Parallax:
Saved in:
| Main Author: | |
|---|---|
| Format: | Electronic Musical Score Book |
| Language: | English |
| Published: |
Paris
BabelScores
2018
|
| Subjects: | |
| Online Access: | BSB01 Volltext |
| Item Description: | This composition explores the concept of parallax, the perceived difference in the position of multiple objects seen along different lines of sight. For example, when the viewer of two objects is in motion, the one that is farther away appears to move more slowly than the one that is closer. This piece draws musical equivalences in various ways. The opening section is played freely, as if improvised, and overlaps parts that move at different tempi. The music then transitions into a more metered section which features polymeter and hemiolas embedded within lines that form cross-rhythms with each other. After a rhapsodic interlude, the music settles into a repeated 9-16 figure that is paired with a constant stream of sixteenth notes, beginning with a two-note pattern and undergoing an additive process. The three highest notes of the 9-16 figure become isolated and rhythmically modulate, transforming into the repeated note idea heard in the opening of the piece. |
| Physical Description: | 1 Online-Ressource (1 Partitur (14 Seiten)) |
Staff View
MARC
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| 100 | 1 | |a Shingo Crawford, Michael |d 1995- |4 cmp | |
| 245 | 1 | 0 | |a Parallax |c Michael Shingo Crawford |
| 264 | 1 | |a Paris |b BabelScores |c 2018 | |
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| 336 | |b ntm |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a This composition explores the concept of parallax, the perceived difference in the position of multiple objects seen along different lines of sight. For example, when the viewer of two objects is in motion, the one that is farther away appears to move more slowly than the one that is closer. This piece draws musical equivalences in various ways. The opening section is played freely, as if improvised, and overlaps parts that move at different tempi. The music then transitions into a more metered section which features polymeter and hemiolas embedded within lines that form cross-rhythms with each other. After a rhapsodic interlude, the music settles into a repeated 9-16 figure that is paired with a constant stream of sixteenth notes, beginning with a two-note pattern and undergoing an additive process. The three highest notes of the 9-16 figure become isolated and rhythmically modulate, transforming into the repeated note idea heard in the opening of the piece. | ||
| 653 | |a Instrumental Music | ||
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Record in the Search Index
| _version_ | 1804184344067047424 |
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| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Shingo Crawford, Michael 1995- |
| author_facet | Shingo Crawford, Michael 1995- |
| author_role | cmp |
| author_sort | Shingo Crawford, Michael 1995- |
| author_variant | c m s cm cms |
| building | Verbundindex |
| bvnumber | BV048426593 |
| collection | ZDB-1-BCM |
| ctrlnum | (ZDB-1-BCM)979-0-2325-4650-6 (OCoLC)1344240110 (DE-599)BVBBV048426593 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048426593 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:56Z |
| indexdate | 2024-07-10T09:37:50Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033804874 |
| oclc_num | 1344240110 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (14 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Shingo Crawford, Michael 1995- cmp Parallax Michael Shingo Crawford Paris BabelScores 2018 1 Online-Ressource (1 Partitur (14 Seiten)) ntm rdacontent c rdamedia cr rdacarrier This composition explores the concept of parallax, the perceived difference in the position of multiple objects seen along different lines of sight. For example, when the viewer of two objects is in motion, the one that is farther away appears to move more slowly than the one that is closer. This piece draws musical equivalences in various ways. The opening section is played freely, as if improvised, and overlaps parts that move at different tempi. The music then transitions into a more metered section which features polymeter and hemiolas embedded within lines that form cross-rhythms with each other. After a rhapsodic interlude, the music settles into a repeated 9-16 figure that is paired with a constant stream of sixteenth notes, beginning with a two-note pattern and undergoing an additive process. The three highest notes of the 9-16 figure become isolated and rhythmically modulate, transforming into the repeated note idea heard in the opening of the piece. Instrumental Music https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4836&virtuemart_category_id=1 Verlag URL des Erstveröffentlichers Volltext Piano 1 |
| spellingShingle | Shingo Crawford, Michael 1995- Parallax |
| title | Parallax |
| title_auth | Parallax |
| title_exact_search | Parallax |
| title_exact_search_txtP | Parallax |
| title_full | Parallax Michael Shingo Crawford |
| title_fullStr | Parallax Michael Shingo Crawford |
| title_full_unstemmed | Parallax Michael Shingo Crawford |
| title_short | Parallax |
| title_sort | parallax |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=4836&virtuemart_category_id=1 |
| work_keys_str_mv | AT shingocrawfordmichael parallax |