira de Sousa, Ramayana Luca, Tiago de Luna Freire, Rafael de Nagib, Lúcia Nagib, Lúcia Paiva, Samuel Procopio Furtado, Gustavo Reck Miranda, Suzana Soares Brandão, Alessandra Solomon, Stefan Suppia, Alfredo Vieira, João Luiz Xavier, Ismail |
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| author_facet | Adamatti, Margarida Maria Beugnet, Martine Butler, Alison Cesarino Costa, Flávia Christie, Ian Corrêa de Araújo, Luciana Elduque, Albert Lins, Consuelo Lira de Sousa, Ramayana Luca, Tiago de Luna Freire, Rafael de Nagib, Lúcia Nagib, Lúcia Paiva, Samuel Procopio Furtado, Gustavo Reck Miranda, Suzana Soares Brandão, Alessandra Solomon, Stefan Suppia, Alfredo Vieira, João Luiz Xavier, Ismail |
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| dewey-raw | 791.430981 |
| dewey-search | 791.430981 |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474453004 |
| format | Electronic eBook |
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| id | DE-604.BV048457291 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:32:36Z |
| indexdate | 2025-02-19T17:35:29Z |
| institution | BVB |
| isbn | 9781474453004 |
| language | English |
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| physical | 1 Online-Ressource (304 pages) 76 B/W illustrations 1 B/W tables 77 B&W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG BSB_PDA_DGG_Kauf |
| publishDate | 2022 |
| publishDateSearch | 2022 |
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| publisher | Edinburgh University Press |
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| series2 | Edinburgh Studies in Film and Intermediality : ESFI |
| spelling | Towards an Intermedial History of Brazilian Cinema ed. by Lúcia Nagib Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (304 pages) 76 B/W illustrations 1 B/W tables 77 B&W illustrations txt rdacontent c rdamedia cr rdacarrier Edinburgh Studies in Film and Intermediality : ESFI Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) Presents a new history of Brazilian Cinema, based on its dialogue with other arts and mediaLaunches an entirely new historiographic method, drawing on intermediality in order to reconstruct the history of a national cinemaUnveils the multimedia and polymathic wealth behind the various historical periods in Brazilian cinemaProvides an overarching historical coverage of Brazilian cinema, through an innovative approach that connects different periods in Brazilian film history through the multiple art and media forms interwoven in themProposes that different phases of a national cinema can be framed as comparable and interrelated phenomena, rather than relying on evolutionary chronologies and classical-modern or centre-periphery modelsExplores new ways of understanding Brazilian film history, and the history of cinema in generalFrom its inception, Brazilian cinema has combined extra-filmic artistic and cultural forms, both local and imported, resulting in an original aesthetic blend. Theatre, dance, music, circus, radio, television and the plastic arts left a distinctive mark on Brazilian cinema's poetics and politics, as can be observed in a host of fascinating phenomena analysed in this book, including: the film prologues that connected the screen to the stage in the 1920s; the chanchada musical comedies, inflected by vaudeville theatre and the radio; the manguebeat and árido movie movements that blurred the boundaries between music and film; and contemporary multimedia installations and other experiments. By adopting intermediality as a historiographic method, this book reconstructs the history and cultural wealth behind filmic expressions in Brazilian cinema. In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Intermediality Motion pictures Brazil History Adamatti, Margarida Maria ctb Beugnet, Martine ctb Butler, Alison ctb Cesarino Costa, Flávia ctb Christie, Ian ctb Corrêa de Araújo, Luciana ctb Elduque, Albert ctb Lins, Consuelo ctb Lira de Sousa, Ramayana ctb Luca, Tiago de ctb Luna Freire, Rafael de ctb Nagib, Lúcia edt Nagib, Lúcia ctb Paiva, Samuel ctb Procopio Furtado, Gustavo ctb Reck Miranda, Suzana ctb Soares Brandão, Alessandra ctb Solomon, Stefan ctb Suppia, Alfredo ctb Vieira, João Luiz ctb Xavier, Ismail ctb Erscheint auch als Druck-Ausgabe 9781474452984 https://doi.org/10.1515/9781474453004 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Towards an Intermedial History of Brazilian Cinema Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Intermediality Motion pictures Brazil History |
| title | Towards an Intermedial History of Brazilian Cinema |
| title_auth | Towards an Intermedial History of Brazilian Cinema |
| title_exact_search | Towards an Intermedial History of Brazilian Cinema |
| title_exact_search_txtP | Towards an Intermedial History of Brazilian Cinema |
| title_full | Towards an Intermedial History of Brazilian Cinema ed. by Lúcia Nagib |
| title_fullStr | Towards an Intermedial History of Brazilian Cinema ed. by Lúcia Nagib |
| title_full_unstemmed | Towards an Intermedial History of Brazilian Cinema ed. by Lúcia Nagib |
| title_short | Towards an Intermedial History of Brazilian Cinema |
| title_sort | towards an intermedial history of brazilian cinema |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Intermediality Motion pictures Brazil History |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Intermediality Motion pictures Brazil History |
| url | https://doi.org/10.1515/9781474453004 |
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