Free Module Study n1:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch Partitur Buch |
| Sprache: | English |
| Veröffentlicht: |
Paris
BabelScores
2015
|
| Schlagworte: | |
| Online-Zugang: | BSB01 Volltext |
| Beschreibung: | In many aspects, Free Module Study n1 is a piece rooted to classical tradition. The piece is structured and constructed around the transformation of a central motive. The mathematical definition of a Free Module acts as the defining element of the compositional strategy. All the elements are treated independently, with a strong formal unity, reinforced by the use of the instrumentation. This generates a direct relation between the material used and the instrument performing this material. The transformation of the motives evolves from an almost naïve presentation of the material, pianopart, to a much more complex ensemble unity where the material flows into one sound body. The ensemble is treated as a sum of soloist in a constant transformation, moving towards a sonic amalgamation that behaves as a single force. The piece, deliberately avoids tempo changes. Related to the generated sets of linearly independent elements, a constant immobile tempo could be understood as a contradiction. In Free Module Study n1 the tempo is the element of delimitation, that provides an invariant unity and cohesion to the modules. |
| Beschreibung: | 1 Online-Ressource (1 Partitur (32 Seiten)) |
Internformat
MARC
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| 500 | |a In many aspects, Free Module Study n1 is a piece rooted to classical tradition. The piece is structured and constructed around the transformation of a central motive. The mathematical definition of a Free Module acts as the defining element of the compositional strategy. All the elements are treated independently, with a strong formal unity, reinforced by the use of the instrumentation. This generates a direct relation between the material used and the instrument performing this material. The transformation of the motives evolves from an almost naïve presentation of the material, pianopart, to a much more complex ensemble unity where the material flows into one sound body. The ensemble is treated as a sum of soloist in a constant transformation, moving towards a sonic amalgamation that behaves as a single force. The piece, deliberately avoids tempo changes. Related to the generated sets of linearly independent elements, a constant immobile tempo could be understood as a contradiction. In Free Module Study n1 the tempo is the element of delimitation, that provides an invariant unity and cohesion to the modules. | ||
| 653 | |a Chamber Ensemble (5 - 9 instruments) | ||
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Datensatz im Suchindex
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| author | Malondra Flaquer, Mateu 1977- |
| author_facet | Malondra Flaquer, Mateu 1977- |
| author_role | cmp |
| author_sort | Malondra Flaquer, Mateu 1977- |
| author_variant | f m m fm fmm |
| building | Verbundindex |
| bvnumber | BV048425074 |
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| ctrlnum | (ZDB-1-BCM)979-0-2325-3030-7 (OCoLC)1344255877 (DE-599)BVBBV048425074 |
| format | Electronic Musical Score Book |
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| id | DE-604.BV048425074 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:27:55Z |
| indexdate | 2024-07-10T09:37:49Z |
| institution | BVB |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033803356 |
| oclc_num | 1344255877 |
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| owner | DE-12 |
| owner_facet | DE-12 |
| physical | 1 Online-Ressource (1 Partitur (32 Seiten)) |
| psigel | ZDB-1-BCM |
| publishDate | 2015 |
| publishDateSearch | 2015 |
| publishDateSort | 2015 |
| publisher | BabelScores |
| record_format | marc |
| spelling | Malondra Flaquer, Mateu 1977- cmp Free Module Study n1 Mateu Malondra Flaquer Paris BabelScores 2015 1 Online-Ressource (1 Partitur (32 Seiten)) ntm rdacontent c rdamedia cr rdacarrier In many aspects, Free Module Study n1 is a piece rooted to classical tradition. The piece is structured and constructed around the transformation of a central motive. The mathematical definition of a Free Module acts as the defining element of the compositional strategy. All the elements are treated independently, with a strong formal unity, reinforced by the use of the instrumentation. This generates a direct relation between the material used and the instrument performing this material. The transformation of the motives evolves from an almost naïve presentation of the material, pianopart, to a much more complex ensemble unity where the material flows into one sound body. The ensemble is treated as a sum of soloist in a constant transformation, moving towards a sonic amalgamation that behaves as a single force. The piece, deliberately avoids tempo changes. Related to the generated sets of linearly independent elements, a constant immobile tempo could be understood as a contradiction. In Free Module Study n1 the tempo is the element of delimitation, that provides an invariant unity and cohesion to the modules. Chamber Ensemble (5 - 9 instruments) https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2799&virtuemart_category_id=6 Verlag URL des Erstveröffentlichers Volltext Saxophone 1 Piano 1 Real-time electronics 1 Electric guitar 1 Accordion 1 |
| spellingShingle | Malondra Flaquer, Mateu 1977- Free Module Study n1 |
| title | Free Module Study n1 |
| title_auth | Free Module Study n1 |
| title_exact_search | Free Module Study n1 |
| title_exact_search_txtP | Free Module Study n1 |
| title_full | Free Module Study n1 Mateu Malondra Flaquer |
| title_fullStr | Free Module Study n1 Mateu Malondra Flaquer |
| title_full_unstemmed | Free Module Study n1 Mateu Malondra Flaquer |
| title_short | Free Module Study n1 |
| title_sort | free module study n1 |
| url | https://www.babelscores.com/?option=com_virtuemart&Itemid=692&view=productdetails&virtuemart_product_id=2799&virtuemart_category_id=6 |
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