The anatomy of Iberian polyphony around 1500:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Kassel
Edition Reichenberger
2021
|
| Schriftenreihe: | Iberian early music studies
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | Introduction: "Most of the essays published here were produced between 2019 and early 2020 and grew out of paper presentations in conferences that the research team organised or attended in 2017 and 2018 (while a few were written specifically for this book) (...)." |
| Beschreibung: | xiv, 479 Seiten Illustrationen 24 cm |
| ISBN: | 9783967280210 3967280217 |
Internformat
MARC
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| 245 | 1 | 0 | |a The anatomy of Iberian polyphony around 1500 |c Esperanza Rodríguez-García and João d'Alvarenga (eds.) |
| 264 | 1 | |a Kassel |b Edition Reichenberger |c 2021 | |
| 300 | |a xiv, 479 Seiten |b Illustrationen |c 24 cm | ||
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Datensatz im Suchindex
| _version_ | 1804184389624528896 |
|---|---|
| adam_text | C
ONTENTS
LIST
OF
FIGURES
.....................................................................................
VIII
LIST
OF
TABLES
.........................................................................................
XI
LIST
OF
EXAMPLES
..................................................................................
XII
J
OAO
P
EDRO
D
A
LVARENGA
INTRODUCTION
.........................................................................................
I
C
OMPOSERS
AND
T
HEIR
W
ORKS
1.
K
ENNETH
K
REITNER
THE
TORDESILLAS
PERPLEX
......................................................................
15
2.
G
RAYSON
W
AGSTAFF
PEDRO
DE
ESCOBAR,
POLYPHONIC
LITURGICAL
GENRES,
AND
LOCAL
TRADITIONS
IN
EARLY
SIXTEENTH-CENTURY
SEVILLE
...............
27
C
HANT
AND
P
OLYPHONY
3.
D
AVID
J.
B
URN
THE
ANATOMY
OF
CHANT-BASED
POLYPHONY
C.
1500:
IBERIAN
AND
EUROPEAN
PERSPECTIVES
...................................................
51
4.
J
UAN
C
ARLOS
A
SENSIO
THE
COMPOSITIONAL
PROCESS
IN
THE
ALLELUIA
SETTINGS
OF
E-TZ
2/3:
FROM
PLAINCHANT
TO
POLYPHONY
....................................
74
5.
B
ERNADETTE
N
ELSON
MANUSCRIPT
TARAZONA
2/3
AND
THE
EARLY
IBERIAN
HYMN:
AN
INTERNATIONAL
PERSPECTIVE
IN
THE
POST-DU
FAY
AGE
...................
107
C
OPYING
M
ANUSCRIPTS
6.
M
ICHAEL
N
OONE
THE
COPYING
AND
ACQUISITION
OF
POLYPHONY
AT
TOLEDO
CATHEDRAL
1418-1542:
THE
EVIDENCE
FROM
INVENTORIES
AND
PAYMENT
DOCUMENTS
.................................................................
155
7.
E
SPERANZA
R
ODRIQUEZ
-G
ARCIA
TARAZONA
2/3,
FRANCISCO
DE
PENALOSA,
AND
A
DIS-ATTRIBUTED
CREDO:
NEW
LIGHT
ON
THE
ORIGINS
OF
THE
MANUSCRIPT
..................................
190
T
RANSMISSION
AND
P
ERFORMANCE
8.
J
OAO
P
EDRO
D
A
LVARENGA
MOTET
SELECTIONS
IN
EARLY
TO
MID-SIXTEENTH-CENTURY
SPANISH
AND
PORTUGUESE
MANUSCRIPTS
...........................................................
229
9.
M
ARIA
E
LENA
C
UENCA
R
ODRIGUEZ
EARLY
IBERIAN
POLYPHONIC
MASSES
IN
THE
PORTUGUESE
MANUSCRIPT
P-CUGMM
12:
THE
TRANSMISSION
OF
VARIANTS,
AND
PERFORMANCE
CONCERNS
.............................................................
268
10.
R
ACHEL
C
ARPENTIER
NEVER
WAS
THERE
GREATER
FAME
:
THE
INTERNATIONAL
LIFE
OF
A
SPANISH
SONG
..........................................
:
.................................
290
11.
T
ESS
K
NIGHTON
PERFORMING
AND
LISTENING
TO
THE
CANCIONERO
REPERTORY
IN
THE
FIFTEENTH
CENTURY
..................................................................
317
A
NALYSING
M
USICAL
L
ANGUAGES
AND
S
TYLES
I
N
EW
T
OOLS
OF
R
ESEARCH
12.
O
WEN
R
EES
FORMULAIC
AND
MODULAR
COMPOSITION
IN
UNATTRIBUTED
MOTETS
IN
PORTUGUESE
SOURCES
......................................................................
345
13.
N
UNO
DE
M
ENDONCA
R
AIMUNDO
THE
SACRED
AND
THE
SECULAR:
STYLISTIC
DIALOGUES
BETWEEN
SEPARATE
GENRES
................................................................................
364
14.
E
SPERANZA
R
ODRIGUEZ
-G
ARCIA
AND
C
ORY
M
C
K
AY
COMPOSER
ATTRIBUTION
OF
RENAISSANCE
MOTETS:
A
CASE
STUDY
USING
STATISTICAL
FEATURES
AND
MACHINE
LEARNING
..........................
401
BIBLIOGRAPHY
.......................................................................................
439
INDEX
...................................................................................................
469
|
| adam_txt |
C
ONTENTS
LIST
OF
FIGURES
.
VIII
LIST
OF
TABLES
.
XI
LIST
OF
EXAMPLES
.
XII
J
OAO
P
EDRO
D
'
A
LVARENGA
INTRODUCTION
.
I
C
OMPOSERS
AND
T
HEIR
W
ORKS
1.
K
ENNETH
K
REITNER
THE
TORDESILLAS
PERPLEX
.
15
2.
G
RAYSON
W
AGSTAFF
PEDRO
DE
ESCOBAR,
POLYPHONIC
LITURGICAL
GENRES,
AND
LOCAL
TRADITIONS
IN
EARLY
SIXTEENTH-CENTURY
SEVILLE
.
27
C
HANT
AND
P
OLYPHONY
3.
D
AVID
J.
B
URN
THE
ANATOMY
OF
CHANT-BASED
POLYPHONY
C.
1500:
IBERIAN
AND
EUROPEAN
PERSPECTIVES
.
51
4.
J
UAN
C
ARLOS
A
SENSIO
THE
COMPOSITIONAL
PROCESS
IN
THE
ALLELUIA
SETTINGS
OF
E-TZ
2/3:
FROM
PLAINCHANT
TO
POLYPHONY
.
74
5.
B
ERNADETTE
N
ELSON
MANUSCRIPT
TARAZONA
2/3
AND
THE
EARLY
IBERIAN
HYMN:
AN
INTERNATIONAL
PERSPECTIVE
IN
THE
POST-DU
FAY
AGE
.
107
C
OPYING
M
ANUSCRIPTS
6.
M
ICHAEL
N
OONE
THE
COPYING
AND
ACQUISITION
OF
POLYPHONY
AT
TOLEDO
CATHEDRAL
1418-1542:
THE
EVIDENCE
FROM
INVENTORIES
AND
PAYMENT
DOCUMENTS
.
155
7.
E
SPERANZA
R
ODRIQUEZ
-G
ARCIA
TARAZONA
2/3,
FRANCISCO
DE
PENALOSA,
AND
A
DIS-ATTRIBUTED
CREDO:
NEW
LIGHT
ON
THE
ORIGINS
OF
THE
MANUSCRIPT
.
190
T
RANSMISSION
AND
P
ERFORMANCE
8.
J
OAO
P
EDRO
D
A
LVARENGA
MOTET
SELECTIONS
IN
EARLY
TO
MID-SIXTEENTH-CENTURY
SPANISH
AND
PORTUGUESE
MANUSCRIPTS
.
229
9.
M
ARIA
E
LENA
C
UENCA
R
ODRIGUEZ
EARLY
IBERIAN
POLYPHONIC
MASSES
IN
THE
PORTUGUESE
MANUSCRIPT
P-CUGMM
12:
THE
TRANSMISSION
OF
VARIANTS,
AND
PERFORMANCE
CONCERNS
.
268
10.
R
ACHEL
C
ARPENTIER
"
NEVER
WAS
THERE
GREATER
FAME
"
:
THE
INTERNATIONAL
LIFE
OF
A
SPANISH
SONG
.
:
.
290
11.
T
ESS
K
NIGHTON
PERFORMING
AND
LISTENING
TO
THE
CANCIONERO
REPERTORY
IN
THE
FIFTEENTH
CENTURY
.
317
A
NALYSING
M
USICAL
L
ANGUAGES
AND
S
TYLES
I
N
EW
T
OOLS
OF
R
ESEARCH
12.
O
WEN
R
EES
FORMULAIC
AND
MODULAR
COMPOSITION
IN
UNATTRIBUTED
MOTETS
IN
PORTUGUESE
SOURCES
.
345
13.
N
UNO
DE
M
ENDONCA
R
AIMUNDO
THE
SACRED
AND
THE
SECULAR:
STYLISTIC
DIALOGUES
BETWEEN
SEPARATE
GENRES
.
364
14.
E
SPERANZA
R
ODRIGUEZ
-G
ARCIA
AND
C
ORY
M
C
K
AY
COMPOSER
ATTRIBUTION
OF
RENAISSANCE
MOTETS:
A
CASE
STUDY
USING
STATISTICAL
FEATURES
AND
MACHINE
LEARNING
.
401
BIBLIOGRAPHY
.
439
INDEX
.
469 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Rodríguez García, Esperanza 1968- Alvarenga, João Pedro d’ 1961- |
| author2 | Rodríguez García, Esperanza 1968- Alvarenga, João Pedro d’ 1961- |
| author2_role | edt edt |
| author2_variant | g e r ge ger j p d a jpd jpda |
| author_GND | (DE-588)1101611162 (DE-588)1032555017 |
| author_facet | Rodríguez García, Esperanza 1968- Alvarenga, João Pedro d’ 1961- Rodríguez García, Esperanza 1968- Alvarenga, João Pedro d’ 1961- |
| author_role | aut aut |
| author_sort | Rodríguez García, Esperanza 1968- |
| author_variant | g e r ge ger j p d a jpd jpda |
| building | Verbundindex |
| bvnumber | BV048454762 |
| classification_rvk | LQ 82803 |
| ctrlnum | (OCoLC)1310547338 (DE-599)DNB1253915059 |
| dewey-full | 781.2860946 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.2860946 |
| dewey-search | 781.2860946 |
| dewey-sort | 3781.2860946 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| era | Geschichte 1500 gnd |
| era_facet | Geschichte 1500 |
| format | Book |
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| genre | (DE-588)1071861417 Konferenzschrift 2017-2018 gnd-content |
| genre_facet | Konferenzschrift 2017-2018 |
| geographic | Iberische Halbinsel (DE-588)4047912-2 gnd |
| geographic_facet | Iberische Halbinsel |
| id | DE-604.BV048454762 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:32:02Z |
| indexdate | 2024-07-10T09:38:34Z |
| institution | BVB |
| isbn | 9783967280210 3967280217 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033832850 |
| oclc_num | 1310547338 |
| open_access_boolean | |
| owner | DE-12 DE-355 DE-BY-UBR |
| owner_facet | DE-12 DE-355 DE-BY-UBR |
| physical | xiv, 479 Seiten Illustrationen 24 cm |
| psigel | BSB_NED_20221207 |
| publishDate | 2021 |
| publishDateSearch | 2021 |
| publishDateSort | 2021 |
| publisher | Edition Reichenberger |
| record_format | marc |
| series | Iberian early music studies |
| series2 | Iberian early music studies |
| spelling | The anatomy of Iberian polyphony around 1500 Esperanza Rodríguez-García and João d'Alvarenga (eds.) Kassel Edition Reichenberger 2021 xiv, 479 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Iberian early music studies 5 Introduction: "Most of the essays published here were produced between 2019 and early 2020 and grew out of paper presentations in conferences that the research team organised or attended in 2017 and 2018 (while a few were written specifically for this book) (...)." Geschichte 1500 gnd rswk-swf Musikhandschrift (DE-588)4040847-4 gnd rswk-swf Vokalmusik (DE-588)4063783-9 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Musikalischer Stil (DE-588)4170806-4 gnd rswk-swf Mehrstimmigkeit Musik (DE-588)4169330-9 gnd rswk-swf Iberische Halbinsel (DE-588)4047912-2 gnd rswk-swf (DE-588)1071861417 Konferenzschrift 2017-2018 gnd-content Iberische Halbinsel (DE-588)4047912-2 g Vokalmusik (DE-588)4063783-9 s Mehrstimmigkeit Musik (DE-588)4169330-9 s Musikhandschrift (DE-588)4040847-4 s Aufführung (DE-588)4143388-9 s Musikalischer Stil (DE-588)4170806-4 s Geschichte 1500 z b DE-604 Rodríguez García, Esperanza 1968- (DE-588)1101611162 edt aut Alvarenga, João Pedro d’ 1961- (DE-588)1032555017 edt win aut Iberian early music studies 5 (DE-604)BV044034719 5 B:DE-101 application/pdf https://d-nb.info/1253915059/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033832850&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20220718 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Rodríguez García, Esperanza 1968- Alvarenga, João Pedro d’ 1961- The anatomy of Iberian polyphony around 1500 Iberian early music studies Musikhandschrift (DE-588)4040847-4 gnd Vokalmusik (DE-588)4063783-9 gnd Aufführung (DE-588)4143388-9 gnd Musikalischer Stil (DE-588)4170806-4 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd |
| subject_GND | (DE-588)4040847-4 (DE-588)4063783-9 (DE-588)4143388-9 (DE-588)4170806-4 (DE-588)4169330-9 (DE-588)4047912-2 (DE-588)1071861417 |
| title | The anatomy of Iberian polyphony around 1500 |
| title_auth | The anatomy of Iberian polyphony around 1500 |
| title_exact_search | The anatomy of Iberian polyphony around 1500 |
| title_exact_search_txtP | The anatomy of Iberian polyphony around 1500 |
| title_full | The anatomy of Iberian polyphony around 1500 Esperanza Rodríguez-García and João d'Alvarenga (eds.) |
| title_fullStr | The anatomy of Iberian polyphony around 1500 Esperanza Rodríguez-García and João d'Alvarenga (eds.) |
| title_full_unstemmed | The anatomy of Iberian polyphony around 1500 Esperanza Rodríguez-García and João d'Alvarenga (eds.) |
| title_short | The anatomy of Iberian polyphony around 1500 |
| title_sort | the anatomy of iberian polyphony around 1500 |
| topic | Musikhandschrift (DE-588)4040847-4 gnd Vokalmusik (DE-588)4063783-9 gnd Aufführung (DE-588)4143388-9 gnd Musikalischer Stil (DE-588)4170806-4 gnd Mehrstimmigkeit Musik (DE-588)4169330-9 gnd |
| topic_facet | Musikhandschrift Vokalmusik Aufführung Musikalischer Stil Mehrstimmigkeit Musik Iberische Halbinsel Konferenzschrift 2017-2018 |
| url | https://d-nb.info/1253915059/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033832850&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV044034719 |
| work_keys_str_mv | AT rodriguezgarciaesperanza theanatomyofiberianpolyphonyaround1500 AT alvarengajoaopedrod theanatomyofiberianpolyphonyaround1500 |
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